It just wouldn’t be New Year’s Eve without watching an old
Busby Berkeley film. When I was about 11 years old, I “discovered” these old
musicals on late night TV, and they came to highlight my New Year’s Eves for
the next couple of years. At least until I was old enough to go out for the occasion.
And even after I was, I always came home to watch whatever was on the Late,
Late Show. Consequently, Dick Powell and Ruby Keeler became my late
night/early morning friends, inhabiting a secret world where everything always
ended happily. I’m still like that; I prefer it when things work out right in
the end.
In this scene from “Dames”; the 1934 Busby Berkeley film
written by Robert Lord, with a screenplay by Delmer Daves; our two stars find
themselves alone late at night on a train. When Dick Powell begins to croon his
love for Ruby Keeler, the magic begins as Busby Berkeley seems to pull out all
the stops in this wonderful musical number about love. The best part of the
whole number occurs at about 4 minutes into the scene, when Ruby Keeler is
falling asleep on Dick Powell’s shoulder as he gazes at a beautiful woman in
the advertisement opposite him. With his true love asleep in his arms, and the
train rocking along, he is caught up in a reverie consisting of Ms. Keeler’s face,
which seems to float about in various formations. This is Busby Berkeley at his
best.
With the help of co-stars Joan Blondell, Zasu Pitts and Guy
Kibbee, this is a perfect film to end 2012 and ring in 2013. It has an actual
plot concerning a morality crusader who wants to put an end to Broadway shows,
but; as with almost all of Busby Berkeley’s musicals; the real focus is on the
elaborate sets and gowns, as well as the perfect endings. And, with the recent weather
related events in the northeast; capping off a grueling election year; this film is a like a breath
of fresh air which holds all the promise of better days ahead. Happy New Years
to all.
My favorite parts of "I only have eyes for you" is not the part with many pictures of Ruby's face moving around, but the part right after that with Ruby and the many showgirls dressed like Ruby dancing and singing so beautifully. I also love the instrumental part after that with more Busby patterns, and then more very nice singing. I also love the part on the train with Dick Powell and Ruby before the middle dream section, and when getting on the train the cute way Ruby spoke her line. It didn't matter to me if she technically wasn't singing with melodic talent, Ruby is still wonderful
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