"The Catered Affair" with Bette Davis and Ernest Borgnine (1956)

How could I not review this film after Saturday's post? The two films are among the best of Bette Davis’ long and storied career; both being outside of her usual comfort zone. There is more of the stage in these two films than there is of Hollywood.

In this wonderful film adaptation of Paddy Chayefsky teleplay, Gore Vidal has created a concise version of a common problem; where do we fit in as individuals when compared to the happiness of those around us? Director Richard Brooks did a superb job with this movie; but then again, look at the talent he had to work with!

Bette Davis plays Agnes Hurley; a woman who is a romantic at heart yet faced with the reality of her life married to Tom Hurley; played by Ernest Borgnine; fresh from his Academy Award winning performance as “Marty” in the film of the same name; which was also written by Paddy Chayefsky. Tom drives a taxi cab, and with a little bit of luck; and some time; he hopes to own his own taxi someday soon.

But fate has a way of working its own way with things and accordingly, Agnes and Tom’s daughter Jane; played by Debbie Reynolds in her screen debut; has planned to be married to her boyfriend Ralph; played by Rod Taylor. When she tells her parents of her plans at breakfast a chain of events ensues which expose not only the shortcomings felt by Agnes in her own life; but the desperation Tom feels when he thinks that his dream of owning his own cab may be threatened by the expense of a lavish wedding for his daughter.

On the one hand Agnes feels cheated at never having had a real wedding of her own; while Tom feels trapped by an expectation that will derail his dreams; as well as making him aware of just how unhappy his wife may be over events of the past. Complicating matters is the presence of Uncle Jack Conlon; played with the usual brilliance of Barry Fitzgerald.

This film is one of those gems that seem to get lost in the greater array of older “classical” films. It’s more cerebral than the usual fare offered up by the gangster films of the 1930’s; or the romances and war films of the 1940’s and 1950’s. This type of film is timeless in its subject matter. People dealing with their own emotions, while trying to understand the emotional needs of those around them, is a subject which will never grow old. This is an excellent film.

Here's one of my trophies - it hangs on the wall of my TV room. He read the draft off a review I did of his book and actually sent this back to me! It is one of my treasured possessions

"The Rat Race" with Tony Curtis and Debbie Reynolds (1960)

This is a remarkable film in so many ways. Tony Curtis plays Pete; a saxophone player who comes to New York with big dreams and little hope. He immediately finds himself sharing an apartment with Peggy; a “taxi dancer” played by Debbie Reynolds. For those who don’t know it, a “taxi dancer” is one of those ten cents a dance girls you rented by the dance. Sometimes you could strike up other “deals” with them for after hours. Sometimes they were just dancers.

Lonely people attract other lonely people; and so it is with Pete and Peggy. Pete doesn’t realize the debt that Peggy is in while he scouts around for a job. She is dancing regularly and paying the bills for both of them. Although Pete is kind of smitten with Peggy, she denies her feelings for him.

When Pete’s saxophone and other belongings are stolen she goes to her boss “Nellie”; a sinister character played by Don Rickles in what has to be the most sleezy role he ever played; for a loan. She is already hjeavily indebted to him, and this “loan” comes with conditions. “Nellie” is the guy who runs the dance hall, ensuring that the girls all fall into debt with him. Then he tries to turn them into “escorts” for out of town businessmen who arrive in New York looking for fun.
  

Garson Kanin wrote the play and the screenplay for this film, which is searing in it’s portrayal of the dark and predatory side of humanity. In one of the more tender scenes, the bartender, Mac, played by Jack Oakie, waxes poetic, noting that “One half of the world is looking for the other half; we’re all buyers looking for sellers.”

I saw this film on TV the other night. I had never seen it before. It’s an old movie, but the topic of how we treat one another in life never gets dated.

"Singing In the Rain" - Debbie Reynolds,

This is one of those films which I watch a couple of times each year. And one of those times is usually around New Years. It's a habit of mine to stay up a bit later than anyone else on New Year's Eve/early morning. I especially enjoy watching a musical, all alone while the rest of the world sleeps.

In this number, "Good Morning", from the classic film "Singing In the Rain", Gene Kelly, Debbie Reynolds and Donald O'Connor celebrate the wee hours in riotous fashion. The late night hours have spawned a solution to a very perplexing problem for the trio and they kick out all the stops in celebration.

Obviously I won't be watching this one tomorrow night, having just watched it. But, you can be sure that I will be sitting; wide eyed; and watching an old musical tomorrow night/New Year's morning around 2 AM. I have no explanation; it's just something I do. "Gee, it's great to stay up late..."