Showing posts with label Equal Pay. Show all posts
Showing posts with label Equal Pay. Show all posts

Thursday, March 21, 2013

Real Women Have Curves


I love these new mannequins. They look like real women. Not those scrawny alley-cat looking Goth models slinking down the runways at Milan or in Paris or New York. These mannequins look like real women; ones who hold real jobs, and have real kids like so many of us do. In an age where a woman is valued more for her looks than her brains, this is a very refreshing change.

As a boy growing up in the 1960’s and early ‘70’s, I was always confused at how women wished to be perceived. In the films and books of the times, women were housewives and mothers, nurses, waitresses etc. And the models were all waif-like and almost asexual; I never could get the “hots” for Twiggy.

As the women’s movement grew and changed their perceptions of themselves; in many cases freeing them from a life of few selections; something strange happened. For decades men had been accused of valuing women only for their sexuality, and men had to learn a hard lesson in how to treat women properly. Then came the confusing part; many women took Roe vs. Wade as being the apex of victory in the Feminist Movement. Indeed, it is a pet peeve of mine that women never did push further for the ERA after Roe was decided. Instead they took the sexual equality as being the victory itself, rather than merely a component of a larger goal. And until this very day, America remains one of the only industrialized nations on Earth without an Equal Pay Act for Women.

The war against women is full on in America today, with many of the leading culprits being women politicians who have been elected, in large part, by women. It will never cease to amaze me at how many women turned out the vote for Hillary Clinton as she traveled the world demanding Equal Rights for women, while remaining silent on the same issue at home. Condolezza Rice and Madeleine Albright, along with every woman congressperson and senator, all share the blame in this.

Excuse my rant; I am just happy to see that someone, somewhere, is taking a vital step towards having women view themselves through the lens of accomplishment rather than the size of their dress. 

Wednesday, January 23, 2013

"All or Nothing" by Small Faces (1966)


This song was used in the film “Made in Dagenham” which deals with the Equal Pay Act in Britain, and was passed in 1970 as a result of the Ford strike by sewing machinists in 1968. The law went into effect in 1975; we’re still waiting for ours here in America; the champion of Human Rights.

The song is a real old favorite of mine, coming from the first album by Small Faces, the group which later became known as Faces, with Rod Stewart and Ronnie Lane; of future Rolling Stones  fame; on guitar. Their hits eventually eclipsed the brilliant work done by the band when it was under the leadership of Steve Marriott and Ronnie Lane; shown here; before they left the band in 1969.

Although Faces was tremendously successful; commercially; for me they never came up to the artistic achievements of Small Faces earlier works; such as “Itchycoo Park”, “Lazy Sunday” or even the concept album “Nut Gone Flake”, which was a heavy influence on other pop artists such as Pete Townsend and the Kinks’ Ray Davies.

According to Steve Marriott’s mother, this song was apparently written by Steve Marriott about breaking up with his girlfriend. However, Steve Marriott disputes this, claiming the song is about Rod Stewart’s first wife breaking up with Rod Stewart. Personally, I believe Steve's mother.

This song is from the album “From the Beginning" which is on Decca records and was released at the beginning of 1966. The original lineup of musicians was changed once during their short tenure; Jimmy Winston, the keyboard player, was replaced by Ian McLagan around the time of this film from BBC television.


Monday, January 30, 2012

The Lilly Ledbetter Act and The Wal-Mart Discrimination Case

When Doris Dukes sued Wal-Mart over unfair wages last year, and lost, something did not seem quite right with the Supreme Court's decision in the case. We all know, or should know, that American women do not have an Equal Rights Amendment. It was passed by Congress in 1973, but never ratified by the Senate. And it has largely been ignored ever since, even by women of both parties who were in a position to do something about it. I'm thinking about both Condi Rice and Hillary Clinton, who, during their respective terms as Secretary of State, travelled the world over talking about Human Rights in every country they visited. Women's Rights were also big on both of their foreign agendas. But never once have I ever heard an American woman, in a position of authority, tackle this seemingly simple issue; Equal pay for equal work.

To his credit, President Obama signed the Lilly Ledbetter Act into law in January 2009. But, much to the discredit of all those involved in writing that law, they never addressed the employers right to enforce a policy which prohibits an employee from disclosing to another employee, how much they earn for the same job. When Lilly Ledbetter sued Goodyear Tire and Rubber in 2007 this was the very issue at the heart of the matter. The Courts decision essentially told her that she and her fellow female employees had no right to compensation simply because they had learned too late about the discrimination, in other words, it was okay for Goodyear to have not made full disclosure to them about their terms of employment. That was a travesty of justice, as is the Wal-Mart case decision, in which the plaintiffs amounted to more than all of the female members of our Armed Forces, who do receive equal pay by law. Where is the consistency here?

I cannot help but wonder how the Court arrived at their logic in either case. In the Lilly Ledbetter decision it is akin to telling the victim of a crime that they have no civil recourse now, based on the fact that they didn't realize the unfairness with which they were treated at the time. It flies in the face of logic, especially at the present time, when compensation is being awarded to victims of the governments Eugenics Program, in which people were sterilized by court order. Those orders were both legally and morally wrong, and compensation, such as it is, is the correct remedy. What is the difference in the legal principle involved? I fail to see it.

These two episodes have now set the stage for corporations, such as Wal-Mart, to continue to dance about, and skirt the real problem, for years to come. In this election year, all women should be concerned about this inequity. Sadly, the majority seem to be unaware of the entire issue.

Saturday, May 14, 2011

"Made In Dagenham" with Sally Hawkins, Bob Hoskins and Miranda Richardson


This is a long overdue film. While American women were busy burning their bras in Atlantic City, the women of Dagenham, England were working in theirs. The Ford plant in which they made a living, sewing leather strips together for seats, was so hot and lacking in ventilation, that it was de riguer for the women to strip to the waist while working. Whenever a male supervisor entered the work area, the cry went up - "Man in the room!" as everyone scrambled to cover up. It's hard to say who was the more embarrassed, the men or the women.

Coupled with the deplorable working conditions was the fact that women were paid half of what men did for the same work. Economically, the late 1960's were a turbulent time in England; as taxes rose, jobs fled. In order to keep the Ford plants open, the Unions were actually allowing management to pay these women less than their male counterparts. If forced to pay the women equally, Ford announced it would leave England for another country. The Union bosses, eager to preserve their own high paying positions, did everything to sell the women out, keeping the men's wages intact.

Rita O'Grady, played by Sally Hawkins, is one of the 187 women working in a plant of 55,000 men, and she decides that she has had enough. Organizing the other women into a work slowdown is not that hard to do. And so, she does. But when the Union Steward and the Management lackey's conspire to delay her efforts, she ups the ante. Nothing less than equal pay for women will stop the slowdown, which has now become a strike. But don't cheer yet, as the strike brings on many complications.

As the strike winds on, the stockpile of seats dwindles, until there are none left. With no seats to install in the cars, the men are faced with a massive layoff. Rita O'Grady goes quickly from being a media celebrity to pariah. But she holds fast to her position. Equal pay for equal work.

Meantime, in London, the Minister of Labor, who happens to be a woman, is trying to mediate the dispute. But when she realizes that both the Union and Management are conspiring to thwart Rita and her co-workers of their just dues, she calls herself to account. After being told to stay out of the dispute by the Prime Minister, she summons Rita to meet with her. Her intentions are to get the women to wait until all the men's issues are ironed out at the Ford plant. But Rita, acting with the consent of her fellow workers, won't budge.

The Minister of Labor offers a compromise, an immediate raise to 75% of the men's wages, and a promise to discuss the issue further, if the women will just return to work. Rita settles for 90% immediately, with an Equal Pay Act to be put before the House of Commons by that August. Within the next 18 months the Equal Pay Act would be passed. Within the next few years almost all of the European countries would adopt the same types of laws. Equal pay for equal work, regardless of sex.

This is a fantastic movie, with a great 1960's soundtrack that really makes you feel the energy of that era all over again. It also calls into question just how effective the women's movement was in the United States. After Roe vs. Wade was settled, giving women the Right to Choose, the Equal Rights Ammendment was passed by Congress, but never ratified by the Senate. And to this very day it languishes, ignored by all, as American women still work for about 75% of what their male counterparts earn.

I'm hoping that enough women will see this film to make this issue a central theme in the upcoming 2012 Presidential Campaign. There is no good reason that the ERA has not been Ratified by the Senate in the past 38 years. There is also no valid excuse as to why the women of America have let this issue lie dormant for so long.