Showing posts with label McCarthy Era. Show all posts
Showing posts with label McCarthy Era. Show all posts

Sunday, November 22, 2015

Pete Seeger, PS 197 and Kindergarten - "If I Had a Hammer"


This post is for my Kindergarten teacher at PS 197 in Brooklyn,Mrs. Gerber. Read on and you will find out why.

Of all the songs we learned as kids, few have had as many obstacles thrown in its way as was the case with the iconic song “If I Had a Hammer.” Most folks will remember the song as being a smash hit for Peter, Paul and Mary in the late 1950’s. But the songs beginnings were steeped in controversy when the Weavers did their original version of it in 1949 at the Peekskill concert with Paul Robeson, and then when the song was published in the “Sing Out” collection of songs the following year. People actually cancelled their subscriptions over this song.

Pete Seeger had spent the war years working as a Merchant Mariner aboard cargo vessels. After the war; in 1948; he founded the folk group known as the Weavers. They did folk songs along the line of Woody Guthrie, along with some original compositions and other folk ballads from around the world.
 
Their first hit was a 45 RPM with “Tzena, Tzena”as the A side; a song much heralded at the time by Israeli soldiers; backed with “Goodnight Irene”, written by Leadbelly, on the B side. It was a hit on Decca Records, which couldn’t press the record fast enough to keep up with the demand.

By 1957 they were banned from most radio stations and all of TV. Seeger would not be seen on a major network again until 1968 when he appeared on the Smothers Brothers Show. It all began with “If I Had a Hammer.” The House of Un-American Activities; which they clearly were; was in the middle of its decade long sweep of the entertainment industry looking for subversives; or Communists, when they set their sights on The Weavers and Pete Seeger.

HUAC was not only aimed at the Hollywood crowd; they were also involved with policing the meaning of song lyrics such as “The Rock Island Line”; and later on even “Louie, Louie”. For “Louie, Louie” the FBI infamously spent over one year and 100 agents in order to come to the conclusion that they had no idea what the lyrics were; let alone what they meant. With “If I Had a Hammer” their job was much simpler.

The song speaks about a hammer; the Soviet Union used one in its flag. The song spoke about “the danger” and “the love between my brothers” all across this land. (Peter, Paul and Mary added and my sisters to the lyrics for their recording, in addition to some changes in the melody.) Surely these “brothers” were comrades in the sense that they were allied with communism. And, as if that weren’t enough, the HUAC committee was very concerned just what was meant by “freedom” and “justice”.  (You have to laugh when you think that hey actually had to ask that last question!)

Seeger was charged with 10 counts of Contempt of Congress in 1955; a badge which he wore proudly; and was sentenced to 10 years in prison. His appeals went on in a court fight which lasted until 1962. And, although his career was interrupted, his fight was celebrated by his many loyal fans. In 1969 he launched the Clearwater Campaign to clean up the Hudson River in New York and was an activist until his death.

Here he is in 1956; already charged and being tried for Contempt; singing the song anyway. This is one of the earliest versions in which he sings “my brothers and my sisters.”


Now, here’s the part which will explain why this is dedicated to Mrs. Gerber;

We were actually singing this is Kindergarten at PS 197 in Brooklyn. It was 1959 and HUAC was still going and the blacklist had just been "broken" with Dalton Trumbo being listed as a screenwriter on "Spartacus". I have to wonder what risk the teacher was taking by using that song in class. New York's Feinberg Law of 1949 placed a security officer in charge of each school district. Their job was to know the politics of every teacher. Reading the wrong book could preclude your being hired. And voting the wrong way could get you fired.  

In 1955; only 4 years before my Kindergarten teacher sang this song with us; New York City teachers were required to inform upon their colleagues political views. Refusal meant dismissal. Of 40 teachers who were ordered to do so; 35 submitted and the remaining 5 were actually fired. In all, 60,000 public school teachers in NYC alone were investigated and 500 were forced to resign or were fired for political views. One actually committed suicide. That Mrs. Gerber sang this song with the class is a tribute to her individuality. The Board in charge of the Feinberg investigations remained in force for 2 more years; disbanding in 1961.

Tuesday, October 21, 2014

Brotherly Love - The David Greenglass Story

Last July 1st a man passed quietly away in New Jersey. He was living under an assumed name; and though he insisted that he was not ashamed of what he had done; he still never used his real name again. This is the story of David Greenglass; brother of Ethel, and brother in law to Julius; or more succinctly, the infamous Rosenbergs.

The Rosenbergs were executed on June 19, 1953 at Sing Sing prison in New York for allegedly selling the secrets of the atomic bomb to the Soviet Union. Undoubtedly they had something to do with it, but with Mr. Greenglass testifying against his own sister; and then recanting that testimony later in life; you have to wonder just who actually did transfer the documents to the Soviets.


Mr. Greenglass testified that he watched his sister type up the notes detailing the research data which he himself had been privy to while working at Los Alamos in New Mexico as part of the Manhattan Project. He was a machinist with access to the working plans for the bomb. His testimony was given in exchange for a lenient sentence. In essence, he did the spying, got his sister and brother in law involved, turned State’s Evidence against them which ensured their conviction for espionage and ultimately the death penalty. 

The Rosenberg’s had two sons; Michael and Robert. Their uncle David was instrumental in sending their parents to their death. The boys were adopted by Abe Meeropol and his wife Anne, both of New York City. Abe Meeropol was the school teacher who wrote the song “Bitter Fruit” in 1937. The song was immortalized by the great Billie Holiday in 1939. 


David Greenglass wrote a book about his life and the trial in 2001. He also gave an interview with CBS in which he stated, “As a spy who turned his family in…. I don’t care. I sleep well.” He also claimed that his sister was “stupid” and “could’ve cut a deal.”  In the 1989 Woody Allen film “Crimes and Misdemeanors” Mr. Allen says this about his arrogant brother in law, “I love him like a brother- David Greenglass.”  Let that be his epitaph.

Sunday, October 21, 2012

"The Ox Bow Incident" with Henry Fonda and Harry Morgan (1942)

Henry Fonda has starred in some of the most controversial films in the history of Hollywood. His stellar performance in “The Grapes of Wrath”; in which he plays a migrant worker; is indicative of the many roles he would play in the future. In “The Wrong Man” he plays an ordinary working stiff who is falsely accused of a crime he did not commit. Even in the midst of the McCarthy Era witch hunts he defied the system, making “12 Angry Men” at a time when questioning anything was suspect. So, it is no surprise that he would be the star of William Wellman’s screen adaptation of “The Ox Bow Incident”, which deals with vigilante justice.

What makes this film so daring is that it was filmed and released just after the United States entered the Second World War, and Japanese-Americans were being interred in detention camps, even as their sons were fighting in our armed forces for freedom.

When Gil Carter, played by Henry Fonda, rides into a town plagued by cattle rustling, he and his sidekick Art Croft, played by Harry (Henry) Morgan, become caught up in a lynching of 3 rustlers suspected of murder the town’s most popular resident. The Sheriff is out of town and the Judge is too timid to control the mob. Only Gil and Art, along with the son of the local Militia’s Major, and an old Negro man, are willing to question the execution without trial. The evidence is circumstantial at best, but the dead man must be avenged at all costs.

A posse is formed and the 3 men are captured and hung. As the men proudly head back to town the Sheriff arrives at the scene, informing them that he has captured the real killer. When he hears what the men have done in his absence he is disgusted and heads back to town, vowing that each and every man involved in the unlawful mob action will be prosecuted. The men head back to town and contemplate what they have done while awaiting their own trials for murder. Gil and Art ride out of town, left to wonder about the human condition, and what drives men to do what they do.
This was only one of many daring scripts which Mr. Fonda was willing to tackle during trying times. It is also what sets him apart from so many other actors in his ability to truly portray the common man, and all of the problems encountered when you are willing to stand up for what you believe to be right.

Thursday, September 6, 2012

"The Salt of the Earth" with Will Greer and David Wolfe (1954)

“Salt of the Earth” holds the honor of being the only film ever blacklisted, and actively pursued by the law, in the history of the United States. It was more vigorously harassed than even any pornography which existed at the time. And the saddest part of the whole thing is this; the story is based on fact, and as such is really the story of a group of zinc miners in New Mexico during the 1930’s. This band of miners, consisting of both Mexican and Anglo workers, along with their wives, lived in deplorable conditions, prompting the men to call for a strike. 

This film may seem to be poorly acted at times; and if so, is to be excused. You see, most of the cast are the actual members of the Local Zinc Miners Union, and not actors at all. Just people; like you and I. The actual strike lasted 8 months, with no settlement in sight, until the women stepped in. With their children’s stomachs to be filled, these women could wait no longer to get the strike settled, so they pitched in in the best way they could. They got arrested, causing all kinds of logistical problems; including dirty diapers; for the local constabulary. This hastened them to put pressure on the mine owners to settle with the workers, who were none too happy to be at home washing clothes.
More important than the actual story is the example set by all who pitched in together to organize for change. Together there is nothing that cannot be achieved. It is only when we let the powers that be keep us divided by class, race, religion or sexual and political persuasion that they have any power over us at all. And that is what scared the government so much about this film.

The story not only speaks to labor equality, but is also one of the earliest films to encompass feminism and the deprivations of all workers. Being released in the midst of the McCarthy Era did it absolutely no good, as it was banned; and that ban was widely enforced.

The film was written and directed by Herbert Biberman, who had been among the Hollywood Ten, which was a group of directors singled out by the House of Un-American Activities during the McCarthy Era witch-hunts as being a subversive, and therefore a danger to society. His real crime, of course, was his unwillingness to name other people to be persecuted by McCarthy and his aides, who included future Senator Robert F. Kennedy.
A very educational and groundbreaking film; which also explores the issue of illegal immigration; this is a film that you will want to see more than once, if only to see whether your reactions to the issues remain consistent with what you think you believe, versus whether you have changed.

Tuesday, August 21, 2012

"Red Scare" by Griffin Fariello (1995)

This is a very important book to read; especially in this volatile election year. It covers the McCarthy Era, from its beginnings in 1950, until its ultimate demise in the early 1960’s, under the Kennedy Administration. It also explores, in depth, the role played by President Truman, who; for political reasons; instituted the Truman Doctrine in 1946. His Executive Order Number 9865, allowed the administration of loyalty tests and oaths to all federal employees. This was the stepping stone that would provide Senator McCarthy to embark upon his witch-hunts throughout the early 1950’s. It is a perfect example of what happens to a country when the people allow themselves to become so divided by the powers which govern them. And it is happening again; now; here in America.
As World War Two drew to a close there was a deep mistrust between the Soviet Union and the Allied Powers. While we in the U.S. had suffered 400,000 deaths as a result of the war, our economy was booming. Contrasted with that, the Soviet Union had lost 25 million people, both civilian and military, to the war. In addition, their production levels were about 40% of what they had been before the war. With rampant hunger abounding, and thousands of devastated cities and villages in disrepair, the Soviets were deathly afraid of any expansion on the part of Europe into her territories. In the minds of their leaders, they had to expand, or at least hold the line against the Western Powers.
To that end, there were two spots open to the Soviet Union for expansion of Communism in Eastern Europe. The first was in Greece; the second was in Turkey. We (the U.S.) were tasked with keeping Turkey from sliding into Communism, and the British were tasked with the same in Greece, where the local militias; who were mostly Communists; were attempting to block the reinstatement of the King and his autocratic government. The King had the support of Winston Churchill and tacitly, that of the United States.
By 1947 the weight of debt in a war weary England had forced her to hand Greece off to the United States, while Britain attempted to recover from the extensive damage caused by the German air raids, as well as the economic fallout from the expense of 7 years of war. They had been fighting since the 1939 invasion of Poland, while we had stayed out of the fray until the events at Pearl Harbor in December of 1941.
The reasoning behind Truman’s Executive Order was to keep the United States from battling Communism from within. There were some people working in government who had empathy for the Communist causes, but nowhere near enough to justify such Draconian measures as Truman’s “purge” of public servants who may not have agreed with his world views. This pains me deeply, as I have always considered Truman to have been one of our finer Presidents. But the Democrats had taken such a beating in the midterm elections of 1946 that Truman had to appear strong against Communism. Unknowingly, he had opened a Pandora’s Box, which would have grave consequences for our country in the decade to come.
Also, in 1947 the House of Un-American Activities was already subpoenaing the Hollywood crowd; consisting mostly of writers and directors; among them such greats as Ring Lardner and Dalton Trumbo and even Edward Dymytryk; who was the only director named on the infamous list of the Hollywood Ten. The resultant hearings, and trials, would cast a pall over Hollywood which would last until the early 1960’s.
By 1950, when most of the alleged Communists had been “purged” from government offices, Senator McCarthy of Wisconsin was ready to re-invigorate the game of “Red baiting” for his own political ambitions. This was the beginning of the “witch hunt” trials we have all heard about.
The Smith Act of 1940; which carried penalties for belonging to any institution dedicated to the overthrow of the government; contained a clause that carried a penalty of up to 10 years in prison, with up to a $5,000 fine for even being a member of the Communist Party. When the McCarran Act of 1950 was introduced, it instructed anyone who was a Communist to register with the government. This meant that the people involved were essentially abrogating their 5th Amendment Right against Self-Incrimination, which made both laws highly suspect. The only person in the United States to ever serve time for merely being a member of the Party was Junius Scales, who had joined a club in 1939 while a student at UNC Chapel Hill.
The American Communist Party, in reaction to these laws, went deeper and deeper underground, which only made it harder for the government to keep track of them. In the days before satellites and digitized phone calls, the only way to be sure of where a suspect was involved constant surveillance of the suspect’s residence, as well as following their entire families.
Passports were denied if you had signed any kind of petition against the government, no matter how long ago, or why. Reading material was highly suspect, resulting in some trials, as well as almost comical events such as one trial where the accused was faced with the fact that they had read “Darkness at Noon”, which was about Stalin’s brutality; and also the 1950 novel “The God That Failed”, which was about 6 intellectuals who go to Moscow to see Communism in action, only to return home disillusioned.  As far as the House Committee was concerned, if it said Communist, then it was subversive. Thought, by default, was on trial.
Membership in trade unions, or attendance of a labor school run by unions, was on the list. Author Howard Fast was imprisoned for refusing to answer questions about who he had known, and what he had done, 3 decades earlier in college. In Birmingham a man named Sam Hill was tried for vagrancy, even though he was employed as a writer for the Daily Worker. His job was considered to be “disreputable.” After his conviction, the City Council passed an ordinance for all Communists to leave Birmingham within 48 hours, or face imprisonment.
It was always a double bind when you were accused. You were guilty simply because you had been accused, and you were expected to name names of others whom you knew to be Communists. Taking the Fifth Amendment was like pleading guilty, and the accused was now treated as “hostile” by the Congressional Committees investigating them, as well as the courts in which some were tried.
This is a very important book for all Americans to read. It shows what can happen; told in the words of the people it happened to; when fear is allowed to divide us as a people. When all is said and done, our greatest strength is in the things which unite us. Unless we stop the constant politics of division, we will be headed back down the road of the American Inquisition before too long.
With excellent annotation; and edited in such a way which makes the whole topic come together in an understandable way; this is a book for serious students of the time period which lead up to the McCarthy Era, as well as the scars it left upon our country.

Wednesday, June 20, 2012

"Enemies" by Tim Weiner (2012)

From the author of “Legacy of Ashes”, a book which crashed onto the scene in 2007; an extensive history of the Central Intelligence Organization which won the National Book Award; comes this fairly written, and highly researched book about the history of the Federal Bureau of Investigation. The book begins, as any such book must, with an examination of its longtime director, J. Edgar Hoover. From there the authors goes on to chronicle the Palmer Raids and the beginnings of the violent era of labor unrest that swept the nation, beginning with the Black Tom explosion on New York’s busy wartime waterfront during the early years of the First World War, then moving on through the 1920’s and the explosion on Wall Street of a dynamite laden cart at the height of rush hour.
With the 1930’s, and end of Prohibition, came new challenges, particularly on the left, where the Communist infiltration was both feared, and yet, to some extent overrated. As the Depression drew to a close, the agencies attentions, still under the watchful eyes of J. Edgar, were called upon to aid in the war against America’s so-called “fifth columnists”, people who would subvert the cause of freedom from within. Wiretaps, without authorization, were the “norm”, as was opening personal mail in a way which went beyond ordinary censorship, in which your envelope has obviously been opened, and then stamped by the individual who read it. Instead, the agency learned the art of opening select messages on the sly, an art which would later be employed during both the McCarthy Era, as well as the Anti-War days of Vietnam.

The end of World War Two brought even more to the Bureau’s table, as the nation began its painful growth period coming to terms with the Civil Rights movement. The author successfully records the tension between the Bureau and the President over the Freedom Rides, as well as their subsequent failure in the Kennedy Assassination; becoming, to a certain extent; a tool of the CIA for the first time. This would prove telling both during, and after Watergate, as the CIA helped to bring down the President, with the FBI standing helplessly by.

The author takes the reader on a step by step journey through the internal power struggles which ensued upon the death of J. Edgar Hoover, who had been granted Federal Authority to reign for life.

Through the Union busting days of the 1980’s and even on into the 21st Century and the attacks in New York and Washington, the author traces the role of the Bureau in America today. Fully researched, with a complete section of notes and sources, listed chapter by chapter, this is a good book. Though it offers no great new insights, it does serve as an excellent chronicle of what we do know.