"The Other Side of Oz" by Buddy Epsen (1993)

Everybody loves Buddy Ebsen. And we all know that he was supposed to be the original Tin Man in the “Wizard of Oz”; only leaving the role due to an allergic reaction to a very stupid choice of pure aluminum powder for makeup. But the full story of Buddy Ebsen’s life and fabulous career is rarely told. And, who better to tell it; in that inimitable style of his; than Buddy Ebsen.

Born in 1908 Mr. Ebsen was one of those lucky enough to have a career in vaudeville, silent films, talkies and then television. Alone at first, and then with his sister Vilma by his side, he played in several shows on Broadway, and even in the Ziegfeld Follies.

There is so much of Mr. Ebsen’s personality in these pages; it’s like having your grandfather talking to you; especially if you read it like Barnaby Jones. His chapter on the film he did with Shirley Temple was very timely; Ms. Temple passed away just as I finished reading it. His description of her as a very sincere child ring true to what I have read elsewhere. She was slated to play opposite him in “The Wizard of Oz”, but a scheduling conflict with the other studio made it impossible.

Mr. Ebsen is philosophical about it all; including his own problems associated with the film; dismissing it as a stroke of luck. So many of the people involved in that film were the victims of “bad luck” later on in life that he feels almost as if he and Ms. Temple may have both “dodged a bullet”, so to speak. Even Margaret Hamilton; the Wicked Witch of the West; was the victim of severe burns on the set.

This type of thinking concerning fate appears several times throughout the book, as when he encounters Max Baer at a Championship fight in the late 1930’s. In describing the incident he marvels that he was interacting with a man who would later father the child who would not only appear with him in one of his greatest commercial successes, but would also save his life. I won’t spoil that one for you; let’s just say it’s worth the read.

His experiences trying to get in the Navy, and finally settling with the Coast Guard; before winding up in the Navy anyway; are an excellent example of the futility in trying to deal with the government. There was a war on, Mr. Ebsen wanted to fight for his country, yet he couldn't get in! Only after he gave up trying did he get to serve. And then it was on a weather ship off the NW coast of the United States, where he served as Executive Officer aboard the USS Pocatello. He spent a couple of years sending weather balloons aloft in defense of freedom.  This was actually good preparation for his later role on Broadway, where he played the hapless Mr. Roberts, a Navy Lieutenant who was just dying to get off his cargo ship and into the war. Most people remember Henry Fonda in that role, but Mr. Ebsen played it first. Still, this experience was the culmination of his boyhood love for the water, and the springboard to a lifelong love of yachting and racing.

After the war came his only real lack of steady employment in the entertainment business. With the advent of TV came the decline of Vaudeville. Broadway was in a new heyday, but with fewer shows than there had been pre-war. At one point he was reduced to one night stands as part of a 3 act show in movie houses in Brooklyn. This was the lowest point of his career. After having played in the Ziegfeld Revue and alongside some of the best acts in entertainment history, this was the point at which he almost gave it all up. But then along came Disney.

His role alongside Fess Parker; who wound up playing the title role originally promised to Mr. Ebsen; made him “hot” again, and he began to get offers from just about every TV show around. He even got to do his dance routines again for a new audience. Then came the guest spots on programs such as The Andy Griffith Show, where he played a vagabond who has a bad influence on Opie. To prevent the boy from idolizing him too much, he does something very bad; but also very brave; in order to bring the boy back in line.

Within a year of that episode he was in front of the camera, starring as the straight man in Paul Henning’s award winning “The Beverly Hillbillies”, which ran 9 years. This show featured Max Baer, Jr., the son of the boxer previously mentioned. He really does save Mr. Ebsen’s life during the filming of one particular episode. The only hint I’ll give you is that it happened during the filming of one of the “Double Naught Spy” episodes.

This book was an unexpected surprise which came to me while wandering the “stacks” at the library in Mooresville last week. Beautifully illustrated with photos from the authors own collection, this is a book for fans of Broadway, vaudeville, movies and television. And, even if you don’t like The Beverly Hillbillies, you will find much to like about this book.

"At the Codfish Ball" - Shirley Temple with Buddy Ebsen (1936)

Shirley Temple passed away the other day. She was 85 years old. She was also Buddy Ebsen's favorite dance partner; next to his own sister Vilma, of course.  I was just reading about Ms. Temple in Mr. Ebsen's autobiography "The Other Side of Oz", which I will review here next week.

Ms. Temple was the first choice for the role of Dorothy in "The Wizard of Oz", which would've suited Mr. Ebsen just fine, as the two had worked together before. This number, "At the Codfish Ball" is from the film "Captain January", which was released in 1936. Godspeed and keep on dancing Ms. Temple!

The Earl Scruggs Center - Shelby, N.C.

The Town of Shelby;  home to the Don Gibson Theater; has a new attraction at the old County Courthouse. The long awaited Earl Scruggs Center has opened. Saturday marked the trial run with a "sneak preview" allowing a limited number of visitors to enter on a "timed" basis for about 45 minutes at 15 minute intervals. Nobody was disappointed.

The town of Shelby is usually a bit sleepy on weekends, but with the opening of the Earl Scruggs center that is about to change. The Old County Courthouse sits in the center of downtown Shelby and is surrounded by restaurants and shops, all of whom will be happy with the additional traffic the Center will create.

The Center is well organized, beginning with a short 15 minute film about Earl Scruggs and his rise to fame. Lester Flatt is equally represented in the film, which is as it should be. The two names go together like salt and pepper.

If you love guitars and banjos, then this is the spot for you. Gibson's and Martin's abound; some are even made with gold fittings. These are priceless instruments with a solid history of having changed the direction of a musical genre, even while creating a new one in the hands of Earl Scruggs, with his pioneer style of banjo picking which would set him apart from all the rest. His Foggy Mountain Breakdown is as potent today as the day it was first written over 50 years ago.

The statue above is life sized and sports one of Mr. Scruggs hats as well as a real banjo. If it were done in color you would feel like you were meeting the great man himself. The whole museum is filled with interactive exhibits accessible by using the "ear buds" given at the door. This allows the visitor to roam at will, plugging in wherever their desire might take them.

For instance, there is a room devoted entirely to Mr. Scruggs radio days, where you can plug in and listen to the early broadcasts which came to define his style. Then you can move on into the TV room and plug in there. 

But, for me at least, the best part was the plethora of musical instruments once held by the gods of bluegrass, including the 1970 electric Ibanez shown below which belonged to Mr. Scruggs son. The history behind each and every one of the instruments is breathtaking, considering that they have all been well traveled, bringing the gift of music to millions worldwide.

The only sad part of the event for me was that these instruments, encased in glass, will sing no more. But then again, out of the hands of their original owners, could they ever sing as beautifully again?

For more about the great musicians from North Carolina, visit the North Carolina Music Hall of Fame in Kannapolis. Their website is at; http://northcarolinamusichalloffame.org/

"The Dixie Fryer" - Foghorn Leghorn (1960)

When I was a kid Foghorn Leghorn was my favorite Merrie Melodies character. Well, actually, they all had their good points, but perhaps it was because Foghorn seemed emblematic of what was happening in America at the time in regards to Civil Rights. It was also the 100th anniversary of the beginning of the Civil War. So, to me, Foghorn Leghorn “was” the Southern Dixiecrat; and although in reality his ilk would repulse me; as a cartoon there was an attraction borne of having seen this guy on the evening news.

In this 6 minute cartoon I’m not really sure who gets lampooned the most; the Southerners or the “Hillbillies” who are represented by chicken hawks, but are probably supposed to be African-Americans. But, at the same time, they bear all of the trappings of the stereotypical “Hillbilly.” 

So, if you are offended by this type of humor, remember that this cartoon came out just 2 years BEFORE “The Beverly Hillbillies” appeared on CBS, and which would run for 7 more years after. The Andy Griffith Show had already begun its classic run, and “Green Acres” wasn't even on the drawing board yet. At the same time, most television shows were white, and shows like “Julia” were still almost a decade in the future. And, it would be a full 10 years before Archie Bunker made a fool of himself each week in your living room.

The voices in this cartoon are, of course, Mel Blanc. Foghorn is hitchhiking south; presumably from D.C.; to spend the winter, being pulled by a flock of birds. When he catches scent of the magnolias, he knows he is back down South. Unfortunately for him, just as he is finished setting up camp for the winter, “Elvis” and “Pappy”; the aforementioned chicken hawks; catch his scent, and the race is on to see just who will be having who for dinner.

Forget the political correctness, and enjoy this cartoon for what it really represents. What is that? I’m not sure, but it looks an awful lot like most of us to me.

Sunday Music - The Grand Ole Opry (1956)

When I was kid I always heard of this far-away place called Nashville and the Grand Ole Opry. I also had a sense that I was missing out on something that was not only different, but perhaps even better than the more staid variety shows which emanated out of New York, or even Los Angeles.

In this show from the Ryman Auditorium; which was broadcast on April 18, 1956; the cast includes Carl Smith as host, with guests Buddy Ebsen; before Jed Clampett; Chet Atkins, Collins Kids, The Jordanaires; just before the Elvis madness; June Carter; before Johnny Cash; Lester Flatt and the recently departed Earl Scruggs, with comedienne Minnie Pearl, and a few others.

The show may be irritating to some; there are people who will find this show to be annoying. I find it interesting in several ways. It’s a visual record of what was funny to middle America during the 1950’s,; and as such helps to explain the politics and culture of the times. It was; mainly; still an agricultural society, and the entertainment that the people in the rural communities may not have been as sophisticated as that of the slicker network shows; but there is something very personable, and almost noble in these shows.

These were hard working, mainly unschooled folks, who made their own everything; including entertainment. And eventually, as Elvis and Carl and Johnny, along with Jerry Lee Lewis, broke the barriers separating the entertainment business, they became us and we became them. By that I mean that this is where it all began in popular music as we know it today. These are the roots of our modern day culture; even the various reality shows’ and American Idol took something of their formats from these seemingly unsophisticated shows.

I originally was going to post Hank Williams doing “I Saw the Light”, but the powers that control such things made the video not downloadable. It’s too bad for them, and good for me. Because without the inability to show the Hank Williams video, I would never have stumbled across the many other Grand Ole Opry shows  that are downloadable.

I don’t expect that many of my fellow Americans will enjoy this type of show anymore. It will probably get more hits out of Europe, where traditional American music is still revered.