Showing posts with label Raymond Chandler. Show all posts
Showing posts with label Raymond Chandler. Show all posts

Thursday, February 27, 2014

"The Unknown Love" by Raymond Chandler (1908)

We all know and love Raymond Chandler for his hard-boiled detective novels, featuring Philip Marlow, as well as his other “pulp fiction” type stories; and also his screenplays; for films like “Double Indemnity” and "The Big Sleep." But what I didn't know was that he once wrote poetry. He was only 17 when he wrote this one, which was published on December 19, 1908 in Chamber’s Journal, a magazine out of London at the time.

I was reading a biography of Mr. Chandler by Tom Williams (no relation) when I came across the first verse of the poem in the chapter about Mr. Chandler’s years in London. He went to school there for a time, and evidently wrote poetry as well.

This poem places an unknown woman on a pedestal, much as he would do in his later writings. Actually; according to Tom Williams; the poem holds all the elements of a Philip Marlowe story. There is a seductive, almost unknowable woman, and then a man, seemingly trapped by his own passion for her, in a relationship which is always doomed from the start. That’s pretty heavy stuff for a 17 year old.

Anyway, here it is; a Raymond Chandler poem. I got the text from a website which has all of his early poetry. It’s unpolished, and some would say not that good. No matter; I really like it.

“The Unknown Love”

When the evening sun is slanting,
When the crickets raise their chanting,
And the dewdrops lie a-twinkling on the grass,
As I climb the pathway slowly,
With a mien half proud, half lowly,
O'er the ground your feet have trod I gently pass.

Round the empty house I wander,
Where the ivy now is fonder
Of your memory than those long gone away;
And I feel a sweet affection
For the plant that lends protection
To the window whence you looked on me that day.

Was it love or recognition,
When you stormed my weak position
And made prisoner my heart for evermore?
For I felt I long had known you,
That I'd knelt before the throne you
Graced in Pharaoh's days or centuries before.

Though your face from me was hidden,
Yet the balm was not forbidden
On your coffin just to see the wreath I sent.
Though no word had passed between us,
Yet I felt that God had seen us
And had joined your heart to mine e'en as you went.

Let them talk of love and marriage,
Honeymoon and bridal carriage,
And the glitter of a wedding   la mode!
Could they understand the union
Of two hearts in dear communion
Who were strangers in the world of flesh and blood?

In my eyes the tears are welling
As I stand before your dwelling,
In my pilgrimage to where you lived, my fair.
And ere I return to duty
In this world of weary beauty,
To the stillness of the night I breathe my prayer:

When the last great trump has sounded,
When life's barque the point has rounded,
When the wheel of human progress is at rest,
My beloved, may I meet you,
With a lover's kiss to greet you,
Where you wait me in the gardens of the blest!

R. T. CHANDLER.

Tuesday, March 13, 2012

The Two Dick Powells - From Musicals to Mystery

There are two Dick Powells; the one who, along with Ruby Keeler, sang and danced his way into the hearts of America in all the great musicals of the 1930's; with films such as "42nd Street", which is still somewhat of a staple for me on New Years Eve. His charm and vocal abilities, along with his dancing skills, made him what was then referred to as a "heart throb" for millions of his fans. But, after awhile, dancing was the last thing which he wanted to do. He longed for a serious lead, even in a "B" movie. It took awhile, but in 1944 he got his chance to reinvent himself in a serious movie, as the leading character in the film "Murder My Sweet", and it wouldn't be his last.

In this wonderful piece of film noire, directed by Edward Dmytryk, Mr. Powell hangs up his hat and cane to play gumshoe Philip Marlowe in the film version of Raymond Chandler's famed private eye. As a matter of fact, Mr. Chandler once referred to Dick Powell as having come the closest to the author's own vision of Philip Marlowe. That's high praise, considering that Marlowe has been played by everybody, from Humphrey Bogart in the early 1940's, to Robert Mitchum in the mid 1970's.

One of the more remarkable aspects of this film is the use; by the bad guys; of mind altering drugs, or truth serums, on Marlowe as he is "pumped" for information leading to the recovery of some very valuable jade; which may, or may not, be missing. What makes it so remarkable is that most of us associate these types of drugs with the early CIA experiments of the 1950's. Of course, it is well known that the Nazis had developed some very powerful hallucinogenic drugs during the war, so maybe it's not so remarkable at all. But the special effects; limited as they were to the technology of the times; are mind bending of their own accord. A great thanks is due director Edward Dmytryk for these innovative concepts, which would later be imitated by Alfred Hitchcock in several of his own films.

Thrown into the mix, in this film adaptation of the novel, are some unusual characters, all equally unforgettable. From the broken down jazz singer to the hulking presence of "Moose" Malloy; an ex-con who is looking for his girl Velma, who; just as with the jade, may, or may not be waiting for him; all the actors play an integral part in the mystery. This is one of those movies that plays out on screen as well as it reads, in spite of a few minor changes by screenwriter John Paxton.

The big surprise in this film is the unique adaptability of Dick Powell, from a song and dance man, to a serious actor. And playing opposite veterans such as Claire Trevor and Anne Shirley really gives the viewer a chance to see Mr. Powell as a leading man in a straight role, which is in itself, a treat.