This is a truly wonderful film. During the Second World War,
and the Nazi blitz of London, many of the children from all classes were evacuated
to the country side in order to ensure their survival. William is one of those
children. He has the misfortune of winding up; by default; in the home of “Mister
Tom” Oakley, played by John Shaw with great depth and compassion.
Tom is an aging widower who has lost a wife and child during
the First World War, when he was serving in the Royal Navy. He has spent his
entire life grieving their loss, earning him a reputation around his village as
a bitter man. When William is thrust upon him with no notice he at first rebels
against the whole idea. But, with the war on he finds himself the victim of a
mandatory order, and so must make the best of things.
As he struggles to get used to William’s presence he finds
that the boy has been severely abused. He is also suffering from the effects of
living in war torn London, with every noise frightening him. As Tom comes to
know the boy better, they develop a trust with one another.
William’s mother recalls him to be with her in London,
without official permission. Once she has the boy back with her she begins to
exhibit the signs of religious fanaticism borne of the effects of the war and the
arrival of another child, father unknown. She begins to beat William again, as
well as neglect the baby girl, whom William has grown to love and tries to protect.
Meantime, back in the village, Tom has become lonely for the
presence of the boy. It seems that they both really needed one another; each to
escape their own demons. So, accordingly, Tom sets off for London to find the
boy. What he discovers when he arrives shocks his sensibilities, and after
being denied permission to take the boy back home, he kidnaps him, much to
William’s delight.
But the day of reckoning comes and a struggle between the
letter and the spirit of the law takes place. The winning side will decide
William’s fate, as well as the future happiness of Mister Tom.
This is a beautifully crafted film, something the viewer has
come to expect from the BBC productions and English cinema in general. This
movie has been around since 1998, but its message never gets dated and the film
remains as relevant now as it was when it was first released.
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