"Two for the See Saw" (1962) Robert Mitchum and Shirley Maclaine

"Two for the See Saw" is a 1962 film. The opening credits showcase the Brooklyn Bridge and Fulton Fish Market, just as I remember them as a kid, but without the smell! 🤣

The film, with a score by Andre Previn, is a masterpiece. Robert Mitchum is wonderful as a newly separated, and "lost", lawyer from Nebraska, opposite an equally lost Shirley MacClaine, a would be dancer. The two strike up a tenative friendship which quickly turns romantic. 

In real life the two had a “long relationship” according to MacLaine. “I loved his complications. He was a bit of a coward, actually, and I was interested where that cowardliness came from when his demeanor was such the opposite,” she said. Perhaps this is what makes their parts ring so true. 

You will find yourself rooting for the relationship to work out. They belong together. They learn about themselves as they learn about one another. But will the weight of their past baggage be too much for love to conquer? 

Elizabeth Taylor and Paul Newman were originally cast in these roles, but Taylor was delayed while filming the last scenes in the epic "Cleopatra", and Newman was already committed to playing "Fast" Eddie in "The Hustler", so the parts fell to Robert Mitchum and Shirley McClaine. And I'm glad it did. 

While not a sucess at the box office, this film is a "hit" in my heart. I rooted so hard for these two to really make their love work, and you will too. 

Meantime, enjoy the view in the opening credits. Perhaps it will interest you enough to watch the entire film. And along the way, maybe even learn a bit about yourselves, and what really motivates us all in our search for lasting love.

"Killers of the Flower Moon" by David Grann (2017)

This book tells the story of one of the most notorious cases of the 20th century. Unfortunately it was buried by the egotism of J. Edgar Hoover who hogged the limelight and deprived the true story of Texas Ranger Tom White, who, first as a Texas Ranger, and then as an Agent of what was shortly to become the FBI, led an almost 5 year investigation into the multiple murders of several dozen Osage Indians in Oklahoma during the 1920's.

Oil had been discovered on the Osage Reservation, making millionaires of the the tribe's members. But it didn't take long for the white man to devise a way of scamming them of at least part of their wealth.

By reasoning that Indians didn't understand money, or how to handle it, they concocted laws which made it mandatory for each Indian to have a white trustee. Soon white men and women descended upon the Reservation and started marrying the Osage. After that the Judges began to award trusteeships to whites in exchange for securing their votes at election time.

Suddenly, in 1921,  there were murders, poisonings and all manners of schemes afoot to gain hold of the "headrights" to the Osage parcels of land. Each parcel was 160 acres and oil companies came to bid under what became known as the "Million Dollar Elm" for leases to these "headrights".

The book begins in May 1921, with the disappearance of an Osage woman named Mollie Burkhart. When found she had been shot in the head and dumped in a ravine. Local authorities couldn't/wouldn't solve the case. Soon more deaths followed, all with the same lack of prosecution.  It seemed that no white jury would convict a white man of murdering an Indian.

When the investigation was finally handed over to the Texas Rangers things looked as if there would be convictions. But, due to the influence of one man, William Hale, nothing changed at all. Hale controlled everything that happened; on and off the Reservation.

This is also the story of the time when the Bureau of Investigation was under the leadership of William Burns. He was just as bad as the State when it came to results. But by 1925 the Bureau became the FBI and J.Edgar Hoover took over. At the same time Texas Ranger Tom White became an FBI agent and Hoover assigned him to the case.

For another 3 years there were investigations and trials, and even more murders. But no convictions. Finally, through Jurisdictional wrangling, the case wound up in Federal Court. State verdicts were overturned as witnesses recanted and juries were proven to have been bribed.

Too complicated for a simple review, take my advice and read this book before the movie is released. Martin Scorsese is directing the film version which will be starring Robert DeNiro and Leonardo DiCaprio as the two leaders of the criminals responsible for the murders. Some of these murders even involved their own family members.

In the 1930's Lucky Strike tried a radio show based on the case but struck out. Later on,  Agent and former Texas Ranger Tom White tried his hand at a book which became a fictional screenplay. Again, it didn't make it. By that time the FBI had moved on and J. Edgar Hoover became a national hero due to the John Dillinger case and the birth of the "G-Man." Unwilling to share the truth of this shameful story of exploitation, and dilute his own place in the spotlight, there was no way he was going to share any glory with the real hero of the earlier case, former Texas Ranger Tom White.

The book is all encompassing, covering the history of the Osage, the discovery of oil and the history of the oil barons it created. No movie will ever be able to fully tell the story as well as David Gram does in the book. He lived with it and researched it for 6 years before it was released in 2017. I'll say it again; read the book first. It will enrich you. 

Ken Burns Reads Rooftop Reviews! ("The Way" with Martin Sheen) 2011

NOTE:  September 22nd, 2019. Have just noticed the many recent negative comments about my review of this long forgotten film. But the best part was the comment from Ken Burns. Who knew he even read this blog? He wanted me to remove the whole thing. This post was originally done October 29, 2011. I have to wonder about the timing of these recent negative comments about an 8 year old review.

It seems I made an error in believing that the film is a true story, when in fact, it is only loosely based upon one. And I'm not the only one who was fooled, as you can see by googling the film on IMdB. Link handily provided below and in comments.

I have been on here for 10 years, apparently reviewing things with no problems of perception. I was surprised at the comments. (Please read them below.)

As previously stated, I am not the only one confused by this film. Read the plot summary on IMdB. It clearly says that he goes to retrieve the body of his son who died on the Pilgramage. https://www.imdb.com/title/tt1441912/

So, in essence, this review is an example of what can happen when a film is made too convoluted, or with an assumption that everyone knows the backstory.

Out of my 2,200 posts I may have gotten this one wrong. I think that figure speaks more to the clarity of the film's direction than to my ability to understand a film. It was pretty cool to have any comment at all though, even a negative one, from Ken Burns. I don't kid myself he is a regular reader. Just friends with someone who was annoyed with my review.

I have attempted to research and find out just what my error was, all the comments after the first one in 2012 were less than informative, just that the review was bad. If I ever re-screen this long forgotten film I will attempt to review it again. Meantime, I have modified it to remove any factual errors.
...................................

This film, is a story about hiking the Pyrenees between France and Spain. The purpose of the hike is to trod the road taken by so many Catholics over the centuries in tribute to Santiago de Compostela who made the journey centuries ago, arriving at the site of the famed cathedral named after him.

APPARENTLY THE FOLLOWING PARAGRAPH WAS INCORRECT. I WILL HAVE TO RE-SCREEN THE FILM TO SEE WHY THIS WAS SO UNCLEAR TO ME IN THE FILM. I HAVE MODIFIED IT FROM THE ORIGINAL UNTIL I DO SO.

The film was written, and directed, by Mr. Estevez in tribute to his son, named Daniel in the film, and whom he plays in flashbacks. His death necessitated his father, named Tom in the film, played by Martin Sheen, traveling to France in order to collect his son's remains. Mr. Sheen was Daniel's real grandfather. Along the way he remembers the conversations he had with his son about taking this journey, and on a whim he decides to take the trip.

The Camino de Santiago crosses the Pyrenees from France to Spain, ending at the Cathedral. Tom decides to take this journey partly in tribute to his son, as well as a way to come to terms with his death. He is hoping to find the meaning of his son's death, but soon begins looking for the meaning behind his own life.

Tom, a widower, had not been especially close to his son in the last few years of his too short life. The last contact he had with Daniel took the form of a phone call in which Daniel describes the journey he is about to embark upon. The next call Tom receives is from the French authorities. His son is dead and now he must go to France to claim the remains, which in this case are ashes.

When he begins the trip he starts to experience flashbacks of the father-son conflicts they had been through. Daniel has repeatedly asked that his father not "judge" him. In reality, Tom doesn't want to judge him at all; merely understand him. Arriving in France he meets a French policeman, played by Tcheky Karyo, who explains the history, and meaning, of the journey his son was taking. This serves to propel Tom on the path that his son was walking at the time of his death. He also plans to scatter his son's ashes at various places along the way.

There are three major characters whom Tom meets, and befriends, along the way. There is the obese Dutch party guy, played by Yorick van Wageningen; an Irish braggart suffering from writer’s block, played by James Nesbitt; and finally the chain-smoking Canadian woman, played by Deborah Kara Unger, who never learned how to be civil. Tom is stuck with this group as he struggles to keep his reasons for the hike to himself.

But as the group make their way across the mountains defenses break down, as each of the group comes to realize that life is not so much about changing the things you don't like about yourself. Sometimes it's more about accepting who you really are, and then moving on, content with that knowledge.

Some reviewers have likened the movie to both "The Canterbury Tales", as well as "The Wizard of Oz", both of which Estevez has called inspirations for the film.

For more about the making of this extraordinary film, including the parallels to "The Wizard of Oz", read the interview with Mr. Estevez at;

http://www.avclub.com/articles/martin-sheen-emilio-estevez,62918/

"The Immigrant" with Jeremy Renner and Joaquin Phoenix (2014)

When Ewa Cybulska; played by Marion Cotillard; arrives in America with her sister Magda ; played by Angela Sarafyan; she expects to be greeted by her family and become acquainted with her new homeland. Instead, her sister is denied entry due to tuberculosis and she is set to be deported because her relatives never showed up. This is the beginning if an ethereal film which takes you on Ewa’s journey in the America of the 1920’s and Prohibition.

Joaquin Phoenix plays Bruno Weiss, who first meets Ewa at Ellis Island. He spots her in the line of persons to be interred before deportation and offers to help her out. He slips the guard a bribe to let him take her back to Manhattan with her on the boat.

Ewa’s first days are marked by getting to know the other women who seem to all know Bruno. With her limited English Ewa is hard pressed to find out what these girls do and how they all know Bruno, who presents himself as a promoter of some sort. In reality he runs a string of prostitutes and intends to make Ewa one of them.

Bruno’s cousin Orlando; played by Jeremy Renner; is a magician at the nightclub which features “shows” performed by Bruno’s girls. When Bruno puts her onstage for the first time she is savaged by the audience with verbal abuse and erotic suggestions. As a devout Catholic she withdraws within herself to fend off the fear and confusion she feels; not to mention the betrayal by Bruno.

As Bruno draws Ewa more deeply into his world of degradation we see the effect it has upon him. He begins to love her without knowing how to express it. In reality; although she is the one being degraded, Bruno is the one who suffers for it. The irony is that he basically suffers the consequences of his own decisions. While she has her religion to fall back upon; he has nothing.

Meantime, Ewa forms a bond of sorts with Orlando which allows her to transcend the terrible things happening to her as she awaits a chance to get her sister out of quarantine and begin her life without Bruno.

This is a much nuanced film, with beautiful cinematography. It is a bit slow paced; perhaps deliberately so; to let the viewer feel the uncertainty of the events being experienced by Ewa. Real life is like that; things which are unfamiliar seem to drag by until you get used to the routine. The film is directed by James Gray from a script he co-write with Ric Menello .

"Kings Row" with Ronald Reagan, Bob Cummings and Ann Sheridan

Put aside your political leanings for an hour or so and watch one of the greatest films ever made. No kidding. Anyone who claims that Ronald Reagan couldn't act has never seen this film. In it, he portrays the scion of a well to do family who falls in love with a girl from the other side of the tracks. All throughout the film he is accompanied, and later comforted, by his best friend, played with great emotion by Robert Cummings.

The story centers around five different children a small railroad town, which, as in most railroad towns, is composed of two sides of the track. One is well to do, while the other side is composed of the very people that make the town work. The blue collar side. The story is set around the turn of the century in 1900.

Parris Mitchell (Bob Cummings) and Drake McHugh (Ronald Reagan) are the best of friends, both have lost a parent and their bond with one another is unbreakable. Parris dreams of studying medicine under the guidance of Dr.Tower (Claude Rains)who is also the father of Cassie, the object of Parris' affections.

Drake plans to go into business when he receives his full inheritance. Until then, he is somewhat of the town playboy, squiring his lady friends about town, much to the dismay of some of the more "proper" citizens. In short, he is not well liked, though he is likeable.

When Parris moves to Vienna to study psychiatry, Drake is left at home, pursuing his many lady friends before finally falling in love with the daughter of the town's other physician, Dr. Gordon (Charles Coburn) who does not approve of the match. When Drake suffers a horrible railroad accident, Dr. Gordon amputates Drake's leg without cause, assuring that he will not marry his daughter. The scene in which Drake awakens after the amputation is one of the finest pieces of acting ever recorded, as Drake realizes what has happened and screams out, "Where's the rest of me!?" This line would go on to serve as the title of Ronald Reagan's first auto-biography.

As the movie plays out, the secrets of the town are uncovered one by one, and a portrait of a small American town is changed forever. As for just what happens to the two friends, Parris and Drake, as well as the women they love, you will have to watch this stunning film to find out.

The movie garnered 2 Oscar Nominations, one for Sam Wood as Best Director, and the other for Hal B. Wallis of Warner Brothers, for Best Picture. If you are a film buff and have never seen this film, you are missing an absolute classic.

Happy Birthday to Rooftop Reviews!

It was on this date in 2009 that I posted my first blog. I celebrate it each year by either skipping a post that day or re-posting an old post; sometimes the first one; which is what I did last year. Sometimes I tell the story about how I started this thing to begin with. And each year it gets harder to think of something special to mark the occasion.

So, this year I decided on fireworks and a big festival. It was great. Wish you could have been there. The food was delicious, too! Seriously though; and I hate to be like that; what I have actually decided to do is to do nothing. It’s just another day.

Here is a clip of two of my favorite performers; Billie Holiday and Louis Armstrong. Did I ever tell you how Louis Armstrong got me involved in coin collecting? I was about 9 years old at the time. I had read that Louis Armstrong was born in New Orleans on July 4, 1900. That set my imagination on fire! July 4^th was the birthday of our nation and 1900 was a new century.

Man, I wanted a piece of that for myself! Something tangible to hold in my hand that would make me feel as if I were holding a part of history itself; something which had actually been there at the time; a penny.

So, I went to the Hobby Shop on Coney Island Avenue and bought a 1900 Indian Head penny for about 50 cents. I was hooked. I wore that penny out; turning it over and over in my hands; even sleeping with it. The book I’d read said that Armstrong played for pennies in New Orleans as a kid. I couldn’t help but feel; make that know; that this was one of those pennies.

Anyway, this is what I do here. I tell stories to myself in the hope that someday my grandkids; and even great grandkids; will sort through all of the flotsam and jetsam of these posts, and obtain a better picture of the “old man” as a result.

Meantime, enjoy the video. It’s from the 1947 film “New Orleans” and serves as the title song, performed here by Billie Holiday on vocals and Louis on vocals and coronet. The song appears in the film several times as background music, and also by Armstrong and Holiday in a big band setting; but this is what I call the “performance” version. It’s also my favorite one.

And, if you really would like to see the first post of Rooftop Reviews from March 29, 2009 (which was also a Sunday) just hit this link;

http://robertwilliamsofbrooklyn.blogspot.com/2009_03_01_archive.html

"You Got Trouble!" - Selling Fear

With only about 22 months left before the next Presidential election, the fear mongers are already out in full force, selling their two most potent products; the twin politics of fear and division. And the demand is great; with consumption by the masses at an all-time fever pitch. How else to explain the leading news stories of the day?

First though, let’s take a look at the science and art behind fear mongering. And what better example of this than Professor Harold Hill as he ramps up the fear in River City, Iowa against the latest unknown demon in the town. In his case it was a pool table. Watch the clip and see how the good Professor is desperate for an issue to arouse the town into needing his help. They don’t even know they have a problem until he seizes on an offhand comment by Buddy Hackett and then invents one for them; after which the townsfolk quickly fall in line to save their “culture”; in this case embodied by a billiard table.

It’s kind of like that in America today; with politicians casting about for anything that will arouse the concern of the public and create a demon for the people to unite against; all behind a politician as a leader of course.

Take the measles thing; it has been laid largely at the door of the illegal immigrants, who often do not have the required immunizations when they arrive here in the U.S. It’s a very easy thing to get the people riled up against that portion of the population. Very simple; illegals arrive without the shots required to attend school; and are allowed to go anyway and they get our kids sick. Pretty plain until you scratch the surface a bit.

I live in North Carolina, where we require immunization against the measles and several other diseases to attend public school. But we have a lot of kids here who are not immunized. They must be getting a waiver based upon their status as illegals, right? Wrong. They are allowed to attend school because the law allows an exemption for RELIGIOUS reasons. No proof required; just write a letter stating that you do not believe in immunizations and you can enroll your child in school.

So, what we have are people on the right complaining about illegal immigrants going to school and infecting their children with a disease that was all but eradicated until the right came along and got an exemption for the vaccine under the guise of religious freedom and smaller government. And the liberals even joined in with the flawed claim about the vaccines causing autism; which was proven to be false about 3 years ago.

Fear rules the day if you let it. And there is always somebody willing to don that nice looking Music Man costume; ready to lead the band and incite the fear which will keep everything static.

Here are the applicable portions of the NC statute concerning vaccinations required to attend Public School;

N.C. Gen. Stat. § 130A-152. Immunization required

(a) Every child present in this State shall be immunized against diphtheria, tetanus, whooping cough, poliomyelitis, red measles (rubeola) and rubella. In addition, every child present in this State shall be immunized against any other disease upon a determination by the Commission that the immunization is in the interest of the public health. Every parent, guardian, person in loco parentis and person or agency, whether governmental or private, with legal custody of a child shall have the responsibility to ensure that the child has received the required immunization at the age required by the Commission. If a child has not received the required immunizations by the specified age, the responsible person shall obtain the required immunization.

N.C. Gen. Stat. § 130A-157. Religious exemption

If the bona fide religious beliefs of an adult or the parent, guardian or person in loco parentis of a child are contrary to the immunization requirements contained in this Chapter, the adult or the child shall be exempt from the requirements. Upon submission of a written statement of the bona fide religious beliefs and opposition to the immunization requirements, the person may attend the college, university, school or facility without presenting a certificate of immunization.

Tal Henry & his North Carolinians (Undated)

There’s a great misconception of North Carolina when it comes to music. Many people think of the state as being predominantly represented by such musical acts as Earl Scruggs and Andy Griffith, or “shag music” from the shore. And we’re proud of that stuff. But our musical history is much more diverse than that. It covers all genres; including the rare and elusive traveling jazz -dance band orchestra and comedy act of Tal Henry and His North Carolinians.

Well, in actuality Tal Henry was born in Georgia in July of 1898. He arrived in North Carolina; Burlington to be exact; after he had completed his education at Shenandoah Conservatory of Music located in Dayton, Virginia. In North Carolina he worked at Elon College, near Burlington, where he taught violin, an instrument he had been playing since he was 7 years old.

His first experiences playing for entertainment seem to have been in the Burlington area around 1919. He was the violinist with Frank Hood and his band; now making his home in Greensboro. By 1924 he had taken over the band which he named Tal Henry and His North Carolinians. It’s not clear just how many of the band members were from North Carolina, but the name was a big draw at college campus parties and social events in the surrounding area.

Next the band found work in Washington, Pennsylvania doing the same thing as they had in Greensboro; playing dances and events; only now they had a home at the Washington Hotel where they were under contract as the house band. Remember that radio was just coming into play as a major means of entertainment, and so “society bands”; as they were known at the time; were still in great demand.

The next move the band made was to Charlotte; which at the time was poised to become the great center of music that Nashville became later on. Charlotte only lost her hold due to the logistics of the vaudeville circuit. At the time her 50,000 Watt transmitter at WBT-AM was the largest one in the South, and as such the station drew all kinds of entertainers to its studio on Tryon Street. Arthur Smith was a regular and had his own show. He loved Charlotte so much that he never left it; dying there (here to me) just about a year ago. There the orchestra performed at the opening of the Hotel Charlotte in 1924. But the bands big break finally arrived in Harrisburg, Pennsylvania when they were introduced to Bob Hope and George Burns. They were booked to join the troupe for a sixteen week tour beginning immediately.

From then on the band worked more or less non-stop for about 27 year; appearing on stage, at galas and celebrations, on radio, television and even a few movies along the way. They worked with just about everybody in show business at the time, including; Bob Hope, ,Mary Pickford, Kate Smith, Kay Kyser, Fred Waring, Paul Whiteman, Jan Garber, Duke Ellington, Vincent Lopez, Randolph Scott, Tommy Dorsey, Jimmy Dorsey, Hal Kemp, Jack Marshall, Nat "King" Cole, Ina Ray Hutton and even a young Lionel Hampton.

I have run across the name of the band several times over the years while reading both fiction and non-fiction books. I figured it was high time to find out who he was and how he fit in to the history of music in North Carolina. He may not have been born here, but North Carolina is the place he learned how to swing.

"The Thin Man" with William Powell and Myrna Loy (1936)

Looking for a good New Year’s Day with a little bit of a twist? Look no further than this one. "The Thin Man" is the type of "whodunits" that seldom get made these days. William Powell; impeccably dressed, as always; plays Nick Charles, a former playboy-detective who marries Myrna Loy, who plays Nora Charles; his wife. He has retired from the "detecting" business in order to "keep an eye on my wife's money."

When Mr. and Mrs. Charles arrive in New York just in time for the holidays, the last thing on their minds is to become involved in solving the murder of an old friend, Professor Wynatt. But with the press hounding him, and a wife who wants to see her famous husband in action, there is not much hope in evading the inevitable, as Mr. Charles drinks his way to solving the crime.

Loaded with character actors, the faces of whom you will instantly recognize the film is fast paced and the dialogue witty. Nick and Nora are perfect as they romp their way through the holidays, culminating their investigation with an elegant dinner party, during which the killer is finally exposed. With the case wrapped up in time for New Year’s Eve, the couple happily boards the train for the return trip to San Francisco, and their next escapade.

Long the most admired of the many duos that have played the part of Nick and Nora, both in Hollywood and on TV, William Powell and Myrna Loy have that certain screen chemistry that will make you think they are really married. And with a script based on the novel by Dashiell Hammett, what more could you ask for.

The Year In Review - 1954

From Hydrogen Bombs to Yo-Yo's, 1954 was a pretty cool year to be born in! Here's the news reel to prove it...

Laugh or Cry - Spinoza or The Monkees

I posted a video on Sunday of the Monkees doing “Pleasant Valley Sunday.” I posted it along with Carole King’s demo recording of the song from 1966. I got 700 hits in the first 24 hours. I had to check my counter and make sure it wasn’t counting any spam hits. It wasn’t. 68% of the hits came from Facebook, while the rest came from, well, everywhere.

Now this was a surprise. I posted it Sunday only as a place holder, and because it had the word Sunday in it. I never expected more than 25 hits at best. I average about 200 a day; with most coming from people googling different things. At this point I have a couple of thousand posts out there, so people bump into my site all the time; just not 700 per day.

This got me thinking about what topics were the most popular. Here is a sampling of what I found just by looking at one typical week from June 2011.

Conrad Shuman – 1095 hits.

Einstein and Spinoza –  812 hits.

“Shifty’s War” – 8,842 hits.

Thomas Cole’s “The Course of Empire” – 683 hits.

“Pictures of Matchstick Men” by Staus Quo -432 hits.

Wendell  Berry’s “Manifesto” – 1,041 hits.

Remember, those totals are for over 3 years. Compare those totals to the Monkees getting 700 hits in 24 hours on a silly little blog like mine, and you will understand why I say I don’t know whether to laugh or cry.

For the benefit of those who may not have read it before, here is Wendell Berry’s powerful poem “Manifesto.” I hope it gets a couple of dozen hits.

Manifesto: The Mad Farmer Liberation Front

Love the quick profit, the annual raise,

vacation with pay. Want more

of everything ready-made. Be afraid

to know your neighbors and to die.

And you will have a window in your head.

Not even your future will be a mystery

any more. Your mind will be punched in a card

and shut away in a little drawer.

When they want you to buy something

they will call you. When they want you

to die for profit they will let you know.

So, friends, every day do something

that won't compute. Love the Lord.

Love the world. Work for nothing.

Take all that you have and be poor.

Love someone who does not deserve it.

Denounce the government and embrace

the flag. Hope to live in that free

republic for which it stands.

Give your approval to all you cannot

understand. Praise ignorance, for what man

has not encountered he has not destroyed.

Ask the questions that have no answers.

Invest in the millenium. Plant sequoias.

Say that your main crop is the forest

that you did not plant,

that you will not live to harvest.

Say that the leaves are harvested

when they have rotted into the mold.

Call that profit. Prophesy such returns.

Put your faith in the two inches of humus

that will build under the trees

every thousand years.

Listen to carrion -- put your ear

close, and hear the faint chattering

of the songs that are to come.

Expect the end of the world. Laugh.

Laughter is immeasurable. Be joyful

though you have considered all the facts.

So long as women do not go cheap

for power, please women more than men.

Ask yourself: Will this satisfy

a woman satisfied to bear a child?

Will this disturb the sleep

of a woman near to giving birth?

Go with your love to the fields.

Lie down in the shade. Rest your head

in her lap. Swear allegiance

to what is nighest your thoughts.

As soon as the generals and the politicos

can predict the motions of your mind,

lose it. Leave it as a sign

to mark the false trail, the way

you didn't go.

Be like the fox

who makes more tracks than necessary,

some in the wrong direction.

Practice resurrection.

"A Book" by Desi Arnaz (1997)

This is one of the best autobiographies you will ever read. Beginning in Santiago, Cuba in 1917 where Mr. Arnaz was born, this book shows you the life of privilege he led as a young man when he was heir to the Bacardi fortune. When Batista came to power all that changed. In the 1940's he went to Miami where he was spotted by Xavier Cugat. He became a singer in Mr. Cugat's band and carved out a small reputation for himself at the same time.

From Miami he went on to lead the country through the "Conga" craze along with Carmen Miranda and her fruited headpieces. He then went on to Hollywood and some minor roles before being cast with Lucille Ball in some "B" movies. From there it's all, as they say, history.

Mr. Arnaz takes us through the years of "I Love Lucy", giving us a "cooks tour" of not only the show but the thought process which was behind it.This is the show that really set the stage for many of the sitcoms that we have enjoyed over the years. This was also the show that introduced us to the use of 3 camera angles, a process still in use today. He also chronicles the changes in his relationship with Lucy that finally led to their breakup in 1960.

The difference between this book and the two earlier books, "I Love Lucy" and "Desilu" is astounding. This book is so much more than just the story of the TV show. This is Desi Arnaz telling the story and history of his family fortune and its' subsequent loss. It is also the story of Miami and the entertainment scene in the 1940's. It's also a look behind the mind of the man who just about invented "residuals" for TV sitcoms. Not to mention taping the shows to begin with.

Fans of Lucy and fans of TV History will love this insightful and snappy book. It crackles from the opening page to the last. The author spares no one- himself included- in an effort to tell the tale correctly, even though it often casts him in a poor light.

Though they both remarried, they remained friends for the rest of their lives. There was just too much passion for their own marriage to endure. An honestly written, straight from the heart autobiography, this is one of those books that you simply don't want to pass up. In short, this is a tremendously appealing and entertaining book.

"The Kings of Summer" with (2013)

This is the “new” coming of age film. It is a bit different than the innocence depicted in films such as “Stand by Me”, but in spite of that, the film is a pretty accurate reflection of today’s teenage perception of what it means to “become a man.”

The film depicts the reasons behind the decision by 3 teenagers to leave home and set up on their own over the summer. The three all have different issues with their families and the lure to be on their own is very strong. So, when 15 year old Joe; played by Nick Robinson; approaches his 2 buddies with his idea about building a home of their own in a clearing in the woods, they are ready to listen.

Joe lost his mother to illness a few years earlier and his relationship with his Dad is adversarial at best. Complicating things is the presence of a new woman in his Dad’s life; a relationship he refuses to acknowledge.

Joe has a severe crush on Kelly; played by Elin Moriarty; who is already in a relationship with some guy named Paul. After seeing her at school and being humiliated by her boyfriend Joe heads for home accompanied by his strange friend Biaggio; played by Moises Arias. Biaggio claims to be asexual. When the two cut through the woods on the way home they discover the spot where Joe decides that they should build a house. Joe wants his friend Patrick; played by Gabriel Basso; to join them.

Patrick has an array of survivalist books from which the trio makes plans to build their home. They pilfer materials wherever they can find them, dragging everything into the woods and actually building their home. Shortly after it is finished the three boys move in to begin their new lives.

Thinking that the boys have been kidnapped the town is searching for them frantically. The police know better; since the boys took money and tools from their parent’s homes when they left. It’s just a question of where they went.

The boys are learning that living off the land; while sounding appetizing; is not as easy as it appears. They find a small grocery store from which they are able to count on fresh meat each day, and so that becomes their main source of food. Hunting, fishing and cooking have proven too difficult for them.

As the days go by Joe misses Kelly more and more, and so makes arrangements for her to come visit them in the woods. She brings a friend along. Kelly has broken up with her boyfriend and Joe is still smitten with her. He is hoping that when she sees all that he has accomplished she will become his girlfriend. But instead she is attracted to Patrick and the two slip away together. This event causes Joe to have a sort of meltdown, which breaks down the bond between the 2 friends. Patrick destroys a portion of the house he helped to build and leaves. Biaggio wants to stay but Joe sends him away also. Now he is truly alone.

The police question Biaggio and Patrick; with Biaggio turning out to be the strongest of the two. He tells the police nothing. Joe, meantime, has run out of money to buy chickens at the food store and begins to actually hunt. He captures and kills a rabbit, but feels so badly about it that he cannot eat it. It has now been over a month since the boys left home, and Joe is the only one unaccounted for.

At this point Kelly tells Joe’s father about the secret location of the house and they head there to get Joe. The ending of the film involves a poisonous snake and a heroic act by Joe, which earns him the respect of his father. And although Kelly and Joe remain only friends, he comes away with a new understanding of himself, his father and life in general.

A very ethereal film in some respects, with intense acting on the part of all the principal players, this film illuminates the never changing angst of growing up.

"Supreme City" by Donald L. Miller (2014)

New York is the greatest city in the world by any measure. To paraphrase Dickens in “A Christmas Carol”, you must realize this “for any good to come of it.” But the growth of the city from the quaint days of the “Gay Nineties” to what it became after the Second World War required a growth spurt unlike that seen by any other city before or since.

That is what author Donald L. Miller sets out to prove with this ambitious and informative biography of the city between the turn of the century and the beginning of the Second World War. And he does it with style as he explores both the physical changes to the city’s skyline as well as the men who wrought that change. Along the way he takes us on a tour of the speakeasies and nightclubs, as well as the back rooms of the politicians and the boardrooms of the big corporations.

Carefully researched and annotated, this book covers such diverse topics as the changing modes of transportation and the expansion of the subways, the building of the Grand Central Railroad Station and the rise of Park Avenue, and the city wide construction boom which would push the city’s boundaries further northward.

In the fields of Entertainment; radio; vaudeville; theater; a new invention called TV; musical recording; and even the motion pictures; all had their start in the Big Apple.

As far as Politics and Personalities go, this book explores the characters of the day; Tex Guinan and her saloon; the speakeasies; Mayor Jimmy Walker, Ziegfeld, William S. Paley and the rise of mass media.

The major events of the 1920’s; Lindbergh’s parade after soloing across the Atlantic, Valentino’s funeral and the rise and fall of Tammany Hall are all given their respective dues.  

The author covers all bases in an effort to paint an accurate portrait of Manhattan during 3 of her most fascinating; and active; decades. These are the years which made New York what she is today; quite simply put; the most fantastic city in the world.

This book is an excellent companion to the book “Gotham” which chronicles the history of Manhattan from the time of Hudson to the present. They go well together on my shelf.

Jerry Lewis on The Ed Sullivan Show (1961)

In this 1961 performance from the Ed Sullivan show, Jerry Lewis proves that Ed Sullivan is alive and even has a sense of humor. In this live show broadcast from Las Vegas; I’m not 100% on that, though I have listened to the tape twice; Jerry Lewis has apparently stayed in town, past the end of his run at the Sands, just to be on Ed’s show.

After a hysterical back and forth with Ed; during which he offers career and fashion advice to the host; Jerry does some very credible stand-up comedy, albeit with his own unique twist. I’ve always liked Jerry Lewis, but haven’t been a fan of his movies since I was about 6 years old. 

That year I got a birthday pass; remember those; to the Century Theaters. We went to see Jerry Lewis in “The Bellhop.” I remember the film very well, probably because I was trying to figure out what was funny with the scene where Jerry attempts to hang up a strapless bra on a wire hanger. I get it now.

At any rate, this is one of the few times that you actually see Ed Sullivan participate in any sort of scripted comedy routine; aside from the bits with Topo Gio, the Italian Mouse. Enjoy it…

Rooftop Reviews - Top Ten for April

Every blogger has something, like Google Analytics, which enables the blogger to track what people are reading. Some are just counters which list every “hit”, including spammers. Others are pinpoint accurate and display the actual physical location of who is looking at your site and when. That’s scary. Why would you even care?

I use a very simple version of Google Analytics; which simply means that I have forgone the “bells and whistles” which give all of that useless information. I simply want to know what the people who read this are actually reading. My site is “destination based”, which is a fancy way of saying only 21% of my “hits” are repeat offenders. That’s not bad considering the other 79% bump into my site when looking for information about a specific topic. That’s what is meant by “destination based”. I’m amazed that Rooftop comes up that often in searches. And; I have to admit; a bit proud.

I’m also happy that the “Top Ten" posts are split among so many different categories. There are 2 pieces about photos; one of which is mine. 2 pieces about politics; which I used to try and avoid. There is 1 travel piece; 3 posts about music; one about a movie; and of course I’m really happy that “It’s Only me” holds the number 3 spot this month.

So, in the tradition of the old AM radio stations which I still love so well, here are the Top Ten for April;

  1. “Candy Cigarette” by Sally Mann

  2. Obamas Secret Tax- Give Me a Break

  3. “It’s Only me” by Robert Williams

  4. The Vance Hotel – Statesville, N.C.

  5. “Foul Owl on the Prowl” – Quincy Jones  (1968)

  6. Disposal of the Quran

  7. Joe Seneca - Bluesman

  8. “The Seven Foys” with Bob Hope and James Cagney

  9. “Old Barns and Pianos” – R. Williams

10. “One Meat Ball” and other Depression Era Songs

"Cold Comes the Night" with Alice Eve and Bryan Cranston (2013)

Riveting is the one word which bests describes this film. Chloe, played by Alice Eve, is a single mother living in a run-down road side motel. Her daughter lives with her. The local DSS wants her to move from the transient hotel or lose custody of her child. She plans on leaving but is trying to save enough money.

The motel doubles as a brothel run by local police officer Billy, played by Logan-Marshall Green. He is corrupt and ruthless. And though he doesn’t know it, he is about to meet his match in TOPO, played by Bryan Cranston. TOPO is a mysterious figure who is passing through town with a driver and a whole lot of cash. When the driver gets involved with one of the local girls at the motel and is killed, TOPO has no one to finish driving him on his mysterious journey.

As TOPO uses Chloe to try and finish the job he was paid to do, she realizes that his eyesight is failing; which is why he had a driver in the first place. Essentially trapped in the motel with no transportation he is forced to use both Chloe and her daughter as his eyes; as well as shields.

When the car TOPO was being driven in is impounded he must use her connections with Officer Billy in an attempt to retrieve the cash hidden in the car. But Billy has gotten to it first. This begins a deadly game of cat and mouse as TOPO looks to get back the cash, along with a bit of revenge.

Tautly directed and tersely written, this film will have you stuck in your seat for the full 90 minutes. Outstanding performances by all make this one a sure fire winner.

"Jayne Mansfield's Car" with Billy Bob Thornton, John Hurt and Robert Duvall (2012)

With a cast as diverse as this film; and a script by Billy Bob Thornton; this film is a work of art. If you have read Billy Bob Thornton's auto-biography, then you are aware of what a personal journey making this was for Mr. Thornton.

The film traces the mis-adventures of a family in Alabama circa 1969, as family patriarch Duvall struggles to hold together some semblance of the old order in the midst of great social upheaval. He is not always successful. He is further challenged in his efforts when his son's ex-wife passes away and her body is returned from England, where she has been living since her re-marriage years earlier.

This macabre re-union results in two families who are seemingly worlds; and cultures; apart being forced to deal with one another as well as their own feelings about the deceased and the rest of this dysfunctional family.

Ron White is particularly convincing as the socially inept brother in law, and all of the rest of the cast turn in wonderful character performances which are often at odds with their usual roles. Billy Bob really stretches their limits of creativity with this quirky film that deals with life, love, and the changing definitions of family which have evolved along with the changing social mores of the times.

You'll have to draw your own conclusions; and perhaps watch this one twice to really get the full meaning of what Mr. Thornton attempts to say here. But when you do, it will be worth it, as you will undoubtedly identify with someone, someway, in this film which could only have come form the mind of Billy Bob Thornton. Thanks, Billy, for letting us in.

"Into the White" with Stig Henrik Hoff, David Kross and Lachlan Nieboer (2012)

On April 27, 1940 two enemy planes; one British, one German; fought in the skies over Norway. They shot one another down and crash landed miles from anywhere. The Germans left their plane and spent the night in the snow. The British spent the night in their plane. What happened next is one of the most extraordinary set of events to arise out of the Second World War.

Within days of the shoot down, the two crews; 3 Germans and 2 Englishmen; find themselves vying for control of the same rustic hunting cabin. They must come to terms with one another and learn to work as a team or they will die. It’s that simple. Florian Lukas is convincing as the German Lieutenant Horst Schopis, and Lachlan Nieboer is equally effective as RAF Captain Charles P. Davenport. The two struggle at first to keep their respective subordinates in line, while struggling with their own doubts and fears.

 

At first tempers flare and the men all struggle for control of the 3 weapons which the German flyers possess. The balance of power shifts back and forth in this amazing and true story. The Germans have the upper hand at first, but as the captors they must provide for the captives. This grows old fast. And when the guns change hands the British flyers find that they cannot care for their captives as well as the Germans had cared for them; albeit unwillingly at first.

Soon, reality sets in and the men realize that they must discard their petty differences or they will never make it until the spring thaw. At this point they begin to understand the futility of the war they have been fighting and even contemplate remaining where they are for the duration.

When the Norwegian Patrol gets word that someone is living at the cabin they set off to capture the men; whom they believe to be German. When they find the two enemies living in harmony they are incensed. While they understand that the Germans had the guns they cannot understand why the British did not kill them when the guns changed hands. It appears that the British are going to be charged with collaborating with the enemy.

The Germans are led away to a POW camp for the duration, while the 2 RAF flyers are returned to duty, where they are shot down and imprisoned for the rest of the war. In 1977 Captain Davenport of the RAF called Lt. Schopis and invited him to London where the 2 former enemies finally became friends.

This movie is a real statement about war and human nature. Tersely directed so that you feel every moment of the cold and indecision, the film invites you to think about the difference between blind duties and simple humanity. That is a bold statement in and of itself.

"Let No Man Write My Epitaph" with Shelley Winters, Burl Ives and Ella Fitzgerald (1960)

In this searing sequel to “Knock on Any Door” the residents of a Chicago slum building band together in an effort to keep musician Nick Romano from becoming just like his father, who has been sentenced to death in the electric chair.

Superb acting by both Burl Ives, as Judge Sullivan, and Shelley Winters as  Nellie Romano; Nick’s mother; make this movie sizzle. The subject matter was pretty raw for the time. Sex, drugs and murder align in harmony to give the viewer a look at life on the lower levels of society, along with a rough idea of just how hard it can be to break the cycle of poverty and ignorance. Like I said; pretty raw material for its time.

Nick Romano, played by James Darren, is utterly convincing in his role as the son at risk. Willard Motley's novel shines in a cast which includes both Ricardo Montalban and the legendary Jean Seberg.

The acting may seem restrained on the surface, but isn’t that what we all do with our emotions in real life? Restrain them? The cinema photography of the urban neighborhood presents a close up view of the people who inhabit the gritty world of poverty. This lends credence to Mr. Darren’s performance as the struggling youth, looking to break free from the cycle into which he was born. The shadow of his father’s fate looms over him like a weight.

Ironically, while trying to protect her son from the ravages of ruin, it is Ms. Winter’s character who finds herself enslaved to heroin and the dealer who provides the drug. Her son is caught between breaking free and extracting justice from the dealer, played by Ricardo Montablan. Who will save him from the same fate as his father? Will he survive to live his dreams of playing the piano and marrying his girlfriend, Barbara Holloway, played by Jean Seberg?

The most astounding performances in this film are by Shelley Winters and a young Mr. Darren as her son, especially in the scene concerning her drug use. This scene is still played out in hundreds of lives daily, making the movie even more timeless. Throw in Ella Fitzgerald for some dramatic flair and this movie is one you will remember forever. I first saw it on; you guessed it; WOR-TV in New York City as a kid. You can watch it here; just hit the link below.

http://www.youtube.com/watch?v=Po9vMncBBoQ