This is a film that I associate with Christmas. It's not the
warm and fuzzy type of Christmas movie you would normally expect. I prefer the
more unusual Christmas movies, the ones which explore the human condition more
than the tinsel on the tree.
In this film the entire story takes place around the time of
the holidays, only this time in a German POW Camp, Stalag 17. The time is less
than 4 days before Christmas of 1944. In this 1953 film directed by Billy
Wilder, fellow Director Otto Preminger plays the Commandant of Stalag 17; a
POW Camp located somewhere in Germany. He is pure Nazi, right to the bone. They
couldn't have picked a better actor. The film is based entirely upon the
Broadway play of the same name, in which Robert Strauss and Harvey Lembeck, who
play the roles of Harry Shapiro and "Animal", appeared. They are both
excellent in this screen adaptation.
Someone in the barracks at Stalag 17 is a stoolie. Several
men have already died attempting escapes. No one knows who it is, but everyone
suspects it to be Sgt. Sefton, played by William Holden, a shrewd black market
trader who has fresh eggs for breakfast while his fellow prisoners subsist on
gruel. He is not very well liked. He flouts his wealth, mocking the others as
"saps."
Overseeing the entire barracks is Sgt. Schultz, (if you're
thinking of "Hogan's Hero's", forget it. In this film, Klink and
Schultz are both real Nazi's, with no shred of honor, or humor. This is a
drama.) He is a cruel and calculating man who masquerades as the men's
"friend", but his real purposes are sinister and without merit.
When the men in the barracks gang up on Sefton, and beat
him, thinking he is the stoolie, they set off a chain of events which leads to
the discovery of the real mole, on Christmas Eve, just in time for a planned
escape by several of the prisoners. With the holiday only hours away, someone
is about to pay for those who have died, while others are on their way to
freedom.
A real surprise twist at the end makes this an excellent
film at any time of the year. But now, as Christmas approaches,, the film is
somehow more poignant, as we watch these men struggle with their burdens, each
one bearing their individual cross, during a time of year which normally holds
joy for most.
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