Reviews of books that have held my interest. And things that happen along the way.
I have made it simpler to leave a comment. Just hit the comment selection and choose anonymous at the bottom- Or at my yahoo;
robertrswwilliams@yahoo.com
And let's not forget my friends at the Public Libraries!Most of my selections come from the Libraries listed on my sidebar. They are a great resource and a wonderful use of our tax dollars.
Have you hugged a Librarian today?
If you are a John Prine fan then you will know this song as “That’s
the Way the World Goes Round.” It’s a staple of any John Prine concert and a
favorite of his audience; which ranges in age from 9 to 90. But this is not the version you generally hear on the radio. It is, however, the one you will hear when you are in my car.
We have all misunderstood the lyrics to different songs at
various times in our lives. Usually the mistaken words are fairly innocuous; as
in my own version of “Shine Little Glowworm.” I used to sing it as “Shine
little glow worm, liver”, rather than
“glimmer.” Hey, I was only 4 years old at the time and not yet familiar with
the word “glimmer.” Also, liver was a big
thing in my life at the time; my parents were always at me to “eat my liver.”
There have been others along the way as I grew up that were
equally banal. And I’m sure you have had some of your own, too. But, in this
video of John Prine singing “That’s the Way the World Goes Round” he tells the
story of a woman in San Francisco who just may take top prize for mistaken
lyrics.
Jack White is one of those rare musicians who influences so
many other musicians yet never seems to have a big hit for himself. Other
people have the hits with his songs, or even; as in the case of Loretta Lynn;
with his superb abilities as a producer as well as a performer. Sort of like
what Rick Rubin did for Johnny Cash. This live performance on Conan O’Brien’s
show highlights all of those skills plus his ability as a writer to really hit
the heart of the matter in a song.
I can’t figure out whether I like the music best, or whether
it’s the lyrics. But then again it’s probably the performance itself which
caught me by surprise. The white make-up; the unusual mixture of the
instruments; the violin part; all come together in this number, making it
impossible for me to ignore. (The studio recording also has a great piano part, which sounds slightly off but adds something of it's own to the song.)
After listening for several days it was impossible for me to
stay uninvolved with the recording. The song is very simply composed; and can
be played using the basic chords of E A and D. It’s the rhythm that takes a few
tries in order to make the words flow as smoothly as they seem to come from Mr.
White’s mouth. (I’m still working on that.)
The lyrics are really hauntingly beautiful, reflecting some
of my own feelings about issues of trust. I especially like the verse about the
ghosts; he paints them as opportunists who know exactly how to haunt him, even
though they may not exist. Mr. White knows better. The ghosts are the products
of our own insecurities, which in turn gives the non-existent “ghosts” the
power they seem to have. Just as with Jacob Marley, we each forge our own links one at a time.
Anyway, you've seen him with the Rolling Stones; on late
night TV; and heard him on the radio. Now, with this appearance on Rooftop Reviews, Jack
White has finally made the big time.
“Alone In My Home”
(Jack White)
This light that
shines on me tonight
Turns on when you
wander through my door
And your friends
won't see you to the end, I'm sure
But you love them
anyhow
Lost feelings of
love
Lost feelings of
love
That hover above
me
Lost feelings of
love
Lost feelings of
love
That hover above
me
The ghost that
visit me the most, drop by
Cause they know
they can find me here
And they claim to
be held from me in chains, but come on
They're guilty as
sin my dear
I'm becoming a
ghost
Becoming a ghost
So nobody can know
me
I'm becoming a
ghost
Becoming a ghost
So nobody can know
me
These stones that
are thrown against my bones, break through
Gillian Welch and David Rawlings are coming to Charlotte in a few weeks. They will be playing at the Neighborhood Theater in NoDa, just north of Uptown, on April 25th. It's a very pleasing venue with about 600 seats in all. And that's the best way to see these two extraordinary artists; in as small a venue as possible.
The beauty of watching them perform their magic lies in the fact that they are partners in life as well as music. Mr. Rawlings obvious command of his instrument melds seamlessly with Ms. Welch's singing and her playing.
Songs like this are easily learned. Capo on the 5th fret; Am C G D with a few minor variations and you've got it. But songs like this are also a lifetime in the making. Though I have been fans of these two remarkable artists for several years now this is the first chance I will have had to see them. You can bet that if I had the extra cash I would be going to this show. For now though, I'll just play along....