North Carolina Music Hall of Fame - Kannapolis

The North Carolina Music Hall of Fame is located in Kannapolis at 109 West A Street. It is housed in a small red brick building that at one time was the town jail. In these days of corporate ownership, it is a rare pleasure to have an independent and growing operation like the Music Hall of Fame. North Carolina has been the stomping grounds of many illustrious musical legends. And this spunky little museum does its best to highlight them all.

Walking in, and immediately to the right, as you enter are some plagues and photos from James Taylor. He wrote "I'm Going to Carolina In My Mind", which is our State Song. He continues to perform today all around the world.

This snappy little outfit was worn by Nina Simone. Her earthy and insistent rendition of "Do I Move You" still sends shivers down the backs of her listeners. It's almost as if she's daring you to say no. And her scathing indictment of segregation in "Backlash Blues" still ranks among the greatest of the 60's social protest songs. It's right up there with "Bitter Fruit" by Billie Holliday, or "I'm Black and I'm Blue" by Louis Armstrong. Powerful stuff.

Most people think of North Carolina in connection with bluegrass and gospel music, and we do have our share of that. Charlie Daniels, Earl Scruggs, Doc Watson all immediately spring to mind. But we have such a wide variety of music in our history. From the beach sounds of groups like The Chairmen of the Board to the funky soul sound of George Clintons' Funkadelics, it's all on display here, with plans for adding more.

The second floor is not open yet, but there is already a need for more space. As more items keep on arriving and new members are  added to the ranks of inductees, the need for more space will arrive sooner than later. Each years Induction Ceremony brings with it new and more contemporary artists, all requiring a space of their own.

Also, to accommodate the continuous need for more space there are plans to use part of the first floor as a revolving type exhibit. This will enable the Museum to remain current and involved in the music scene as it relates to North Carolina.

This gown belonged to Victoria Livengood, the noted opera star. She is still performing today. The exhibit runs the entire gamut of music. From Andy Griffiths' early comedy records and his later gospel recordings, to the likes of The Shirelles, Ben E. King and Roberta Flack. And there is more on the way.

Vice Chairman Eddie Ray is hoping to get some more memorabilia from "American Idol" to represent the artists; such as Carrie Underwood, Clay Aiken and Bo Brice, to highlight North Caroilna's unique connection to the show.

But the real star of the whole show is Mr. Ray himself. He is half of the partnership that gave life to this museum. His history in the music business is an education in itself.

In 1954 Mr. Ray was already established in the music industry, on the distribution end, and also promoting artists such as The Drifters, John Lee Hooker, Chuck Berry, B.B.King, Clyde McPhatter, and Joe Turner, just to name a few! It was also the year he released his self penned hit recording of "Hearts of Stone" by The Jewels. It was a crossover hit and also covered by many of the leading R & B groups of the era.

In the mid to late 50's he was handling Ricky Nelson, Fats Domino, Slim Whitman and Johnny Rivers while employed at Imperial records. In the 1960's he joined Capitol records as Director of A & R for the Tower label. It was there that he acquired Pink Floyd. It was also around this time that he became the first African American V.P. of a major recording company.

Mr. Ray, along with his old friend, Mike Curb from Tower Records, have put this museum together to honor and showcase the artists that have made North Carolina a great place for music. But I have to say, that although all of the exhibits are wonderful, for me it will always be Mr. Ray that gave this visit it's own "Heart and Soul."

For more information about the North Carolina Music Hall of Fame, and their upcoming annual 5K race in May, use this link;

http://northcarolinamusichalloffame.org/

The Earl Scruggs Center - Shelby, N.C.

The Town of Shelby;  home to the Don Gibson Theater; has a new attraction at the old County Courthouse. The long awaited Earl Scruggs Center has opened. Saturday marked the trial run with a "sneak preview" allowing a limited number of visitors to enter on a "timed" basis for about 45 minutes at 15 minute intervals. Nobody was disappointed.

The town of Shelby is usually a bit sleepy on weekends, but with the opening of the Earl Scruggs center that is about to change. The Old County Courthouse sits in the center of downtown Shelby and is surrounded by restaurants and shops, all of whom will be happy with the additional traffic the Center will create.

The Center is well organized, beginning with a short 15 minute film about Earl Scruggs and his rise to fame. Lester Flatt is equally represented in the film, which is as it should be. The two names go together like salt and pepper.

If you love guitars and banjos, then this is the spot for you. Gibson's and Martin's abound; some are even made with gold fittings. These are priceless instruments with a solid history of having changed the direction of a musical genre, even while creating a new one in the hands of Earl Scruggs, with his pioneer style of banjo picking which would set him apart from all the rest. His Foggy Mountain Breakdown is as potent today as the day it was first written over 50 years ago.

The statue above is life sized and sports one of Mr. Scruggs hats as well as a real banjo. If it were done in color you would feel like you were meeting the great man himself. The whole museum is filled with interactive exhibits accessible by using the "ear buds" given at the door. This allows the visitor to roam at will, plugging in wherever their desire might take them.

For instance, there is a room devoted entirely to Mr. Scruggs radio days, where you can plug in and listen to the early broadcasts which came to define his style. Then you can move on into the TV room and plug in there. 

But, for me at least, the best part was the plethora of musical instruments once held by the gods of bluegrass, including the 1970 electric Ibanez shown below which belonged to Mr. Scruggs son. The history behind each and every one of the instruments is breathtaking, considering that they have all been well traveled, bringing the gift of music to millions worldwide.

The only sad part of the event for me was that these instruments, encased in glass, will sing no more. But then again, out of the hands of their original owners, could they ever sing as beautifully again?

For more about the great musicians from North Carolina, visit the North Carolina Music Hall of Fame in Kannapolis. Their website is at; http://northcarolinamusichalloffame.org/

"Christmas Comes But Once A Year" - Max Fleischer (1936)

Once again I am going to post a cartoon from Christmas past in the final days leading up to the holiday. I always loved this old classic cartoon in particular, and I posted it last year. I’m posting it again because it’s a great example of the quality of the animation in the 1930's. And, Max and Dave Fleischer were two of the best.

They often worked separately on various projects, though their best works are probably the collaborations they produced with the Popeye cartoons and Betty Boop series. They also made a boatload of feature cartoons like this one, which is a wonderful little story about an orphanage on Christmas morning. If you have seen this before, I hope that you enjoy it again this year.

Note: A Very Happy Birthday to my friend Eddie Ray. He's the youngest person I know …

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A Picture from Israel

This is a photo of the moon setting over Massada in Israel the other morning. It was taken by my daughter who is on a trip to the Holy Land. She's 26 years old, exactly the same age I was when I made my first "aliyah". Forgive me for being so proud of her...

Eddie Ray at Kannapolis Libray

Last evening the Kannapolis Library hosted the legendary Eddie Ray for a combination book signing and question and answer session, as well as showing a film about his life and some of his accomplishments. I say “some” because a film encompassing all that Mr. Ray has accomplished during his 6 decades in the recording industry would take a film of epic proportions to cover all the bases which he has touched. In tones ranging from whimsical to witty, Mr. Ray held the audience enraptured recounting his early years in North Carolina and his path to Los Angeles via Connecticut. If that sounds confusing you'll have to read the book...

As usual, Mr. Ray took a bit of the limelight off of himself, directing it at his current “work in progress”, the North Carolina Music Hall of Fame, located just a few blocks from the library in the old Kannapolis Jail house on West A Street. That little museum is a gateway to the rich and colorful history of all the varied performers to come out of our state. They represent every one of the many musical genres; from rock and roll, beach music all the way through jazz and even opera.

Eddie Ray spent so many years behind the scenes of the music industry, spotting new artists and encouraging them along the way. His name doesn't appear often on the many record jackets/CD liners of the music he was instrumental in bringing to the public’s attention, but the music you listen to today would probably be a bit different if it were not for this guy. I can’t believe I actually know him; as he colored much of the world in which I grew up with the music he chose to promote. It was a joy to see that so many people came out to meet and greet him.

His memoir, "Against All Odds" chronicles his life in the music industry; rising from the stockroom to the boardroom, and even on to Washington itself, where he served on the President's Copyright Tribunal under Ronald Reagan. You can read a review of that book here;

http://robertwilliamsofbrooklyn.blogspot.com/2012/12/against-all-odds-by-eddie-ray-2012.html   

For more about Eddie Ray, and the NC Music Hall of Fame, please use the following links;

http://eddieraymusicman.com/

http://northcarolinamusichalloffame.org/

Doc Watson - "Deep River Blues"

Doc Watson, the veteran country-bluegrass icon from North Carolina, has passed away. There is nothing that I can add to anything you have already read about him; all the stories are true. Three generations of the Watson clan have entertained us, and his grandson carries on beautifully, but we will always miss "Doc" Watson, the man. He embodied the grace of living; building his own home, running the farm, and in between dazzling us all with the sheer joy of his playing. I saw him once; at the North Carolina Fiddlers Convention in 1979. It was also my first experience with pure grain alcohol. Both were memorable moments in my life. Rest in Peace, Doc.

"Gastonia Gallop" - Cotton Mill Songs (1927-1931)

This unique recording is the real deal; 24 songs recorded by local Cotton Mill bands during the years 1927-1931. The town of Gastonia is about 20 miles from my home and I have even driven past the old mill shown on the cover many times. At one time Gastonia was amongst the leading cotton mill towns in North Carolina. The Great Depression, as well as the increasing demands of the Unions, both combined to shut most of these mills down. When "Globalization" and "outsourcing" began in the 1980"s, it spelled the end of these mills. But what a rich history they leave behind in terms of music and storytelling!

Cotton mill workers were pretty much the victims of greedy bosses and a lack of labor laws during their time. They worked 12 hour shifts, 6 days a week, with no protection from the fibers as they spun the threads to make the clothes that were sold worldwide. The irony of it all was that, even in the heady days before the Great Depression struck, these same workers were wandering about in near rags, never making enough to buy the clothes made from the threads they spun. But they survived, in their own fashion, through song, sex and liquor. Even with the country in the grips of that great experiment, Prohibition, the supply of local "hootch" made Saturday night dances, often called "socials", the most attractive, and affordable means of entertainment.

These men and women, pictured here marching on Main Street in Gastonia during a strike on Labor Day 1934, were the backbone of the industry. They were also the ones singing these songs, and living the life described in them. From the opening number by The Carolina Twins doing an instrumental number on harmonica and guitar, to the more risqué "Get Your Head in Here", which describes some of the Saturday night pleasures available in a mill town, this album teems with the real life experiences of these men, women and children who labored so hard and long for so little.

Some of the songs are Union oriented, as in Wilmer Watts and The Lonely Eagles number "Been On the Job Too Long", as well as the "Cotton Mill Colic" by David McCarn, which describes the hardships faced by the average Cotton Mill worker.

The mills may be long gone, but the music, and stories, left behind by these hardworking men and women will live forever thanks to these recordings, which were restored and re-released in 2009.

There is an empty feeling in the air when you walk down the Main Street of an old mill town. They used to connect one town to another, but now have all been supplanted by the Interstates, which took most of the businesses to the freeway exits, leaving the Main Streets to become ghost towns. But when walking past the mill, if you lean your head just right, you can hear the spindles and looms humming away. And if you're really lucky, you can still hear the strains of the songs sung on Saturday nights at the socials.

"Love Me or Leave Me" - Nina Simone

Only Nina Simone could pull off this amazing piano solo in the middle of a jazz number. Ms. Simone, a native of North Carolina, began playing piano at the age of 2. Just look at the decisive way she bears down on the keys, like she's been living with them all her life. And she did!

By 12 years of age Ms. Simone was already performing in public and by her early 20’s had graduated from Julliard School of Music in New York City as a classical pianist. That would have been around the year I was born in 1954. I did not become aware of Ms. Simone until I was listening to WLIB radio in New York when I was about 15 years old. This voice came out of the radio, singing a scathing set of lyrics, using her vocal chords almost like a stinging electric guitar. That record was "Backlash Blues", a poem written by Langston Hughes shortly before his death in 1967. If you have never heard it, you should be hitting You Tube right after reading this. It's a powerful song about Civil Rights, which I have posted here before. As a matter of fact, I’ll post it here again, with lyrics, at the end of this piece.

Ms. Simone, a native of North Carolina, where I live today, went on to become an iconic jazz performer and singer-composer in her own right. Some folks say that her 1976 album, "Nina Simone - Live in Montreux" is one of the greatest jazz performances ever caught on vinyl. All I know is that when I was 15 years old she knocked me over with a voice I had never heard before, singing Langston Hughes' poem about social injustice. In one of her last conversations with him, Mr. Hughes told her to sing the song wherever she went, because he wouldn't be around much longer.

Jump around a bit on You Tube for some incredible performances by Ms. Simone, either alone at her piano, or in one of the many combos she performed with over the years. And here is "Backlash Blues", followed by the Langston Hughes poem;



THE BACKLASH BLUES
by Langston Hughes

Mister Backlash, Mister Backlash,
Just who do you think I am?
You raise my taxes, freeze my wages,
Send my son to Vietnam.

You give me second class houses,
Second class schools.
Do you think that colored folks
Are just second class fools?

When I try to find a job
To earn a little cash,
All you got to offer
Is a white backlash.

But the world is big,
Big and bright and round--
And it's full of folks like me who are
Black, Yellow, Beige, and Brown.

Mister Backlash, Mister Backlash,
What do you think I got to lose?
I'm gonna leave you, Mister Backlash,
Singing your mean old backlash blues.

You're the one
Will have the blues.
not me--
Wait and see!

For more about Nina Simone hit the following link to The North Carolina Music Hall of Fame; http://northcarolinamusichalloffame.org/

Eddie Ray - A National Treasure

One of the best things about doing this blog has been the people I've gotten to know, and correspond with, from the things I post. But the oddest, and most unlikely, of friendships I have made from doing this, is with Eddie Ray. That's his story in the video above. With a 3 decades head start, you wouldn't think we'd have much in common. But then again, there's the music.

I met Eddie Ray about 2 years ago, when I was first doing this blog. I wasn't writing every day, mostly confining myself to a post, or two, a week. I had intended to just do movie and book reviews. It was my wife, Sue, who broadened my horizons.

Sue works out of our home, while I don't work at all. She works upstairs in her office, while I piddle about downstairs in another, smaller room which we call the "computer room." I don't bother her too much during the day, but this one particular day I must have been annoying her enough that she "found" something for me to do.

Handing me an article from a local paper, I think it was the Huntersville Times, she pointed out the http://northcarolinamusichalloffame.org/ which is about 20 minutes from our home. I love music, and North Carolina is the birthplace of so many musical artists, that I figured what can I lose? I had heard of Eddie Ray, but knew very little about him beyond some background stuff I had read in biographies of various rhythm and blues artists.

When I arrived at the Museum I was greeted by a man, a little older than myself, and as we were walking around, looking at the exhibits, it came to me that this was Eddie Ray.

I have always been amazed at people who manage to carve out a niche for themselves, and then leave a mark upon the world in which they have lived. I'm still trying to find the secret. But Ed is one those rare individuals. Five minutes in his presence is all it takes to feel as if you have known this man your entire life. And in a way, you have.

So much of the music you listen to today, although it probably would have come to the surface anyway, came through the actions of Mr. Ray. From the late 1940's, and on through the 1970's, Eddie Ray was behind the scenes, a triple threat. He doesn't play anything, but he does write lyrics, and has a terrific ear for what is good. He has traveled the road from rhythm and blues to Pink Floyd and back again, covering every genre in between. And along the way he even helped to set the standards for artists royalties in a world of ever changing technology. In 1980 Eddie Ray was selected, and appointed, by President Reagan, as a Commissioner on the US Copyright Tribunal. Eddie served on that Tribunal for eight years, chairing it for 4 of them.

Hopefully we will see a book from Eddie soon. His life, in and out of the record business, is one of the most interesting of all the stories to come out of the world of entertainment. And did I mention he doesn't play any instrument? Unless you count his ever young and agile mind.