Showing posts with label Photographs. Show all posts
Showing posts with label Photographs. Show all posts

Monday, June 17, 2013

"How the Other Half Lives" by Jacob A. Riis (1901)

Through his remarkable series of photographs, documenting life in the tenements of old New York at the turn of the 19th Century, Jacob A. Riis has become an icon of compassionate liberalism to many folks. That’s because they haven’t read his book. This landmark classic of sociology is often spoken of as if it were a plea for compassion and sympathy for the poor. If that is your opinion of this highly vaunted work, then you have probably not read it either.

The book is somewhat akin to D.W. Griffith’s epic motion picture “Birth of a Nation” in that it stereotypes every minority then in existence in New York City. Jews are clever and suspicious; Chinese are opium pushers and white slave traders; the Italians are happy people except when pushed too far and their passionate nature gets the better of them; while the Irish are just plain filthy and would rather drink than work. And all are criminals of one sort or another.

While quoting from the crime statistics available at the time he notes that the majority of the criminals come from the slums. Crime itself is the result of unclean living and poor habits, as well as the choice of lifestyles made by the individual. When the well to do come down to the slums for entertainment, they are sometimes unwittingly dragged into these lifestyles themselves; making them victims of the poor.

As a kid I used to go to Riis Park in the borough of Queens. Riis Park is the beach which sits next door to the Breezy Point Section, which gained widespread fame this past year in the wake of Hurricane Sandy. Riis Park was the brainchild of Robert Moses, who oversaw the building of most of the bridges and tunnels, as well as countless parks throughout the 5 boroughs. He named Riis Park for the author of this book, who is often considered to be a champion of the poor, and presumably would have wanted poor people to have a sunny, open place to go for fresh air. But, I wonder if Mr. Moses ever read this book.

Perhaps I am being too harsh upon the author; after all, those were different times. And he did expose the horrid conditions of the city’s slum dwellings through his photographs. It was just somewhat of a shock to read the author’s views on the predicament of the people he was trying to help.

For better, or worse, we are all products of the environment in which we live. For all the flaws in the way he has expressed himself in this book, he did lead a crusade that helped, in some way, to draw attention to the plight of the poor. Though most of the social ills which he decries in this narrative still exist today, he does deserve credit for being among the first of the moral crusaders who attempted to do something about the conditions he saw to be unfit.

And, then there are also those remarkable photographs he took, leaving us a window into our past, which might not always be so pretty, but represent who we once were. May it be that we never go that far backwards again.

Friday, January 14, 2011

"Candy Cigarette" by Sally Man


I was looking for an image to attach to yesterday's post when I ran across this website of black and white photography. I am a big fan of the genre. It is stark and real when it needs be, yet can also soften some things. It is versatile in a way that color photography cannot be. Here is the link to some more of Sally Mann's work, as well as the photography of others;

http://www.smashingmagazine.com/2008/06/09/beautiful-black-and-white-photography/

The photo above is a still life, with what I see as social overtones. When I look at it, I am struck by symbolism. I see a young girl, wielding a candy cigarette, and I am confronted by thoughts of what her present life must be like, as well as what her future may hold.

The false glamour of the candy cigarette sends, to me, the message that this is a young girl at risk. She has already, at a tender age, been sold a false picture of what "glamour" really is. She will probably struggle with that impression for the rest of her life as she looks for her true self.

Of special interest in this photo, is that it is really three photos in one. The little girl on the right, with her back to the camera and hands at her hips, face hidden, almost expresses her disdain and contempt for the photographer/viewer. The boy in the left foreground, on stilts, is above it all, pursuing his own goal.

Still, another interpretation would be that the girl with the cigarette is guarding the "secret" world in which she lives. She is posed as the "protector", while the younger girl watches the boy on the stilts, unconcerned with the viewer because the older girl is watching out for her.

The picture was taken in 1989 by American photographer Sally Mann, and appears in her book, "Immediate Family." There appears to have been some sort of controversy surrounding the work, apparently due to some partially nude photos of young children in rural settings, unposed. Some of those photos may appear in the link.

A remarkable photo by Ms. Mann, it really grabbed me and made me want to see more of her work. Thanks to the magic of the Internet, you can view more of her works at;

http://www.slideshare.net/blindlibrarian/sally-man

Some may find a few of the images a bit too revealing for their liking. Just a warning. I, myself, find nothing offensive in the way these photos are presented. I will be looking at more of Ms. Mann's work. Her use of light and texture, as well as subject, make her a very interesting, and somewhat unusual, photographer. And those are usually the ones who take the best pictures.

Tuesday, July 13, 2010

"Long Time Coming" Edited by Michael Lesy


These photographs were taken between 1935 and 1943 for the Farm Services Bureau. They were taken by such legendary photographers as Dorothea Lange, Marion Post Wolcott, Edwin Locke and Russell Lee.

The subject matter ranges from migrant workers to subsistence farmers and even urban life in some of our major cities. They all show life in a stark and realistic way. From the cop on the beat to coal miners and the slums of Puerto Rico, this book captures the harsh reality of life a mere 60 years ago. That's not a long time. I was born only 19 years after the earliest of the photos were taken. When you look at the faces of theses people you are left with a sense of sadness for all that these folks could have been, were it not for the accident of Fate, that timeless and universal joker.

I found myself wandering through the pages and wondering how I would have dealt with the circumstances evident in the photographs. But for all of the darkness in them, there is also a light. It is the light of the Human Spirit, which, when you come right down to it, is relentless. It is this ever hopeful state of mind; that somehow, someway, tomorrow might be better, that has kept civilization aloft through all of the dark times we have endured. I hope we never lose that spark, because if we do, we lose the light that goes with it.