Showing posts with label Classics. Show all posts
Showing posts with label Classics. Show all posts

Tuesday, April 8, 2025

"Sons and Lovers" - (1960) Trevor Howard, Wendy Hiller, Dean Stockwell

 


Use this link. https://youtu.be/qVtPAVtucjY?si=ZwAwNceh19ZGKa3Q

Written in 1912 by D.H. Lawrence,  "Sons and Lovers" was controversial when first published. It explores the conflict which exists between the relationships of mothers and sons. One clings, while the other seeks a new love of its own.

I remember vaguely the controversy the film elicited when it was released in 1960. I recall discussions between my parents and their friends about it, though I had no idea what they were talking about. As a teenager I tried to read it, but I was too young to really understand the book to its full extent.

The film has never been remade. I don't think it ever will be. It could never, in my mind, equal the stark reality created here. And though our views of morality and desire have changed drastically in the 65 years since its release, there are still some truths which are eternal. The film is as relevant now as it was then.

Trevor Howard and Dean Stockwell are riveting in their performances as father and son, and both are equalled by their counterparts, Wendy Hiller as the mother, and Mary Ure, as the married woman with whom Dean Stockwell has an affair, and Heather Sears as the girl he once loved.

Sunday, December 24, 2023

"The Night Before Christmas"- Read by Louis Armstrong (1971)


 Louis Armstrong loved kids. In the summertime he would come out of his modest home in Queens, near old Shea Stadium, and buy the neighborhood kids ice cream. At other times he would have "block parties". His own impoverished childhood was probably the impetus for this.

He was the reason I began coin collecting. His official bio at the time gave his birthday as July 4th, 1900. So, my first coin was  a 1900 Indian Head Penny. I bought it at the Hobby House on Coney Island Avenue for 75 cents. I was 11 years old and used to fantasize that this coin may have passed through his hands at sometime. I still have it. (His birth date has since been disputed and is currently listed as August 4th, 1901)

On February 26th of 1971, the year he passed away, he was home in Queens, in the same house which is now his museum, and recorded "Twas the Night Before Christmas" on his reel to reel tape recorder. Whether he meant it to be released is not really known. He had thousands of these kind of tapes on his personal collection. You can hear some of them at the museum. Each one has a hand drawn cover which he did in pencil, ink and crayon.

On March 1st he began his last commercial appearance, playing for a few weeks at the Waldorf Astoria. 2 days after the last show he had the first of two heart attacks and by July 6th he passed away in the hospital, 1 floor away from his manager, Joe Glaser, who also passed away shortly after. The two had been together since 1935.

That Christmas his recording of the poem was distributed by the cigarette manufacturer Lorillard, which pressed it onto a million 45-rpm records as a free giveaway for anyone who bought a carton of cigarettes. Some candy store owners sold the records for about 75 cents to neighborhood kids. I was one of them. I had it for decades but lost track of it over the years. Luckily you can still hear it, and download it, from you tube.

Merry Christmas from Louis Armstrong. ❤

Sunday, April 6, 2014

Nicodemus and Stymie

My first run in with the name of Nicodemus came through the Our Gang series. Seriously, a lot of credit for opening up the classics, as well as the Bible, came from the stuff on television. Of course you had to be open enough; and curious enough; to want to find out who they were talking about. In the case of Nicodemus, this curiosity began with Stymie; the black kid with the bowler hat; who was I believe looking for; or talking about; a cat. I could be wrong about the scenario, but it was Stymie.

Anyway, through the years I have run into the name Nicodemus on road signs, road maps, state maps; even ships are named for him. Often enough, most people have no idea who he was. Some even attribute myth like origin to his name. Even some regular church going people would be hard pressed to tell you just who he was, or why he is important. I attribute that to a lack of effort on the part of the average clergyman. But, luckily, you have Rooftop Reviews to enlighten you about this, and on a Sunday, no less!

Nicodemus was the guy pictured, or rather depicted, in the Pieta; the statue by Michelangelo shown above. That statue was displayed at the New York World’s Fair in 1964 and 1965. It was one of the Pope’s goodwill efforts in advance of his visit to the city the following year. Say what you want about the church, that move made quite an impression upon this Jewish kid from Brooklyn; not the least of which was based upon the fact that this hunk of marble was a Michelangelo all the way from Europe!

And, as if that were not impressive enough, the Pieta depicted my beloved Nicodemus, the same one who was introduced to me by Stymie in the “Our Gang” series, as I mentioned earlier. So here I was, the only one at the World’s Fair looking at this thing in connection with Stymie. But, I was awed. And the story of Nicodemus, and how he became involved in the story of Jesus Christ, is fascinating whether or not you believe in Jesus. I make that statement as a candle lighting, Sabbath observing Jew.

Nicodemus, who was later made a Saint, was a Pharisee who lived at the time of Jesus' death. As written in the Gospel of John, Nicodemus showed favor to Jesus, and appears with him three time. He visits Jesus one night to discuss his teachings, as written in John 3:1–21. The next time you read about him is in the portion covering the Feast of Unleavened Bread, John 7:45–51, where he discusses the law concerning Jesus arrest and imprisonment with the other disciples. And, the last time he appears in the Bible is at the Crucifixion, when he helps a man named Joseph (not Jesus' father) to prepare the corpse for burial, as told in John 19:39–42.

Nicodemus is not mentioned elsewhere in history, but he is one of the first Jews to be “born again” and his experience is considered to be the source of that expression. The Jewish Encyclopedia has traced the origins of this man to Nicodemus ben Gurion, who is mentioned in the Talmud as a wealthy and popular religious figure who possessed miraculous powers. In the Christian faith, Nicodemus is thought to have been killed in the 1st Century and is considered to be a martyr.

And that, my friends, is the story of Nicodemus and how I became acquainted with his name. And they say nothing good was on TV when I was a kid!

Saturday, July 24, 2010

"All Quiet On The Western Front" by Erich Maria Remarque


Every now and then I get around to doing what I had intended upon doing when I began this blog; that is, to compare books and the movies that are made from them. I don't seem to get around to it that often, but it is what I'm supposed to be doing here.

In the opening years of the 1930's, Hollywood had a new toy to play with, "talkies."At first the template was set with films such as "The Jazz Singer" and then a plethora of musicals came along. These were all very fine and showcased the advent of sound by creating lavish musical numbers and featuring singing. But literature was about to weigh in, and it would change what people expected from motion pictures forever.

The 1930's saw the first real effort to bring great literature to the screen. And one of the first books chosen was the contemporary best seller by Erich Maria Remarque, "All Quiet On the Western Front." The book is one of the best anti war pieces of literature ever written. Bringing it to the screen was a challenge, in that sound was new and "talking" motion picture actors were still a rare commodity. So many of the silent screen idols couldn't speak a line, while many of the finer stage actors considered movies, particularly "talkies", to be a passing fad, geared only towards slapstick comedies, or overly emoted love stories and westerns.

"All Quiet On the Western Front" has stood the test of time as a novel. It's characters are brilliantly painted, the story finely developed. It centers around a group of students and their war mongering teacher. The teacher gives them all the bravado they need to go out and fulfill their destinies on the field of battle. The town cheers as they march off to war. The local postmaster becomes dictatorial in his treatment of the recruits, and the boys get a taste of what war is really all about. And in the end, all of the deaths are revealed as having been worthless.

One of the most poignant passages in the book speaks volumes about the war and the men who lived, or died in it. "We are forlorn like children, and experienced like old men, we are crude and sorrowful and superficial - I believe we are lost."

The book is fluid and the prose flows like water. It states coherently the message that war is hell. It underscores the abuse of authority by those who have no right to it in the first place. In comparison, the movie is stilted and choppy. The direction is almost chaotic.

But the one saving grace of this film is that it opened the door for filming more of the great classic literature. Within the the next few years classics such as "David Copperfield", "Oliver Twist", "Mutiny on the Bounty", "The Hunchback of Notre Dame", and so many others, would come to the screen; not as silent synopsis' of these great works, but as feature films with actors who actually spoke. Leslie Howard, Lionel Barrymore, and scores of others would leave the stage and bring some of the world's finest literature to the screen. The techniques would change, and the sound and direction would improve. But for all of it's flaws, "All Quiet On the Western Front" is still a good movie to watch, if only to see the rapid advances made once sound was introduced to the movies.

Monday, January 25, 2010

Jean Simmons- I'm Getting Older

I know I’m getting older. All of the actresses that I had crushes on when I was a kid are passing away. Last year it was Olivia DeHavilland – (“Robin Hood" with Errol Flynn) and then Betty Hutton – (“Miracle at Morgan's Creek” and “Annie Get Your Gun”). Now, with 2010 barely begun, Jean Simmons, forever Sister Sarah in “Guys and Dolls” to me, has passed away. She died last Friday in Santa Monica, California at the age of 80. The cause of death was lung cancer.

Standing on the edge of a fountain at midnight in Havana with Marlon Brando in “Guys and Dolls”, belting out “If I Were a Bell” is how I will always see her. But her story is so much more.

Originally studying dance she was taken out of school and contracted to David Lean and J Arthur Rank in Britain during the 1930’s. There she appeared in many films, including the classic David Lean production of Charles Dickens “Great Expectations.” She played Estella, the young girl used as revenge against the world by her bitter Grandmother.

Other hits followed, “Black Narcissus” and “Hamlet” with Laurence Olivier are just a few of the timeless classics she was turning out prior to the 1950’s.

Howard Hughes bought her contract and she came to Hollywood in 1951. It was not love at first sight. Hughes had amorous intentions, knowing she was a married woman. Her husband, Stewart Granger, no shrinking violet, confronted Hughes on the phone one evening and demanded he leave her alone. As a result Hughes torpedoed her next few films in an effort to destroy her career.

But good talent always rises back up and with the 1952 production of “Guys and Dolls” starring Frank Sinatra and Marlon Brando, her career was once again on top. Other hits and awards followed- notably the 1960 classic “Elmer Gantry.” In this one she plays the opposite of innocent Sister Sarah from “Guys and Dolls.” Rather she portrays a cunning and ruthless woman evangelical preacher who falls for another scam artist played by Burt Lancaster.

Her career was on top again where it would remain until she retired in the late 1990’s. Her retirement came after a successful run in the remake of “Dark Shadows”, where she reprised Joan Bennetts original role as matriarch of the Collins family.

Always very much the lady, she was regarded with much respect in film circles the world over. Her quiet struggles with alcohol and depression led her to disclose her problems in 1983. She said at the time that she did this “so other women would know it is okay to seek treatment.” She was a class act and we shall not see the likes of her again anytime soon.

And as her passing means I’m getting older, I miss her already.