Showing posts with label John Prine. Show all posts
Showing posts with label John Prine. Show all posts

Thursday, March 5, 2015

John Prine - "The Happy Enchilada Song"


If you are a John Prine fan then you will know this song as “That’s the Way the World Goes Round.” It’s a staple of any John Prine concert and a favorite of his audience; which ranges in age from 9 to 90. But this is not the version you generally hear on the radio. It is, however, the one you will hear when you are in my car. 

We have all misunderstood the lyrics to different songs at various times in our lives. Usually the mistaken words are fairly innocuous; as in my own version of “Shine Little Glowworm.” I used to sing it as “Shine little glow worm, liver”, rather than “glimmer.” Hey, I was only 4 years old at the time and not yet familiar with the word “glimmer.”  Also, liver was a big thing in my life at the time; my parents were always at me to “eat my liver.”

There have been others along the way as I grew up that were equally banal. And I’m sure you have had some of your own, too. But, in this video of John Prine singing “That’s the Way the World Goes Round” he tells the story of a woman in San Francisco who just may take top prize for mistaken lyrics. 

Sunday, October 19, 2014

"The Year That Clayton Delaney Died" - Tom T. Hall (Live)


This is one off my favorite songs by one of America’s finest storytellers. That he happens to tell the stories to music is just an added plus; but the stories would stand on their own, even without the melodies. They’re simply that good.

Bob Dylan is great; abstract poetry and activism. It’s great stuff. John Prine writes about the ironies of life. And I love John Prine. But Tom T. Hall writes about the people he has met and what has happened to him in life; and guess what?  His stories reflect more accurately the everyday struggles and emotions of the average person.

Of course there are just some stories made up for plain fun. Listen to “A Week In a County Jail” sometime to hear what I mean. You can listen here;

Tuesday, March 4, 2014

"Leaves of Grass" with Edward Norton and Tim Blake Nelson (2010)

Tim Blake Nelson wrote, directed and stars in this hilarious comic/drama in which he plays Bolger, a friend to Brady Kincaid, played by Edward Norton; who also plays his own twin brother Bill Kincaid. Brady is a local marijuana grower in Oklahoma, while his brother Bill has left home and become a well-known Ivy League Professor of Philosophy, who is clearly headed for bigger things.

When a local drug lord, played by Richard Dreyuss, tries to make Brady start dealing hard drugs, Brady rebels and hatches a scheme with his best friend Bolger to take the drug lord down. Unknown to brother Bill is that he is to be a major player in this scheme. Brady has his brother notified that he has passed away, and when Bill returns for the funeral he discovers that he is being used.

Bill meets a woman named Janet, played by Keri Russell, and he falls for her. Meantime, the boys mother Daisy Kincaid, played by Susan Sarandon, has place herself in an old age home, where Brady delivers fresh pot to her. The town Sheriff is looking to bust Brady but can’t get a handle on anything incriminating to work with.

Brady leaves town for a day or so to conduct some “business” with the local drug lord. He has cut his hair and shaved so that he looks exactly like his brother Bill, who is now the target of the local sheriff, as well as some rival drug dealers who want Brady’s growing operation.

Somehow it all comes together in a most unexpected way, when Philosophy takes a back seat to brotherly love and this comedy becomes a full blown drama with a surprise ending. This film is a triumph for Tim Blake Nelson for writing and direction. Edward Norton shines in his dual role playing his own brother in this highly entertaining and thoughtful film.  An outstanding soundtrack; covering everything from Little Feat to Townes van Zandt and Steve Earle; makes this a sure fired winner.

These are the artists and songs featured in the film;

“Stand Up” by Doug Bossi

“Illegal Smile” by John Prine

“My Wildest Dreams Go Wilder Every Day” by The Flatlanders

“Faithful and True” by Richard Myhill

“Fat Man in the Bathtub” by Little Feat

“Rex's Blues” by Townes van Zandt

“Sailin' Shoes” by Little Feat

“Sweet Revenge” by John Prine

“Shall be Released” by The Band

“Lonely are the Free” by Steve Earle

“Boys from Oklahoma” by Cross Canadian Ragweed

Monday, July 30, 2012

"The Singing Mailman Delivers" by John Prine (1970)


Back in August of 1970 John Prine was working as a letter carrier for the U.S. Post Office in Chicago. It was in this capacity that he met the great journalist Studs Terkel for an interview, presumably for one his many books chronicling the American work experience. Mr. Terkel had been doing this type of journalism since the 1930’s, when he was employed by the NRA as a “writer.” Armed with a dictaphone and notebook, he set off on an adventure across America, the results of which were later published as “Working.”
  
In the 1960’s and 70’s Mr. Terkel was doing this type of thing on the radio, broadcasting on WFMT radio, and John Prine, who was just about to record his first album, was a guest on his show. He played a song or three and the interview is very interesting, covering many topics, including John Prine’s time in the service, as well as his stint as a mailman in Chicago. You can hear that interview on You Tube, in several parts, beginning with this link to Part One;
http://www.youtube.com/watch?v=_vP389HJWZ0&feature=relmfu 

But the best part of this interview was what took place after it was over. John Prine, as explained in the liner notes to this album, was looking to record a tape of his songs for copyright purposes. The tape would be sent on to the Library of Congress. So, he simply asked Mr. Terkel if it was possible to record the songs there in the studio. Mr. Terkel agreed, and the legendary Ray Nordstrand, who hosted “The Midnight Special”, agreed to do the engineering of the session.

What followed was 11 tracks, all of which Mr. Prine later recorded for his first album on Atlantic Records, which came out in October 1970. But this tape is so much better. It is clear and crisp in its quality, and John Prine was fresh and eager to share his work with the world. From “Hello In There”, “Souvenirs”, “Great Society Conflict Veteran’s Blues” (which was later retitled “Sam Stone”) all of Mr. Prine’s earliest work is here like you have never heard it before.

There is also a second disc of a performance by Mr. Prine in November of 1970, one month after the release of the album. “Paradise” is a song still applicable today. In that song Mr. Prine sings about how the town in which his father was born and raised ceased to exist after the coal company simply strip mined it off the face of the earth, leaving nothing behind. All of the songs speak to the conflict that is America, and the struggle of the average man; against all odds; to make it in this world.

No matter how much of a fan you are of John Prine’s, this album will only further secure your connection with the artist. And read the liner notes, they’re short and sweet, and highlight a uniquely American talent.

Medicare Signed Into Law - 1965


It was 47 years ago today when President Lyndon Johnson went to the Truman Libray in Missouri to sign the historic Medicare Act into law. To the President's right is former President Harry Truman. Behind them, partially obscured, is the chief architect of that Act, Vice President Hubert Humphrey.

I was barely 11 years old when this event took place, and never thought of it is as having anything to do with me. Well, here I am, 47 years later, and I am on Medicaid, a program which grew out of the original Medicare Program.  Without this return on my investment,  through a government mandated deduction from my paycheck, I would be in a very different position, respecting both my health and my dignity as a human being.

So, in the midst of all of the hubbub regarding what some people term to be "entitlements"; which they are not, they are investments; I just want to thank the leaders who made this program possible. Their actions, over 4 decades ago, affect me directly today.