“Kill the Irishman” with Val Kilmer and Christopher Walken (2011)

 

In this gritty story based upon the true life exploits of gangster Danny Greene,played by Ray Stevenson, an Irish immigrant who worked on the docks in Cleveland during the early 1970’s. The old “pay to work” racket was rampant, with men routinely passed over for work in rotation if they did not pay a “kickback” to the bosses who ran the hiring. The times, as well as the environment of the waterfront, soon convinced Danny to take action on his own, taking over his local and putting himself squarely at odds with a local loan shark named Shondor Birns, played with the usual coolness of Christopher Walken.

In order to battle the forces at the disposal of Birns; who made the bulk of his money through the “pay for work” scheme; Danny is forced to make an alliance with local gangster John Nardi, played by Vincent D’Onofrio, in a role with much more depth than any of his work on the “Law and Order” television series. Danny and John blaze their way across the waterfront, taking on the gangsters who control it, only to try and control it themselves.

With the government attempting to turn him into an informant; something which he refused to do; and the mob trying to assassinate him, blow him up, and otherwise do away with him; Danny is caught between the forces of good and evil, where he finds that the two are not always dissimilar with one another.

I was living in Cleveland at the time that some of these events took place. There was almost never a day that went by in which someone got killed on; or disappeared from; the waterfront. Though Danny Greene’s story has been legendary amongst the union hiring hall for decades; this is the first movie about the legendary and seemingly indestructible Danny Greene. Tightly written and directed by Johnathan Heinsleigh, this is one movie which will keep you in your seat for the entire film without ever wanting to take a break. Val Kilmer and Paul Servino, along with Linda Cardellini all turn in great performances in this film which rivals “Goodfellas” in almost every respect. And that alone is high praise indeed.

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 Overseas Reymar Meets the San Francisco-Oakland Bay Bridge

This TV video shows the Overseas Reymar on Monday, Jan. 7, 2013, shortly after it struck the westernmost  support of the San Francisco-Oakland Bay Bridge. As a former navigator on oil tankers, all I can say is that it never would have happened on my watch!

"Just Dropped In" - The First Edition (1968)

If you’ve seen “The Big Lebowski”, then you’ve heard this incredible piece of psychedelic music before. Funny thing is, unlike a lot of the old records from the time, this one still holds up. It’s got something special; and sincere; about it which keeps it forever relevant. Hey, we all wonder what we’re really made of, and this record explores one man’s journey into his inner self. It’s not as pretty as it is confusing; and unlike “Lucy in the Sky” by The Beatles, with its gentle surreal imagery; I suppose that many people would find themselves less sure of what they believe after listening to this record.

The song itself was probably the impetus for many young people of the time to “expand their minds” through the use of LSD. The irony in that is rooted in the fact that Mickey Newberry wrote it as a warning against the use of psychedelic drugs. First recorded by Jerry Lee Lewis in 1967, it was this 1968 rendition of the recording by Kenny Rogers, with The First Edition, which will always be remembered.

Evidently, it didn’t scare many folks; rather; it might have made them a bit more curious about expanding their minds. Just listen to that guitar solo- which is, by the way, none other than Glen Campbell. Talk about versatility! Glen Campbell was, and still is, one of the greatest studio guitarists ever. His skills ranged from songs like this, to writing scores of hits of his own, doing a stint as a Beach Boy while Brian Wilson was stuck at home, and eventually moving on to have his own Sunday night variety show.

Of course, Kenny Rogers would split from The First Edition and achieve fame as a solo artist, with hits such as “The Gambler” and “Coward of the County” being just two of the ones which spring immediately to mind.

This is one of those songs which I keep on ipod, flashdrive, and even a disc in the car. Whenever, or wherever it comes on, I’m always pleased with the sound and imagery it conjures up. My favorite part of the lyrics is at the end, when he sings “8 miles out of Memphis and I got no spare, 8 miles straight up, downtown somewhere.” It’s a dark and foreboding image, one which reeks of danger and irresistible adventure all at once. They just don’t make ‘em like they used to.

Hurricane Sandy Cars

This photo was taken last week flying over the old Grumman test facility, Calverton Airport, on Long Island. The airport is currently being used as a storage facility for the vehicles flooded by Hurricane Sandy You will have to enlarge the photo on your screen to really get an idea of the amount of cars which you are looking at. There are about 30,000 vehicles currently located there and more arriving each day.
 
Calverton Airport is where the wreckage of TWA 800 was reassembled for forensic purposes. Both runways are completely full. The total length of the runways is about 16,000 feet in length. That’s a lot of cars. And just imagine how many homes were affected as well. But this photograph gives you a very vivid and compact impression of the damage wrought by the storm.

"Guilt Trip" with Barbara Streisand and Seth Rogen (2012)

This was a wonderful film to end the year with. Sue and saw it on December 28^th. It’s also a great movie with which to start a new year; because that’s what this film is all about; endings and beginnings; in that order. To start over requires having closure with the past, and that is exactly what Joyce Brewster, played by Ms. Streisand, and her 33 year old son Andy, played by Seth Rogen, discover when they decide to go on a road trip together from New York to San Francisco, promoting Andy’s new cleaning product.

Joyce is the quintessential Jewish mother, worried that she has not been the mother she should have been; while at the same time being way too obsessed with her son’s lack of a relationship, while she herself has not been on a date in 25 years, since her husband passed away when Andy was only 8 years old.

Andy is usually annoyed with his mother, and during an infrequent visit to see her in New York, she relates the story of the man she was once in love with, years before Andy was born. She even remembers his name, as well as the name of the advertising firm with which he was connected. She also confides in him that he was named for this man, without the knowledge of his late father. Obviously, the torch still burns for what might have been.

Armed with that information, and his laptop, Andy locates the firm and the man. Then he invites his mother to accompany him on his journey promoting his cleaning product. He mentions nothing of the man he was named for, or his intentions to get them together. Since his mother has always inserted herself into his personal life; without invitation; he feels like this is a kind of  justified “payback.”

But, prior to going to San Francisco, his is mother insists on his stopping to see his old girlfriend in order to find out why that relationship; from 15 years earlier; did not work. The big secret that Andy has been carrying around all these years is that she didn’t break up with him; as his mother believes; but rather that he split from her when she said no to his proposal of marriage. She wanted to wait- he didn’t. Inadvertently, once again, Joyce has humiliated her son.

Along the way the Joyce and Andy visit a roadside steak house, with it’s offer of a  50 oz. steak and meal for free; if you can eat it, or pay $100 dollars; Joyce meets a man. With a few more adventures thrown in, they finally arrive in San Francisco to meet her old flame.

The only problem is that the elder "Andy" has passed on. What happens next changes Joyce; and coupled with the changes in her son, Andy, that have taken place during the road trip; they are able to come to terms with their own pasts; which in turn releases them both to pursue their individual destinies.

A wonderfully written  script, directed by Anne Fletcher, this movie sparkles and shines as it weaves its way into your heart. This is a film which may have you tear up a bit at the end, as you realize that sometimes, it takes a huge step backward to begin moving forward again. This film is a real triumph for Ms. Streisand, as well as a real treat for her fans. Try not to miss it.

"Killing the Poormaster" by Holly Metz (2012)

They say to never choose a book by its cover – but with a cover like this – how could you not? Looking at the photo doesn’t evoke anything other than sympathy for the guy in handcuffs. Without any foreknowledge of who he is; and what he may have done; this photo is a stark depiction of everyone’s worst fear; that of being shackled and in the “custody” of the state. Of course, the man in the photo may be a monster; accused of some unspeakable crime; which changes the perception of the photo, leaving the viewer with a sense of safety, and comfort. But, not this one.

Joe Scutellaro is the man in custody of the Hoboken Police in the photo above, taken after his arraignment in February 1938 for the murder of the city’s “Poormaster”, and perhaps that title itself is a good place to begin this review. Whoever thought of that title for the position of dealing with the underprivileged, clearly had no sense of the shame felt by ordinary people, who, through economic circumstance, were forced to turn to their government for help. In fact, the term probably kept many from ever setting foot in the doorway of the “Poormaster’s” office to begin with.

In 1938 the nation was still reeling from the effects of the Great Depression. It had been almost 9 years since the “crash” which became known as Black Tuesday, when rich men hurled themselves from the windows of their offices on Wall Street as they saw their life’s fortunes disappear in an instant. (Actually there were only one or two of those, but it was a dramatic flourish which I couldn’t resist.) On the other end of the scale were men like Joe Scutellaro, the hard working son of an Italian immigrant in Hoboken, New Jersey. The author briefly gives a history of the city and how it became the corrupt and raw place it was at the time of the murder.

From its beginnings, when it was dominated by Germans, through to the power shift that came with the influx of the Irish in the mid-19^th century, Ms. Metz paints a very vivid picture of what life was like for the working-poor. Some were skilled workers and flourished; while others worked at whatever they could; essentially living off the scraps of the more fortunate. When the Depression came along, the poor were hit the hardest, as the state abolished its direct relief programs in 1936, which placed the burden for this function upon the already cash starved local cities and towns throughout the state. In places where corruption had already flourished before the Great Depression, any relief money was quickly gobbled up by local political machines and their cronies.

One of these men was Harry Barck, a man so cruel and entrenched in the “machine” of Hoboken politics, that he actually asked Joe Scutellaro if his wife was not above “swinging her purse down on Washington Street” the week before his murder. That remark alone, delivered when Mr. Scutellaro came to Barck’s office to apply, again; for aid which amounted to about $5.70 for a family of 4 for 2 weeks; would have been enough to send any man into a rage. Yet, Mr. Scutellaro was so beaten down by the system at this point, that he did nothing.

After another week had passed by, Joe again appeared at the office to inquire of Mr. Barck about his relief check. After waiting for several hours he was again insulted and told to go “check the mail”, a common tactic of the “Poormaster” when dealing with his “clients.” At that moment, all of the rage pent up in Joe Scutellaro burst forth, and he struck the Poormaster, sending him reeling. When he momentarily recovered enough to stagger towards the door, Joe saw something sticking from his chest, which he removed and tossed to the floor. It was one of those metal spikes which people used to use as a way of temporarily filing papers on their desktops. Apparently, Mr. Barck had fallen against it when Joe struck him. Barck died of his wound, and Joe was charged with murder.

The chief witness was Eleonore Hartmann, who changed her story several times in order to cover up what she hadn’t seen, even after giving a statement to the police on the day of the murder. In that statement she claimed to have seen Joe commit the crime. Apparently she didn’t really see the crime itself; only the aftermath and her conclusion form what she did see; which served as her statement.

Joe’s counsel was the celebrated criminal defense attorney Samuel Leibowitz, of the famous “Scottsboro Boys” trial. In that case, 9 young African-Americans stood accused of raping 2 white women, facing the death penalty. Leibowitz; as in all his trials; won their acquittal. Could he do the same for Joe Scutellaro?

With a keen eye to history, as well as an aptitude which enables the reader to contrast the issues of the Great Depression with the same social ills of today, the author has created a portrait of an era long gone, but looming ever closer to a return as the struggle between the very wealthy and the working poor continues, unabated. This is a very compelling, and informative book.

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 Patti Page - "The Tennessee Waltz"

 

This is one of the first records I ever heard. Along with “How Much Is that Doggie in the Window”, and “Doctor, Lawyer, Indian Chief” by Betty Hutton, and many other 78 RPM recordings which colored my early years. This one really got to me at the age of about 4 years old. I remember putting the record on and watching it going round and round, marveling at the voice. In this version from TV, Ms. Page is singing on her own.

 

The recorded version was double tracked, which was a signature of Ms. Page’s works. The double tracking stemmed from her not having enough money to hire additional backup singers; and although overdubbing had been done before by other artists, Ms. Page brought the practice to the forefront; influencing the sounds of the 1950’s; as well as the 1960’s.

Ms. Page passed away yesterday, on New Years Day;  leaving us a legacy of wonderful music; for which she received, in turn, the love of a 4 year old boy who was captivated by her many years ago. RIP Patti...

 

Happy New Year Baby!

Well, it’s New Year’s once again, with people all over making promises which they’ll never keep. I don’t recall ever having made a New Year’s resolution; not that I couldn’t use some reforming in certain aspects; but rather that I knew I wouldn’t be keeping them, so why kid myself? But, seriously, I do have some goals in mind for the New Year, among them some changes to this blog. I’m just not sure what they will be; if any.

I find that making myself post something each day diminishes the quality of what I write. So, to that end, I may only post three, or four times, per week. I will, of course, stick to a book review each week; as well as a movie; and a music video with some related commentary. If I can, I’ll post the other days. I have some very bad arthritic pain which makes it difficult to type; or sit at the keyboard; for too long a period of time. The average 2 page review, including research of names etc., takes about an hour, sometimes more. So, doing this daily actually hurts! But, being the compulsive person that I am, we will have to wait and see to find out what I actually decide upon.

I do know this; having this blog gives me focus and purpose; two commodities which I value more and more as I get older. It also keeps me from bothering Sue too much...

So, thanks for reading, and Happy New Years from us both  as I enter into my fifth year of Reviewing Rooftops! Wait… that can’t be right. I mean a fifth year of Rooftop Reviews. Happy New Year and Good Health to all in 2013!

"I Only Have Eyes for You" from "Dames" (1934)

It just wouldn’t be New Year’s Eve without watching an old Busby Berkeley film. When I was about 11 years old, I “discovered” these old musicals on late night TV, and they came to highlight my New Year’s Eves for the next couple of years. At least until I was old enough to go out for the occasion. And even after I was, I always came home to watch whatever was on the Late, Late Show. Consequently, Dick Powell and Ruby Keeler became my late night/early morning friends, inhabiting a secret world where everything always ended happily. I’m still like that; I prefer it when things work out right in the end.

In this scene from “Dames”; the 1934 Busby Berkeley film written by Robert Lord, with a screenplay by Delmer Daves; our two stars find themselves alone late at night on a train. When Dick Powell begins to croon his love for Ruby Keeler, the magic begins as Busby Berkeley seems to pull out all the stops in this wonderful musical number about love. The best part of the whole number occurs at about 4 minutes into the scene, when Ruby Keeler is falling asleep on Dick Powell’s shoulder as he gazes at a beautiful woman in the advertisement opposite him. With his true love asleep in his arms, and the train rocking along, he is caught up in a reverie consisting of Ms. Keeler’s face, which seems to float about in various formations. This is Busby Berkeley at his best.

With the help of co-stars Joan Blondell, Zasu Pitts and Guy Kibbee, this is a perfect film to end 2012 and ring in 2013. It has an actual plot concerning a morality crusader who wants to put an end to Broadway shows, but; as with almost all of Busby Berkeley’s musicals; the real focus is on the elaborate sets and gowns, as well as the perfect endings. And, with the recent weather related events in the northeast; capping off a grueling election year; this film is a like a breath of fresh air which holds all the promise of better days ahead. Happy New Years to all.