Showing posts with label Judy Garland. Show all posts
Showing posts with label Judy Garland. Show all posts

Sunday, April 5, 2015

Easter Sunday - 1965

Easter Sunday was a big deal when I was a kid. They still actually had an Easter Parade down 5th Avenue in Manhattan. It wasn’t the type of Parade I expected. It was just like the scene in the Judy Garland film “Easter Parade”; lots of people strolling in their Easter finery and the women showing off the latest in the world of hats. The only real difference is that no one actually sang the song like they did in the movie.

It’s too bad they don’t do the Eater Parade thing anymore. With today’s technology it would be so easy to organize a “flash mob”, having them assemble; with hats, and singing; for a reproduction of the closing scene from the film. Now, wouldn’t that be something?

I was going to use the film of the parade scene from the film "The Easter Parade" here- but this is so much cooler;


I was surprised to find that there still is a sort of Easter Parade in New York each year. And it's still on 5th Avenue; though it is more like a street festival than the promenade it used to be;And here is the Easter Parade as it looked in 2013;


Sunday, April 20, 2014

"Easter Parade" with Fred Astaire and Judy Garland (1948)

Here’s another fine movie I first saw on television as a kid. The plot is extremely simple; a nightclub performer hires a chorus girl to become his new dance partner. He does this to prove to his ex-partner that he can make anybody a success. But that’s just the plot.

And, what makes this film such a timeless classic is the score by Irving Berlin and the performances by Fred Astaire and Judy Garland. After all; the real joy of this film; or any musical for that matter; is in the songs. And this one has a whole bunch of showstoppers in it.

Of course, Judy Garland; as Hannah; and Fred Astaire; as Don Hewes; are the stars of the show. Bringing up the rear you have Anne Miller; as Nadine; and Peter Lawford; as Jonathan Harrow III; who are both friends and rivals of Hannah and Don. And Miss Miller can really dance! And, while Peter Lawford gives it his best shot at singing, his strongest suit (no pun intended) is that he looks great in a tuxedo, and you get the feeling that’s how he got the part.

This is a wonderful movie, filled with one great number after another. I hadn’t seen this film in about 30 years and decided to give it a shot for the holiday. Most people would probably post the “Easter Parade” number in the review of this film. I’m partial to the song below. I actually used to sing this in the shower when I was in the Navy. The old timers thought I had good taste; though a lousy voice. The younger guys just thought I was gay!

Happy Easter and enjoy the film!


Monday, April 7, 2014

"South of East Jesus" by G. Bernstein (2014)

The cover of Glenn Bernstein’s newest novel, “South of East Jesus”, speaks volumes about the dual nature of human beings. The silhouette depicts a man and a woman; one in portrayed in light; and the other in darkness. You can see through them both. Even the title contains a message of sorts; as if we are all a bit shy of the mark when it comes to perfection.

I don’t know whether my assessment has any validity to it, or if I have conjured up this explanation as a result of Mr. Bernstein’s tale, which explores these very questions. He does so through the character of Renny, a woman who finds herself alone and pregnant after the suicide of her husband Parker.

When an emergency terminates the pregnancy of one of her twins, Renny finds herself in the care of Dr. Thomas Ryan, a widower, and a man with a reputation to uphold. Renny, on the other hand, has nothing to lose and everything to gain as she finds herself drawn to this kind, empathetic professional.

But lines get blurred when simple acts of kindness become more than simple, and Renny stokes the fires of passion with her every move. Soon, they both face the biggest single dilemma of their separate lives. What happens as a result of having crossed those lines becomes something which consumes them both.

Steamy dialogue and fast paced writing make this a compelling read for fans of romance novels. I could hardly keep the book out of my wife’s hands long enough to read it myself, without searching for it each time I went to pick it up. This is Mr. Bernstein’s 2nd book, and I would suspect that it will not be his last.
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Mickey Rooney - RIP


Word just came in that Mickey Rooney; iconic force of entertainment; has passed away at age 93. An accomplished professional in all aspects of show business, his passing represents yet another loss to the golden days of vaudeville, radio, movies and television. 

We shall not see the likes of him again; which makes you tube all the more worthwhile. For a good example of his powerful dramatic acting skills hit the following link;


Monday, February 17, 2014

"The Other Side of Oz" by Buddy Epsen (1993)

Everybody loves Buddy Ebsen. And we all know that he was supposed to be the original Tin Man in the “Wizard of Oz”; only leaving the role due to an allergic reaction to a very stupid choice of pure aluminum powder for makeup. But the full story of Buddy Ebsen’s life and fabulous career is rarely told. And, who better to tell it; in that inimitable style of his; than Buddy Ebsen.

Born in 1908 Mr. Ebsen was one of those lucky enough to have a career in vaudeville, silent films, talkies and then television. Alone at first, and then with his sister Vilma by his side, he played in several shows on Broadway, and even in the Ziegfeld Follies.

There is so much of Mr. Ebsen’s personality in these pages; it’s like having your grandfather talking to you; especially if you read it like Barnaby Jones. His chapter on the film he did with Shirley Temple was very timely; Ms. Temple passed away just as I finished reading it. His description of her as a very sincere child ring true to what I have read elsewhere. She was slated to play opposite him in “The Wizard of Oz”, but a scheduling conflict with the other studio made it impossible.

Mr. Ebsen is philosophical about it all; including his own problems associated with the film; dismissing it as a stroke of luck. So many of the people involved in that film were the victims of “bad luck” later on in life that he feels almost as if he and Ms. Temple may have both “dodged a bullet”, so to speak. Even Margaret Hamilton; the Wicked Witch of the West; was the victim of severe burns on the set.

This type of thinking concerning fate appears several times throughout the book, as when he encounters Max Baer at a Championship fight in the late 1930’s. In describing the incident he marvels that he was interacting with a man who would later father the child who would not only appear with him in one of his greatest commercial successes, but would also save his life. I won’t spoil that one for you; let’s just say it’s worth the read.

His experiences trying to get in the Navy, and finally settling with the Coast Guard; before winding up in the Navy anyway; are an excellent example of the futility in trying to deal with the government. There was a war on, Mr. Ebsen wanted to fight for his country, yet he couldn't get in! Only after he gave up trying did he get to serve. And then it was on a weather ship off the NW coast of the United States, where he served as Executive Officer aboard the USS Pocatello. He spent a couple of years sending weather balloons aloft in defense of freedom.  This was actually good preparation for his later role on Broadway, where he played the hapless Mr. Roberts, a Navy Lieutenant who was just dying to get off his cargo ship and into the war. Most people remember Henry Fonda in that role, but Mr. Ebsen played it first. Still, this experience was the culmination of his boyhood love for the water, and the springboard to a lifelong love of yachting and racing.

After the war came his only real lack of steady employment in the entertainment business. With the advent of TV came the decline of Vaudeville. Broadway was in a new heyday, but with fewer shows than there had been pre-war. At one point he was reduced to one night stands as part of a 3 act show in movie houses in Brooklyn. This was the lowest point of his career. After having played in the Ziegfeld Revue and alongside some of the best acts in entertainment history, this was the point at which he almost gave it all up. But then along came Disney.

His role alongside Fess Parker; who wound up playing the title role originally promised to Mr. Ebsen; made him “hot” again, and he began to get offers from just about every TV show around. He even got to do his dance routines again for a new audience. Then came the guest spots on programs such as The Andy Griffith Show, where he played a vagabond who has a bad influence on Opie. To prevent the boy from idolizing him too much, he does something very bad; but also very brave; in order to bring the boy back in line.

Within a year of that episode he was in front of the camera, starring as the straight man in Paul Henning’s award winning “The Beverly Hillbillies”, which ran 9 years. This show featured Max Baer, Jr., the son of the boxer previously mentioned. He really does save Mr. Ebsen’s life during the filming of one particular episode. The only hint I’ll give you is that it happened during the filming of one of the “Double Naught Spy” episodes.

This book was an unexpected surprise which came to me while wandering the “stacks” at the library in Mooresville last week. Beautifully illustrated with photos from the authors own collection, this is a book for fans of Broadway, vaudeville, movies and television. And, even if you don’t like The Beverly Hillbillies, you will find much to like about this book.

Thursday, December 19, 2013

"The Christmas Song" - Mel Torme and Judy Garland (1963)


No Christmas can be complete without this classic, which was written by Mr. Torme when he was just 19 years old. This version is taken from the 1963 Judy Garland Christmas Special. A portion of the following is reposted from last year. The rest I just thunk up…

Everyone knows the version of “The Christmas Song” by Nat King Cole. You might have to jog people’s memories with the first line, “Chestnuts roasting on an open fire…..” but for the most part, everybody knows the rest of the song. That’s why I chose this version to post. It’s from a 1963 television special, but it is performed by its composer, the marvelous Mel Torme. And, as if that weren’t enough of an attraction, he is joined by the legendary Judy Garland in delivering one of the most beautiful versions of this iconic song.

This is the time of year to kind of relax and reflect back on where you’ve been and what you’ve done; not to mention where you’ll be next year at this time. One thing’s for sure, you won’t get through the holidays without hearing this song. Some things never change.

Mel Torme was only 19 years old when he wrote this song; others would follow; but had he never written another, it’s almost enough to say that that song alone would have fulfilled his destiny. Enjoy this by the fireside if you can…
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The "New" USS Milwaukee LCS-5


The "new" USS Milwaukee, LCS-5, was launched in Marinette, Wisconsin the other day. This is the 5th vessel to bear the name Milwaukee, beginning with the first Milwaukee in the Civil War. I served as a Quartermaster aboard the 4th USS Milwaukee, AOR-2, a fleet replenishment "oiler" in the 1970's. 

The new ship didn't seem to want to cooperate, taking 10 blows from the champagne bottle swung by Mrs. Leon Panetta, wife of the former Defense Secretary, before sliding down the ways for her first taste of the sea.

For a better video, with some more background about the ship, go to this link, which is a broadcast from Milwaukee about the ship's launch. For some reason it would not load here correctly.


Fair winds and following seas to all who will be sailing her!

Monday, October 28, 2013

"I, Toto" by Willard Carroll (2013)

In this highly imaginative and creative book, author Willard Carroll gives voice to the iconic Toto of “Wizard of Oz” fame. The inspiration for this book seems to have come from a chance discovery on the site of the old kennels where Toto was housed and trained by Carl Spitz. The area was being demolished for the widening of Ventura Blvd. when Mr. Carroll came upon a metal box in the debris.

That box contained a scrapbook of the legendary Terrier, who was actually named Terry, and appeared in over 12 films opposite stars such as Shirley Temple and Spencer Tracey, Wallace Beery, Jack Benny, Frederic March, Ida Lupino and of course, Judy Garland, to name a few.

Cleverly taking publicity stills form the films in which Terry appeared, both before and after “The Wizard of Oz”, the author is able to trace the career path which led him to the role as Toto. And, in between, the author dons the persona of Terry and tells his story.

I picked this book up as an antidote to a heavy tome I was reading, and from which I needed a break. Books come in all forms, shapes and sizes. Though this book barely hits 100 pages, it will fill your heart. 

Wednesday, July 3, 2013

"Yankee Doodle Dandy" - James Cagney (1942)


In this finale from the film “Yankee Doodle Dandy” about the life of the legendary song and dance man George M. Cohan, James Cagney kicks out all the stops in his exuberant performance of the title song. Towards the end he even teams up with Judy Garland and Mickey Rooney to bring new life to a very old song.

The movie is mainly the story of the Cohan’s family vaudeville act, “The Four Cohan’s”, and their precocious child George, who is very much full of himself. He has no doubts that he was born to do something big. And he did. As a triple threat entertainer; one who could compose, sing and dance; he had few contemporary rivals. The film chronicles his life as a child star and then his triumphant return to the stage, culminating in his receiving a Presidential medal for his achievements and patriotism. That medal, the Congressional Gold Medal, which was awarded in 1936, is a civilian award and was presented to him by FDR for his song “Over There” which was written for the First World War.

James Cagney was one of the most versatile performers to ever work in the film industry. From his early roles as a gangster in films such as “Angels with Dirty Faces”, Mr. Cagney went on to more dramatic work, as in the film “The Seven Foys”, also a true story of vaudeville. And, after shooting it out in gangster films, dancing up the walls in this film; a feat which Gene Kelly would later replicate in his films; he went on to produce some of the most underrated films of his career using his own money. A good example of that would be William Saroyan’s “The Time of Your Life” in 1948. After proving to himself that he could do it all, he made one last gangster film, “White Heat”, in 1949.

If you have any doubts about Mr. Cagney’s enormous talents then just hit You Tube and watch the stairway scene from the “Yankee Doodle Dandy” film. In it he has just received his medal from the President and then dances down a stairway without looking at anything but the audience and holding onto nothing but his dignity. This is a perfect film to watch if you really want to be in the mood for the 4th of July. Here is the link to that little dance down the stairway;


Sunday, December 23, 2012

Mel Torme and Judy Garland - "The Christmas Song" (1963)


Everyone knows the version of “The Christmas Song” by Nat King Cole. You might have to jog people’s memories with the first line, “Chestnuts roasting on an open fire…..” but for the most part, everybody knows the rest of the song. That’s why I chose this version to post. It’s from a 1963 television special, but it is performed by its composer, the marvelous Mel Torme. And, as if that weren’t enough of an attraction, he is joined by the legendary Judy Garland in delivering one of the most beautiful versions of this iconic song.
I’m not doing much between now and New Year’s. Playing guitar, reading, blogging, blogging and listening to music. It can be a pleasant rut, especially in the winter time. But every now and again, something comes along and grabs your attention. That’s what this video did to me; it grabbed my attention and made me want to share it.

Mel Torme was 19 years old when he wrote this song; others would follow; but had he never written another, it’s almost enough to say that that song alone would have fulfilled his destiny. Not to mention the pile of money it generated for Nat King Cole…