Charlie's Good Tonight by Paul Sexton (2022)

What can you say about the Rolling Stones which hasn't already been written? Quite alot as it turns out. Especially in a biography of the enigmatic Charlie Watts. Of all the Rolling Stones he was perhaps the one whose life was the least chronicled until now.

From the very first page, with Forewords by Mick Jagger and Keith Richards, this book by longtime Stones biographer Paul Sexton swings just like Charlie Watts did, never missing a beat. And it is certainly on time.

Basically Mr. Watts was a gentleman throwback to an earlier era. He even wished he had been born in the 1800's. He was the most satorially turned out of the band, eschewing the wilder clothes of his profession for the stately dress of an earlier era. He even owned, and wore, antique suits which once graced the body of King Edward III. They were the exact same build, as he found out after buying the suits at an auction, intending to have them replicated by his tailor.

He took pride in his unusual collections of jazz memorabilia, including unplayed 78 PRM's which he bought from an obscure record store in Vienna. These were original issues of some of the finest recordings ever made, still in the original record sleeves, where they remained, unplayed, in his collection.

He had an incureable case of OCD which he used to his advantage in his collections of cars, clothes, antique guns and of course in his music. His sense of humor is unchallenged in the world of rock and roll. Case in point is when a fan, at the conclusion of an interview, which he hated to do, asked him repeatedly for something, anything, to remember her encounter with him. He stood up and gave her his chair.

With his wife of 6 decades, Shirley, he had over 250 Arab Stallions. Some went for as much as $700,000 apiece. Together, the two ran a stud farm. He also collected antique carriages and owned hand bespoke riding outfits, although he didn't ride. Par for the course since he owned many fine automobiles, even though he didn't possess a driver's license. He simply enjoyed sitting in them.

The book was written by Paul Sexton, using private conversations he'd had with the drummer for about 40 years as the basis of the biography. These are carefully collated with memories of those who knew him best. There are stories by childhood friends with whom he played jazz music for the rest of his life. They even toured quietly when the Stones were not on the road.

On the road he missed home, often calling his wife and daughter Seraphina, for hours after a show, while his bandmates lived the wilder side of the business. When he was home he wanted to tour. His only encounter with the wild side of the business came in Paris, when during the early 1980's he had what Keith Richards describes as " a wobble of his own." Alcohol and hard drugs were his choice for just a few short years before he simply quit using them. No rehab. Just quit.

The book is written in the chronological order of his life. His passions, his love of family are all on display. Whenever possible he took his wife on tour with their daughter. In later years his granddaughter Charlotte was his companion on the road. It was a truly loving relationship they shared, and touching to read about.

The book is written in such a way as enables you to keep reading. The book's 330 odd pages flew by with little effort. I thoroughly enjoyed it and hope that others will read it with the same result. It is at once the highly personal biography of a basically private man. He never really understood what all the fuss was about.

And in the end, Mick Jagger had it right in 1969, when he famously remarked on "Get Yer Ya Ya's Out", that "Charlie's good tonight...." But then again he always was. This was a superb read. 

"Brian Jones" by Paul Trynka (2014)

Brian Jones is almost the “forgotten” Rolling Stone; and yet he was the founding member. A strong case can be made for Ian Stewart holding that position, but it was Brian Jones relationship with Alexis Corner which spawned the Rolling Stones. It was also Brian who named the band after the Muddy Waters hit of the same name.

A devoted champion of the blues way before Clapton or even John Mayall; an early explorer of the sitar at same time as George Harrison; and  even the open tunings which Keith Richards uses today and credits to Ry Cooder ; all came from Brian Jones. You can listen to the early albums and hear for yourself. And the African drums on Midnight Rambler; just a few months before his death; were his, in idea as well as execution.

He virtually wrote the final music for “Ruby Tuesday”, “Under My thumb” and “Paint It Black”; never receiving written credit or royalties for any one of those iconic recordings; which would both become smash hits and earn millions for Jagger-Richards. The early Nanker-Phlege musical collaboration; which was named by him and incorporated all of their musical efforts; was conveniently abandoned, further diminishing his perceived role in the group; and marginalizing him in his own eyes, as well as the public’s.

Slide guitar playing was the provence of African-American blues up until that time.  Championed by Jones long before anyone else was doing it in Europe, he influenced everyone around him and set the course for pop music’s entry into serious blues. He even introduced Howlin’ Wolf on American TV during prime time on “Shindig”.

Style wise, his clothes sparked the fashions of Oxford Street as he exchanged clothing with anyone; male or female; he met during the day. This resulted in an array of styles which became iconic of Mick Jagger and Keith Richards, as well as the uni-sex fashions which emerged at the time. His “pageboy like” haircut was the basis for The Byrds hairstyle; not the Beatles. Even Ringo Starr copied that long pageboy look from Brian Jones for a short while in 1965. And let’s not forget to mention the granny glasses and vests predating Sonny Bono’s.

But in the bands history; chronicled for the 5oth Anniversary of its founding; his influence has been minimized, and in some cases erased altogether. Even in the book “Life” by Keith Richards; which is one of my favorite autobiographies; he is reduced to almost a side note; never receiving his just due.

The celebrated drug busts by Detective Sgt. Pilcher and the Flying Squads; who counted John Lennon and George Harrison among their other celebrity conquests; also hit the guitarist in a hard way. The harassment of Mr. Jones by Scotland Yard rivals any of the later problems faced by Keith Richards.

The controversy surrounding his death and the resulting conspiracy theories are explored and debunked. The deathbed confession of the man who claims to have drowned him in the swimming pool does seem to be as Mr. Richards describes it in “Life”; just something that can never be verified.

Jones had 4 children; all born out of wedlock.  Linda Lawrence; who was pregnant with Jones child when she married Donovan; provides some interesting insights into the way the guitarist dealt with relationships at the time. How he avoided paternity suits and legal actions concerning support for those children is a mystery to me. He even had one father coming to his house demanding money for support of one of his children. Surely, this is no flattering portrait of Mr. Jones, which makes the book all that more credible.

If you enjoyed Keith Richards “Life”, then you owe it to yourself to read this book. They belong side by side. It will not detract from the former; rather it will give you a clearer picture of what happened to one of the most talented of the original Rolling Stones; the one who actually put the ad in the paper which resulted in Ian Stewart meeting Keith Richards and Mick Jagger, and which gave birth to the band.

"Randy Scouse Git" - The Monkees (1968)

This is one of those songs that sometimes nag at your memory. You can almost hear it but not quite. I was trolling through the You Tube garden and ran across a title I didn’t recognize; which is this record. That was weird, because I remember the song completely. Just never stored the title I suppose.

The real reason I probably remember this song is because of the backstory to it; which involved The Beatles, who had thrown a party welcoming the Monkees to London in May 1967. This was the same time frame as the Mick Jagger/Keith Richards “Redlands” bust. I remember the news saying stuff like “but the American pop group The Monkees have stayed out of trouble while in London.”

   

Micky Dolnez came up with the title while watching the BBC show Til Death Do Us Part”; which was the precursor to our American series “All In the Family.” In this show the main character was a guy named  Alf Garnett who spent much of the shows insulting his son-in-law from Liverpool and calling him a “scouse”; which is is kind of a nasty term. Anyway, it made an impression on Dolnez; enough that he wrote his first song about it. That’s some powerful TV!

The Beatles threw a party at the Speakeasy; a popular London nightclub of the day. The song is really about the people at the party. From the opening line of “She’s a wonderful lady, but she’s mine…” it alludes to the people they met that night. The “wonderful lady” is Mama Cass Elliot; while “the four kings of EMI” are The Beatles themselves. The “disc  girl” is Samantha Juste, who later became Micky Dlonez’ wife. It’s interesting to note that this is kind of the same way in which Don McClean wrote “American Pie” about 4 years later.

This song was never released as a single; only on the album. The Monkees; as was the practice with most groups at the time; released several singles which were not on the LP’s; like “D.W. Washburn”, which was a favorite of mine.

"The Nearness of You" - by Haogy Carmichael (1941) 2 Versions

There are two ways in which I wanted to approach this post. The first was through Keith Richards’ autobiography “Life”; which I am in the process of re-reading. I wanted to simply compare the original version of this song by Hoagy Carmichael with the one recorded by Mr. Richards along about 1979. It was written in 1941 and has been recorded by just about every major name in show business. But it’s not a song you would usually associate with Keith Richards.

The second approach was more along the lines of “look what happens to the Rolling Stones whenever Mick Jagger leaves the stage.” In the video above the band backs Keith in his rendition of “The Nearness of You”, and towards the end he performs a beautiful guitar solo in the way in which only he can.

It’s a bit like the performance of “You’ve Got the Silver” in the “Shine a Light” concert at the Beacon Theater. (I was actually on the list for the $25 tickets and didn’t go!) There was all this high rock and roll energy filling the air one moment and then this beautiful, cooling performance by Keith and Ron Wood; mesmerizing the audience with the song.

The best part of watching the performance of this Hoagy Carmichael song is the back story. In the book “Life” the author recounts having made a tape of himself, along with Bobby Keys, doing a version of the song.  He then gave it to an associate who forwarded it on to Mr. Carmichael. This is about 6 months before Mr. Carmichael passed away in 1981. He actually listened to it and took the time to phone Keith Richards in Barbados to tell him how much he admired it.

As a matter of fact he claimed that Keith Richards version was closer to the way he had originally conceived the song! To say that Keith was bowled over by the phone call would be a major understatement. So, here are the Stones; sans Mick Jagger; doing a wonderful version of the song written by Mr. Carmichael over 70 years ago.

And here is the link to Hoagy’s version; I was unable to find any live footage and I couldn’t get the big machine to allow me to download the audio except by a link.

http://www.youtube.com/watch?v=B5nInrZdcVs

Mr. Carmichael circa 1953

"All You Need Is Love" - 45 Years Later

It was 45 years ago  yesterday that the Beatles broadcast “All You Need Is Love” for the first time on a show called “Our World.” This was the very first worldwide live satellite television broadcast. There were no politicians allowed on the show, which was broadcast from 19 different countries on 5 continents. It took 10,000 technicians to produce the show using a myriad of satellites, including Intelsat II and an array of ATS-1’s. The only country to pull out of the project, at the last minute, was the Soviet Union, which did so as a protest against the recent Israeli victory during the 6 Day War with Egypt.

At approximately 9:30 PM London time, the Beatles; with a live orchestra and some very prominent guests; began their now iconic anthem. The show was live, and that meant that although it was 9:30 PM in London, it was 4:30 PM in Brooklyn. The show was to be broadcast; in black and white; on Channel 13, part of the National Educational Television group, which eventually became todays Public Broadcasting Service.

400 million people watched this 2 hour event, starring such luminaries as the Beatles in England; Maria Callas broadcasting from Greece; Pablo Picasso coming from Spain; and others. In London, seated on the floor as the Beatles performed were Keith Richards, Mick Jagger, Eric Clapton, Graham Nash and Keith Moon.

There was a portion of the backing track which was pre-recorded, but the band was live, as was the 13 piece orchestra and the Beatle’s vocals. I had to hurry home from whatever I was doing that afternoon after school in order to catch the broadcast.  Since I did see it, I can only assume that I beat the clock. I remember watching it on the television, possibly with my Mom. (Originally, I remembered watching this in the middle of the night, but that is geographically impossible. In addition, further examination has shown me that June 25th, 1967 was a Sunday; so  my recollection of coming home from school is also incorrect!)

The record would not be released until July 7th, some 2 weeks away, after some slight alterations of the original master recording. So, along with the rest of the world, I had never heard this recording before, but even the limited scope of a 13" black and white screen  TV set which only received in mono could not mask the majesty of the song, or the message.  That message still rings today.

"Life" by Keith Richards

One of the hardest, and most enjoyable aspects of reviewing this book by Keith Richards, is the enormous amount of information he has to impart to the reader. There are, for instance, the names of many musicians who influenced Mr. Richards, but who are totally unrecognizable to those of us on this side of the Atlantic. Take "Wizz" Jones as an example. Mr. Richards cites him as an early influence. Mr. Jones was a British folk singer along the lines of our own Bob Dylan, and he used to drop by the toilet at the art school where all the kids would hang out and play guitar. This was in Chapter 2, so I had to stop reading and get acquainted with "Wizz" Jones. And thanks to our good friend You Tube, it's not that hard to do. Here is Mr. Wizz Jones, on BBC in 1960;

http://www.youtube.com/watch?v=GDsQSOf6_ow

Don't take me wrong, I'm not complaining. This is just the type of book I love! One that will stretch my knowledge of the music I love and where it came from. And this book starts giving on page one! Then it keeps on delivering until the very last page.

I have been a Keith Richards fan since I first heard him singing "Connection" with the Stones in 1966. And when he wrote and sang "You've Got the Silver" on "Let It Bleed" in 1969, I was hooked on Keith Richards for life. The man is a human musical note. He sees most things musically, lyrically. That he is able to then translate these visions and craft them into music that rocks the entire world is amazing. That he has done it for almost 50 years is astounding!

I won't bore you with a review of this book and a rehashing of some of the wilder exploits. It would only cheapen this incredible work by Mr. Richards. Let's just say that there is enough sex, drugs and rock and roll in the book to keep the more voyeuristic amongst us very happy. And to that end, the book delivers very well.

But for those looking to read a more serious side of the man known to millions as "Keef", this book is THE place to be. The author explores every aspect of his life, from growing up in post war England, which was still on rations through 1954, his days at art college, an examination of how the British primary schools worked at the time, and everything else you will need to know in order to measure the man.

Musically, the book is a treasure. Mr. Richards explains his method of guitar playing and song writing, right down to the five string open G tuning which he uses on many of The Rolling Stones records, as well as in concert. This portion of the book was so inspiring that I immediatley retuned one of my guitars so that I could check it out myself. I'll keep you posted on that one!

Exploring his sometimes volatile relationship with Mick Jagger is also a very interesting part of the book. How fame affects different people is fascinating, and even more so when told by someone who has lived it.

From the early Bohemian days of the Rolling Stones, founded by Ian Stewart, to the chaotic days of Brian Jones death, and then on through the politics and drug scandals of the late 1990's and beyond, this book is a ticking bomb. Each page explodes with information about the music business, touring, and the petty differences that can plague old friendships on the road.

Many people will be interested in the history of Keith Richards drug use, and on this subject, once again, he dishes up the full story. He does not, as I have read in other reviews, glorify drug use at all, rather he just tells it the way it is. You make the choices for yourself. This whole topic of hard drug use is an education in itself, and written honestly by someone who has been through it all, several times.

The legal problems of the 1970's, when Mr. Richards was under indictment in Canada for trafficking, is of special interest. It is the typical story of a Government catching a tiger by the tail and not knowing what to do with it. And the story of the blind girl, who helps to influence the decision of the judge, will really let you in on who Keith Richards is beneath the surface. I'm no spoiler, so you'll have to read the book if you want to hear that one.

This book holds nothing back. Mr. Richards is completely candid about his family life and the book contains just enough photos to let you peek inside of that world. When dealing with the loss of his infant son Tara, in 1979, he moved me to tears, no exaggeration, and I'm a pretty hard case when it comes to that sort of thing.

His stories are, at times, interspersed with an account of the same event, told from someone else's point of view. This lends credibility to many of the more amazing stories. And there are many!

There are a couple of extra special portions of the book for me. One is the description of the making of the film "Hail, Hail, Rock and Roll", made in 1988. Keith Richards had always been a big fan of Chuck Berry's, but felt that Chuck had been touring for so long, using only "pick up" bands in each town, that he had lost his edge. So he put together a group to back Chuck Berry, with Jesse Ed Davis on guitar, Bobby Keys on sax, and a host of others, including Chuck Berry's original piano player, Johnnie Johnson. Actually, it had been Mr. Johnson's band until Chuck Berry took it over. That film has always been very special to me and it was nice to hear how it all came together.

But the most impressive thing to me was the phone call from Hoagy Carmichael, the man who wrote "Stardust" and a million other songs back in the 1930's through the 50's. The man who was friends with Bix Biederbicke. The man who co-starred with Humphrey Bogart and Lauren Bacall in "To Have and Have Not." He called to say that he had heard a version of Keith doing "The Nearness of You", which had been written in the 1940's. It was a slow song, but Keith had done a tape of it for his lawyer, and had stepped it up to a barrelhouse piano number. He was knocked for a loop when Mr. Carmichael told him that this was the way he originally had envisioned the song.This was only 6 months before Hoagy Carmichael died, and Mr. Richards relishes that call to this very day.

I could go on and on about this book. But it would be better if you'd just read it. This is the side of Keith Richards that so many of his fans have embraced over the years. It is also a side of him that many do not know. Great book.