Showing posts with label Nat King Cole. Show all posts
Showing posts with label Nat King Cole. Show all posts

Thursday, August 1, 2024

"Smile" - Nat King Cole and Charlie Chaplin

 



 
"Smile" has always been one of my favorite songs. I hum it to myself when I'm down, or alone. Charlie Chaplin wrote the tune for the film "Modern Times" in 1936. He even wrote  "Eternally" (later retitled as "Terry'sTheme") for "Limelight" in 1951. But "Smile" is what he is most remembered for.

The lyrics were added in 1954 by Geoffrey Parsons and John Turner. By 1954 Nat King Cole made it the standard we all know and love. Louis Armstrong did it as well. And even Michael Jackson did a version of it. So smile, everyone.....smile. 🙂

Smile though your heart is aching
Smile even though it's breaking
When there are clouds in the sky, you'll get by
If you smile through your fear and sorrow
Smile and maybe tomorrow
You'll see the sun come shining through for you

Light up your face with gladness
Hide every trace of sadness
Although a tear may be ever so near

That's the time you must keep on trying
Smile, what's the use of crying?
You'll find that life is still worthwhile
If you just smile

That's the time you must keep on trying
Smile, what's the use of crying?
You'll find that life is still worthwhile
If you just smile

Charles Chaplin / Geoffrey Parsons / John Turner

Sunday, December 23, 2012

Mel Torme and Judy Garland - "The Christmas Song" (1963)


Everyone knows the version of “The Christmas Song” by Nat King Cole. You might have to jog people’s memories with the first line, “Chestnuts roasting on an open fire…..” but for the most part, everybody knows the rest of the song. That’s why I chose this version to post. It’s from a 1963 television special, but it is performed by its composer, the marvelous Mel Torme. And, as if that weren’t enough of an attraction, he is joined by the legendary Judy Garland in delivering one of the most beautiful versions of this iconic song.
I’m not doing much between now and New Year’s. Playing guitar, reading, blogging, blogging and listening to music. It can be a pleasant rut, especially in the winter time. But every now and again, something comes along and grabs your attention. That’s what this video did to me; it grabbed my attention and made me want to share it.

Mel Torme was 19 years old when he wrote this song; others would follow; but had he never written another, it’s almost enough to say that that song alone would have fulfilled his destiny. Not to mention the pile of money it generated for Nat King Cole…

Saturday, September 4, 2010

Dean Martin - The Capitol Years

I have always been a fan of Dean Martin. I love the arrangements and of course, the singing. Dean Martin is one of the "whiskey throated" smooth voiced singers of the 1940's through the 1960's. Along with Nat King Cole, Mr. Martin was largely influenced by the sound of Bing Crosby in his phrasing of the lyrics, as compared to the earlier stylings of singers such as Rudy Valee. That difference in styling marked the change from "crooning" to what we now consider real singing.

This double CD has it all, including Nat King Cole and Dean Martin's rousing duet of "Open Up the Dog House" to Dean Martin and Jerry Lewis singing "Every Street's a Boulevard", from the 1954 soundtrack of "Living It Up." The pop hits with orchestral backings are a refreshing change from the Top 40 sounds that comes over today's radio. They don't write songs like "I'd Cry Like A Baby" anymore. I'd wager, that if that recording were ever released as a single today, it would top the charts. Laugh if you will, but remember, this is the voice that knocked The Beatles off of the Top Ten in the summer of 1964 with "You're Nobody Til Someday Loves You." Who'd have thought?

Some of my favorite tracks, as usual, are the "previously unreleased" stuff, which gives you a chance to see where the hits came from. It's a glimpse into the creative process that lends an extra attraction to the listening experience. It's the stuff I prefer to hear in my car, where it all seems so personal.

The disc covers every genre of Mr. Martin's unique talent during the years 1949 - 1957. It includes such hits as "Sleepy Old New England Town" and "Solitaire", with their sweet sentimentality, to the rollicking renditions of "Beau James" and "Good Morning Life." And with 40 selections to chose from this collection still manages to keep you in the mood for more.