This is a remarkable film in so many ways. Tony Curtis plays
Pete; a saxophone player who comes to New York with big dreams and little hope.
He immediately finds himself sharing an apartment with Peggy; a “taxi dancer”
played by Debbie Reynolds. For those who don’t know it, a “taxi dancer” is one
of those ten cents a dance girls you rented by the dance. Sometimes you could
strike up other “deals” with them for after hours. Sometimes they were just
dancers.
Lonely people attract other lonely people; and so it is with
Pete and Peggy. Pete doesn’t realize the debt that Peggy is in while he scouts
around for a job. She is dancing regularly and paying the bills for both of
them. Although Pete is kind of smitten with Peggy, she denies her feelings for
him.
When Pete’s saxophone and other belongings are stolen she
goes to her boss “Nellie”; a sinister character played by Don Rickles in what
has to be the most sleezy role he ever played; for a loan. She is already
hjeavily indebted to him, and this “loan” comes with conditions. “Nellie” is
the guy who runs the dance hall, ensuring that the girls all fall into debt
with him. Then he tries to turn them into “escorts” for out of town businessmen
who arrive in New York looking for fun.
Garson Kanin wrote the play and the screenplay for this
film, which is searing in it’s portrayal of the dark and predatory side of
humanity. In one of the more tender scenes, the bartender, Mac, played by Jack
Oakie, waxes poetic, noting that “One half of the world is looking for the
other half; we’re all buyers looking for sellers.”
I saw this film on TV the other night. I had never seen it before. It’s an old movie, but the topic of how we treat one another in life never gets dated.
I saw this film on TV the other night. I had never seen it before. It’s an old movie, but the topic of how we treat one another in life never gets dated.
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