"Sweet Violets" and Other Songs Which Do Not Rhyme

 "Sweet Violets" by Jane Turzy, from 1951 was the first song I ever remember which didn't rhyme. It broke all the rules. I call it implied rhyming, which is the product of the rhythm. I was about 5 when I first heard it in 1959. My Mom had a huge collection of records from the late1920's up through the 1950's.

Another song which fit this category was "Moonlight in Vermont" by Margaret Whiting. That might have been a 78 from 1950. This was when record players had 4 speeds; 78, 45, 33-1/3 and 16 RPM's.

"Suzanne" by Leonard Cohen, recorded around 1967, almost makes the grade, except for that 3 line refrain, which rhymed "blind" with "mind". But that was more as a way of connecting, or resolving,  the verses, so to me it makes the grade..

"America", by Simon and Garfunkel, from 1972, is another real gem. That song says a lot with no rhyme at all.

"What a Piece of Work is Man", from the musical Hair, is another outstanding example of this type of song.   

There are scores of songs like these, right up through the present. They seem to be products of stream of consciousness, and so easily written. But it takes an innate talent to pull it off, marrying the lyrics to a rhythm,  rather than making the rhythm fit the lyrics.

Love to hear any titles you may have noticed which I haven't mentioned. Generally speaking I'm about 10 years behind the times. New or old, doesn't  matter.......

"The Partisan" by Leonard Cohen

In 1968 I first heard Leonard Cohen on the radio doing "Suzanne", one of his signature ballads. I immediately recognized his talent as a songwriter and poet. He had me mesmerized with that song. Over the years I have heard many of his songs in movies and as background music on TV dramas. This song was used in the film "The Escapist", and the voice was easily recognizable as being that of Leonard Cohen.

Here he is on TV in France, performing the song in both English, and French, in 1969. I have printed the lyrics below, including both the French and English, just as he sings it. It is a hauntingly beautiful song about the courage and sacrifice of the French Resistance, and is emblamatic of people everywhere, pushing back when authority steps over the line.

"The Partisan"

When they poured across the border
I was cautioned to surrender,
this I could not do;
I took my gun and vanished.

I have changed my name so often,
I've lost my wife and children
but I have many friends,
and some of them are with me.

An old woman gave us shelter,
kept us hidden in the garret,
then the soldiers came;
she died without a whisper.

There were three of us this morning
I'm the only one this evening
but I must go on;
the frontiers are my prison.

Oh, the wind, the wind is blowing,
through the graves the wind is blowing,
freedom soon will come;
then we'll come from the shadows.

Les Allemands e'taient chez moi, (The Germans were at my home)
ils me dirent, "Signe toi," (They said, "Sign yourself,")
mais je n'ai pas peur; (But I am not afraid)
j'ai repris mon arme. (I have retaken my weapon.)

J'ai change' cent fois de nom, (I have changed names a hundred times)
j'ai perdu femme et enfants (I have lost wife and children)
mais j'ai tant d'amis; (But I have so many friends)
j'ai la France entie`re. (I have all of France)

Un vieil homme dans un grenier (An old man, in an attic)
pour la nuit nous a cache', (Hid us for the night)
les Allemands l'ont pris; (The Germans captured him)
il est mort sans surprise. (He died without surprise.)

Oh, the wind, the wind is blowing,
through the graves the wind is blowing,
freedom soon will come;
then we'll come from the shadows.