"Live from Mountain Stage" - John Hartford (2000)

I became a fan of John Hartford in about 2 seconds while watching the opening segment of the old “Glen Campbell Show” on CBS. If you’re old enough to remember, Glen Campbell used to sit in the audience and stand up as the show began, singing his landmark recording “Gentle On My Mind”. Standing with him was the song’s author, John Hartford, playing the banjo.

For years afterwards I always looked for John Hartford, either as a solo act, or playing backup on other artist’s recordings. Ask anyone in the music business and they will tell you with all honesty that John Hartford was the man who helped keep the genre of “Americana” alive through all of the changes in music which occurred during the 1970’s and 1980’s. He was the curator of part of our cultural history.

With his trademark bowler hat and sleeve garters, Mr. Hartford tap danced and fiddled his way across America during his almost 5 decades in show business, appearing on TV Shows, College Campuses and County Fairs. He was like a vision; a glimpse into the past of America; a time when steamboats roamed up and down the Mighty Mississippi, transporting cotton, and gamblers to their respective destinations. He was like a part of that scenery, although 100 years removed.

American music is composed of so many different styles, and comes from so many different roots. In it, you hear jazz, blues, slave chants, folk tunes from scores of countries, and even oriental influences combined into something unique. John Hartford fell hard for the Scots/Irish blend of fiddle music and banjo playing. And along the way he learned to write. From his earliest hits, like “Gentle On My Mind”, to his most obscure of later work, his music always evoked something of the American past. You can hear it in “Gentle On My Mind.” That banjo part just cuts through the whole song.

Curiously, he was born in New York City, before moving at an early age to Missouri, where he first saw his beloved river. In addition to all of his musical accomplishments; he played several instruments, and wrote many songs; he was also a licensed riverboat Captain.

This album is a compilation of three concerts recorded by Mr. Hartford for West Virginia’s NPR “Mountain Stage” shows at the West Virginia Cultural center Auditorium in Charleston; between March of 1994 and May of 1996. This album was released in 2000, a year prior to Mr. Hartford’s death in 2001. Just a quick look at the song list above will give you an idea of who he was musically. 

From his performance of these classics; such as Johnny Bond’s “I Wonder Where You are Tonight”, and Carl Butler’s poignant “My Tears Don’t Show”; and even his own songs, such as “Lorena”, “Gentle On My Mind”, and the humorous “Bring Your Clothes Back Home”; it is easy to feel the connection that he had with his audience. They loved the man. It was that simple, and palpable. He frequently tapped danced as he played, and you can hear his feet accompanying him on many of the tracks.

His death in 2001 left a vacuum in American music which has never quite been filled. But, whenever you see a juggler, a street musician, or anyone engaged in “street” art, you are looking at part of Mr. Hartford’s soul. He was our troubadour; our wandering minstrel. And, we will likely never see his like again.

"Worried Man Blues" - The Stanley Brothers (1961)

Here are the iconic Stanley Brothers, Ralph and Carter, performing "It Takes A Worried Man" on Pete Seeger's TV show Rainbow Quest from 1966.  The Clinch Mountain Boys are there to do their stuff backing the brothers up on this number.

The Stanley Brothers were known for their high lonesome sounding harmonies, which they passed on to a whole new audience over the years.  If you have never listened to them then you are missing a piece of American history, as well as culture.

Even if you are not a fan of bluegrass music you would have to admit that this music, with its origins in the Scottish and Irish settlers, can really grab you by the heart and make you listen. Over the years, while the genre had changed into something else, the Stanley’s, along with the Clinch Mountain Boys, were keeping it alive, seemingly waiting for someone to come along and continue the tradition.

Throughout the 1960’s and 1970’s, country music became a watered down version of what it had once been. Gone were the basic elements of mountain music, replaced by electric instruments and adding drums in a seeming attempt to keep up with the rock and roll format. There were some really good records to come out of that period, but as those artists got older they began to return to their own roots, and those roots were Bill Monroe and the Stanley’s, along with the Carter Family.

Sundays was once a time of quiet reflection; a day in which a working man could spend some quality time with his family. And the television had programs which were oriented to the whole family. Even with the problems facing the average guy during the week, it was still possible to sit back in the living room and take a break with the family; and though all the troubles didn't go away, they could be turned around and made into a celebration of sorts.

And that’s what music like this was, a celebration of the human condition, whether good or bad. It’s kind of like that Hank Williams song “I’ll Never Get Out of this World Alive”. The lyrics are heartbreaking, the guy can’t catch a break to save his life, but instead of crying about it, it is turned into song. And when Monday morning rolled around, the cycle began again, with a new outlook. Maybe that glimmer would only last a day or so, but what a welcome relief it was to have.