North Carolina Music Hall of Fame - Kannapolis

The North Carolina Music Hall of Fame is located in Kannapolis at 109 West A Street. It is housed in a small red brick building that at one time was the town jail. In these days of corporate ownership, it is a rare pleasure to have an independent and growing operation like the Music Hall of Fame. North Carolina has been the stomping grounds of many illustrious musical legends. And this spunky little museum does its best to highlight them all.

Walking in, and immediately to the right, as you enter are some plagues and photos from James Taylor. He wrote "I'm Going to Carolina In My Mind", which is our State Song. He continues to perform today all around the world.

This snappy little outfit was worn by Nina Simone. Her earthy and insistent rendition of "Do I Move You" still sends shivers down the backs of her listeners. It's almost as if she's daring you to say no. And her scathing indictment of segregation in "Backlash Blues" still ranks among the greatest of the 60's social protest songs. It's right up there with "Bitter Fruit" by Billie Holliday, or "I'm Black and I'm Blue" by Louis Armstrong. Powerful stuff.

Most people think of North Carolina in connection with bluegrass and gospel music, and we do have our share of that. Charlie Daniels, Earl Scruggs, Doc Watson all immediately spring to mind. But we have such a wide variety of music in our history. From the beach sounds of groups like The Chairmen of the Board to the funky soul sound of George Clintons' Funkadelics, it's all on display here, with plans for adding more.

The second floor is not open yet, but there is already a need for more space. As more items keep on arriving and new members are  added to the ranks of inductees, the need for more space will arrive sooner than later. Each years Induction Ceremony brings with it new and more contemporary artists, all requiring a space of their own.

Also, to accommodate the continuous need for more space there are plans to use part of the first floor as a revolving type exhibit. This will enable the Museum to remain current and involved in the music scene as it relates to North Carolina.

This gown belonged to Victoria Livengood, the noted opera star. She is still performing today. The exhibit runs the entire gamut of music. From Andy Griffiths' early comedy records and his later gospel recordings, to the likes of The Shirelles, Ben E. King and Roberta Flack. And there is more on the way.

Vice Chairman Eddie Ray is hoping to get some more memorabilia from "American Idol" to represent the artists; such as Carrie Underwood, Clay Aiken and Bo Brice, to highlight North Caroilna's unique connection to the show.

But the real star of the whole show is Mr. Ray himself. He is half of the partnership that gave life to this museum. His history in the music business is an education in itself.

In 1954 Mr. Ray was already established in the music industry, on the distribution end, and also promoting artists such as The Drifters, John Lee Hooker, Chuck Berry, B.B.King, Clyde McPhatter, and Joe Turner, just to name a few! It was also the year he released his self penned hit recording of "Hearts of Stone" by The Jewels. It was a crossover hit and also covered by many of the leading R & B groups of the era.

In the mid to late 50's he was handling Ricky Nelson, Fats Domino, Slim Whitman and Johnny Rivers while employed at Imperial records. In the 1960's he joined Capitol records as Director of A & R for the Tower label. It was there that he acquired Pink Floyd. It was also around this time that he became the first African American V.P. of a major recording company.

Mr. Ray, along with his old friend, Mike Curb from Tower Records, have put this museum together to honor and showcase the artists that have made North Carolina a great place for music. But I have to say, that although all of the exhibits are wonderful, for me it will always be Mr. Ray that gave this visit it's own "Heart and Soul."

For more information about the North Carolina Music Hall of Fame, and their upcoming annual 5K race in May, use this link;

http://northcarolinamusichalloffame.org/

Johnny Bristol - NC Music Hall of Fame

This is the first of a new series of postings I will be doing about the artists who are in the NC Music Hall of Fame in Kannapolis, N.C.  The music which has emanated out of North Carolina over the tears is much varied and covers every musical genre you can possibly think of; from Opera to Funk and everything in between. I plan on doing posts about these artists to commemorate their birthdays. Mr. Bristol’s big day was Monday February 3^rd.

Johnny Bristol is a perfect example of the diversity of the music which has originated in North Carolina over the past 100 years. Born February 3, 1939 Mr. Bristol spent his early years living in Morganton, the county seat of Burke County, in the mountains near Hickory. The town boasts quite a few famous people. In addition to Johnny Bristol there is Etta Baker, known for her version of the Piedmont Blues, a separate genre unto itself. In addition to the likes of Senator Sam Ervin, the town also lays claim to Frankie Silver who was the first woman ever hanged in North Carolina. On the other end of the spectrum, the town is also the home of Paige Summers, the Penthouse Pet of the Year for 1998. Now, that's what I call diversity!

Mr. Bristol is mostly remembered as a musician-songwriter as well as having been a producer for Motown during its most active period, from the late 1960s to the 1970’s. His own hits include the one above, which is kind of an Al Green thing from 1974, to the song he wrote about his home town of Morganton, which can be viewed here;

http://www.youtube.com/watch?v=Q8mMB5vZK2w

His first real musical success came in Detroit, where he had landed after serving in the Air Force in the late 1950’s. As part of the duo Johnny and Jackey; aka Jackey Beavers; they recorded about half a dozen songs on two different independent labels, both owned by members of Berry Gordy’s family. While these records were only successful in the Mid-west, they were instrumental in opening the doors for him at Motown. By 1965 he was working at Motown as a songwriter and producer. He was the guy behind the mixing board for such hits as “Ain’t No Mountain High Enough” and “Your Precious Love”.

This was probably the most creative period of Mr. Bristol’s career. Everything he touched seemed to turn to gold; as in gold records. Wikipedia lists the following records among his accomplishments;

The Velvelettes "These Things Keep Me Loving You" (1966); Gladys Knight & the Pips' "I Don't Want To Do Wrong" (1971) and "Daddy Could Swear, I Declare" (1972); and Jr. Walker & the All Stars, who charted with a number of Bristol-written singles and albums, including "What Does It Take (To Win Your Love)" (1969), "Gotta Hold On To This Feeling" (1970), "Way Back Home" (1971) and "Walk in the Night" (1971). Mr. Bristol even recorded Jermaine Jackson's first solo record, "That's How Love Goes" in 1972.

In addition to all the above, he was the last producer to work with The Supremes and The Miracles, before they both lost their lead singers. “Someday We’ll Be Together” is actually a cover version of Mr. Bristol’s single with Jackey in 1961.His voice is even the male response on the final released version by the Supremes.

In 1973 he was briefly associated with CBS Records as a producer, but the label seemed to be unenthusiastic about his artists, which included Boz Scaggs and also Johnny Mathis. By 1974 he was with MGM, where he seemed to get his “second wind”. He was now ready to emerge as an artist on his own.

With MGM he recorded 2 albums and placed several singles in the charts. "Hang on in There Baby"  was released in 1974 and hit #8 in the US on the Pop charts; #2 on the  R&B charts;  and even enjoyed success overseas, placing #3 in the UK. "You and I",  "Leave My World" and "Do It To My Mind" followed one after the other in 1974, 75 and 1976. In 1975 he was nominated for a Grammy as Best New Artist.

After leaving MGM he went on to record with Atlantic Records, a relationship which saw him working with some of the artists he had worked with at CBS. In particular he was instrumental in creating Boz Scaggs “breakout” album “Slow Dancer” in 1974. He also produced the Tom Jones album “Memories Don’t Leave Like People Do” which contained 5 cover versions of Mr. Bristol’s songs.

By the 1980’s he was firmly embedded in the European market with such artists as Ami Stewart. He continued recording through the early 1990’s, making music with Earth Wind and Fire, as well as a recording with his daughter Shannon Bristol. He even enjoyed some degree of success in the Japanese market at the time. Good music knows no borders.

Mr. Bristol passed away at his home in Michigan on March 21, 2004. He died of natural causes at the age of 65. Although some would not consider him to be a major artist; or superstar; he was, and continues to be well regarded in musical circles. NC Music Hall of Fame is pleased to include this artist among its inductees.

For more on the NC Music Hall of Fame use this link;

http://northcarolinamusichalloffame.org/

This post is also available at

http://ncmusichalloffamebios.blogspot.com/

Eddie Ray at Kannapolis Libray

Last evening the Kannapolis Library hosted the legendary Eddie Ray for a combination book signing and question and answer session, as well as showing a film about his life and some of his accomplishments. I say “some” because a film encompassing all that Mr. Ray has accomplished during his 6 decades in the recording industry would take a film of epic proportions to cover all the bases which he has touched. In tones ranging from whimsical to witty, Mr. Ray held the audience enraptured recounting his early years in North Carolina and his path to Los Angeles via Connecticut. If that sounds confusing you'll have to read the book...

As usual, Mr. Ray took a bit of the limelight off of himself, directing it at his current “work in progress”, the North Carolina Music Hall of Fame, located just a few blocks from the library in the old Kannapolis Jail house on West A Street. That little museum is a gateway to the rich and colorful history of all the varied performers to come out of our state. They represent every one of the many musical genres; from rock and roll, beach music all the way through jazz and even opera.

Eddie Ray spent so many years behind the scenes of the music industry, spotting new artists and encouraging them along the way. His name doesn't appear often on the many record jackets/CD liners of the music he was instrumental in bringing to the public’s attention, but the music you listen to today would probably be a bit different if it were not for this guy. I can’t believe I actually know him; as he colored much of the world in which I grew up with the music he chose to promote. It was a joy to see that so many people came out to meet and greet him.

His memoir, "Against All Odds" chronicles his life in the music industry; rising from the stockroom to the boardroom, and even on to Washington itself, where he served on the President's Copyright Tribunal under Ronald Reagan. You can read a review of that book here;

http://robertwilliamsofbrooklyn.blogspot.com/2012/12/against-all-odds-by-eddie-ray-2012.html   

For more about Eddie Ray, and the NC Music Hall of Fame, please use the following links;

http://eddieraymusicman.com/

http://northcarolinamusichalloffame.org/

The North Carolina Music Hall of Fame

Doing this blog is always fun. I enjoy it. Sometimes, more than others. Today was one of those. At the suggestion of my wife, Sue , I went to see the North Carolina Music Hall of Fame in Kannapolis at 109 West A Street. It is located in a small red brick building that at one time was the town jail.

In these days of corporate ownership, it is a real pleasure to see an independent and growing operation like the Music Hall of Fame. North Carolina has been the stomping grounds of many illustrious music legends. And this spunky little museum plans to highlight them all.

Walking in I was greeted by Eddie Ray, the oft described "African American Music Industry Pioneer". It took me a few minutes to realize who he was, such is his humility. He then proceeded to take me around the place as we discussed music in general, as well as the articles on display. Immediately to the right as you enter are some plagues and photos from James Taylor. He wrote "I'm Going to Carolina In My Mind", which is our State Song.

This snappy little outfit was worn by Nina Simone. Her earthy and insistent rendition of "Do I Move You" still sends shivers down my back. It's almost as if she's daring you to say no. And her scathing indictment of segregation in "Backlash Blues" still ranks among the greatest of the 60's social protest songs. It's right up there with "Bitter Fruit" by Billie Holliday, or "I'm Black and I'm Blue" by Louis Armstrong. Powerful stuff.

Most people think of North Carolina in connection with bluegrass and gospel music, and we do have our share of that. Charlie Daniels, Earl Scruggs, Doc Watson all immediately spring to mind. But we have such a wide variety of music in our history. From the beach sounds of groups like The Chairmen of the Board to George Clintons' Funkadelics, it's all on display here, with plans for adding more. The second floor is not open yet and will be welcome added space.

This gown belonged to Victoria Livengood, the noted opera star. She is still performing today. The exhibit runs the entire gamut of music. From Andy Griffiths' early comedy records and his later gospel recordings, to the likes of The Shirelles, Ben E. King and Roberta Flack. And there is more on the way. Mr. Ray is hoping to get some of the stuff from "American Idol" to represent Carrie Underwood, Clay Aiken and Bo Brice to highlight North Caroilna's connection to the show. This will keep the Museum current and relevant.

No exhibit on North Carolina and music would be complete without an outfit worn by Randy Travis of Monroe. His run of country hits in the late 1980's and his subsequent return to gospel music is a wonderful story all by itself. And the same holds true for all of the artists represented here. Each exhibit has a story to tell. Each of these artists has a sound unique to themselves.

To accommodate the need for some variety there are plans to use part of the first floor for a revolving type exhibit. This will enable the Museum to remain current and involved in the music scene as it relates to North Carolina.

But the real star of the whole show, at least for me, was Mr. Ray himself. I knew that he was half of the partnership that opened this museum. And I had some knowledge of his background in the music industry from my reading. But I had no idea that he would be on hand, so it was a pleasant surprise to learn, as we walked, just who he was.

In 1954, the year I was born, Mr. Ray was already established in the music industry, on the distribution end, and also promoting artists such as The Drifters, John Lee Hooker, Chuck Berry, B.B.King, Clyde McPhatter, and Joe Turner, just to name a few!

It was also the year he released his first independent recording of "Hearts of Stone" by The Jewels. It was a crossover hit and also covered by many of the leading R & B groups of the era.

In the mid to late 50's he was handling Ricky Nelson, Fats Domino, Slim Whitman and Johnny Rivers while employed at Imperial records. In the 1960's he joined Capitol records as Director of A & R for the Tower label. It was there that he acquired Pink Floyd. It was also around this time that he became the first African American V.P. of a major recording company. So you can see how surprised I was that this man was there and taking me on a one to one tour!

Mr. Ray, along with his old friend, Mike Curb from Tower Records, have put this museum together to honor and showcase the artists that have made North Carolina a great place for music. But I have to say, that although all of the exhibits are wonderful, for me it will always be Mr. Ray that gave this visit it's own "Heart and Soul." Thanks, Mr. Ray!