In this film she plays Virginia Cunningham, a woman who
finds herself in a mental asylum with people who are seriously afflicted.
She cannot recall how she got there. Through a series of flashbacks her
husband, Robert, played by Mark Stevens, begins to recount the story of their
courtship in Chicago. What follows is the tale of a woman going mad.
As the two continue to date, Virginia becomes more and more
shut off, and eventually she leaves for New York with no explanation. When
Robert runs into her again, after some time apart, the two are married and all
should be well. Instead this is only the beginning of Virginia’s final descent
into her own private hell.
While Virginia continues undergoing treatment under the care
of Dr. Mark Kik, played by Leo Glenn, she seems to be making progress. But soon
she takes a turn for the worse and finds herself back in the most intensive
ward of the hospital, known as the “Snake Pit”.
In 1948 a film dealing with a schizophrenic inmate at a
mental institution was pretty much cutting edge stuff. Virginia hears
voices and is totally out of touch with reality. The scenes of shock therapy
and the treatment of the inmates by some of the staff were not yet the stuff of
TV dramas and documentaries. The strait jacket scene still sends shivers down my spine; I cannot bear to be restrained.
The film won 7 Academy Awards, including Best Picture for
1948. It was directed by Director Anatole Litvak, who was adamant that Ms. De Havilland,
as well as other key players in the film, undergo several months of research
and training before shooting of the film even began. In the end though, it all paid off. This is
one intense film to watch.
Ms. De Havilland, who is still alive and well; living in
Paris; has described this as being her favorite movie among the scores in which
she starred. I know this to be true; as about 5 years ago, on her birthday in
July; I sent her a birthday greeting along with a review of “Robin Hood” with Errol
Flynn. She was kind enough to send a reply and mentioned the fact to me then.
The “Snake Pit” is so painful for me to watch; and her acting so realistic; that it has taken me that long to work up the courage to watch it again! It is no wonder she won the Academy Award for her work in this film.
The “Snake Pit” is so painful for me to watch; and her acting so realistic; that it has taken me that long to work up the courage to watch it again! It is no wonder she won the Academy Award for her work in this film.
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