Showing posts with label Madison Square Garden. Show all posts
Showing posts with label Madison Square Garden. Show all posts

Monday, December 8, 2014

"The Lost Tribe of Coney Island" by Claire Prentice (2014)

Be prepared to be amazed by this remarkable book from author Claire Prentice. Carefully she introduces us to the main protagonist, Mr. Truman Hunt; a man as shrouded in mystery as he is flamboyant; and then just as quickly we are witness to his vagaries and vices, which eventually lead to his ultimate downfall.  This story takes place in the Philippines and then in the United States; notably in Coney Island at Luna Park; in 1905, just as America was advancing her interests in the Philippine Islands.

But the real story begins one year earlier when a band of assorted tribes from the northern Philippine Islands were first exhibited at the International Exposition in St. Louis. But calling it an exhibition did not allay the true purpose of the show; that is to turn a profit. The show featured the natives in a village like setting; kind of like the “natural habitats” found in zoos today, only with human beings on display rather than animals.

Truman Hunt had been an assistant governor of the Philippine Islands and was regarded by the tribe known as Igorottes to be a fair minded and intelligent man. And, at first he was. As a physician he was invaluable to the tribe; healing the sick, setting broken bones and even pulling bad teeth. His reputation was so great that at one point it became a symbol of status to have a tooth removed; if only to prove that you had been to the white man’s doctor. He was the man to whom the tribe would come with legal problems, considering him to be a very learned and compassionate man.

Having seen the Exhibition in St. Louis Dr. Hunt returned to the Philippines with the idea of bringing his own tribe of natives home to America for a tour of the fairs and amusement parks that proliferated the nation. But any exhibition would require financing and so he began to cast about for partners in his venture. He needed about $3,000 to get the Igorottes to America. It would be a long journey; beginning on foot and then crossing the Pacific Ocean to Washington State and from there by rail to Chicago and finally Coney Island in Brooklyn, New York.

By 1904 the movies were beginning to show their potential for entertaining the masses, and to that end most entrepreneurs were scrambling about for newer and bigger ways to attract audiences. In New York City that meant a new venue called the Hippodrome was being constructed. It would be a veritable palace of entertainment for decades to come. It was the Madison Square Garden of its time. Fred Thompson and Elmer Dundy, who owned an exhibit in Coney Island, were also the owners of this new venue.  They had heard of Dr. Hunt’s plans for exhibiting the Igorottes and were bidding on the rights to have them set up in Luna Park.

The story of the back dealing to get the tribe to America; as well as their reactions to things like ships and trains, which they had never seen; is a gripping story all by itself. This group of natives was planning on spending on year away from their families before returning with enough capital to start businesses and even get educations. But, after every promise made to them has been broken; and after they have been ill fed and ill clothed for over a year, never getting paid for their efforts; they would return home with only $35 apiece. However, they did get quite an education in the ways of the outside world in the time they were gone.

The cast of characters include Julio, the Igorotte who acts as the interpreter for Dr. Hunt and the tribe. He is also the most affected by Dr. Hunt’s eventual betrayal.  As the interpreter he felt personally responsible for all of the lies he has relayed to his friends and family. Even when the case comes to court he feels some guilt at betraying his master. By that time the tribe; as well as Julio; had been reduced to slave like status, following Dr. Truman wherever he led them to make a buck.
This is a story of an innocent people who think they have made bargain to ensure their future, relying on the word of the man they had come to view as somewhat of a god. This is also the story of how he abused that trust, becoming; as the money rolled in; a completely different person than the man he had been before.

It is also the story of the Unite States government and their search for Dr. Hunt on a variety of criminal charges; ranging from kidnapping to robbery and even bigamy. The book is filled with villains of every stripe; but for every villain met along the way there are heroes who pursue the case doggedly, until the Igorottes have been returned to their families.

This book is a tour de force for the author as well as the reader. Ms. Prentice has created a book which not only chronicles the case at hand, but also the climate concerning entertainment and what was acceptable as such at the time. And along the way she gives a wonderful history of Luna Park; and the fascinating men, and money which created it.

Wednesday, August 1, 2012

The Concert for Bangla Desh (1971)


It was 41 years ago today when the Concert for Bangla Desh was held at New York's Madison Square Garden. I never knew how, but Michael Held got tickets to this concert. For weeks the city had been abuzz with rumors of a hastily arranged concert for the victims of the disasters which were then taking place in Bangladesh (originally spelled as two separate words) a province located in India. Together with the fleeing refugees from Pakistan, there had also been a devastating cyclone in 1970; and coupled with these two tragedies, there was a Civil War going on, with massive atrocities committed against innocent civilians.
After seeing the power of Woodstock in 1969, George Harrison’s friend Ravi Shankar; who was originally from the affected area; approached him, asking if he thought that something could be done within the world of entertainment to help alleviate the misery and devastation being experienced by the hundreds of thousands of victims.
There were two concerts held that day, which was a Sunday. The first show was at noon, with the second show beginning at 7 PM. 40,000 lucky people got to see this historic event, and contribute to the relief of the people in Bangladesh.
The stage was alive with all of rock and roll’s royalty. But the intimate video above is one of my favorite parts of the concert. Bob Dylan being backed by Leon Russell on bass, with George Harrison on his white Fender Stratocaster, accompanied by Ringo Starr on a tambourine, playing Dylan’s “Just Like a Woman.” Does it ever get better than that?
This concert was the blueprint for all of the benefit concerts since then. From Live Aid to Farm Aid, all have their roots in this one event. The immediate effect was over $250,000 being administered by UNICEF, for relief in Bangladesh. After some of the initial problems had been ironed out, the concert continued to generate revenue for the agency, through movie and recording royalties, all of which found its way to the victims for whom it was intended.
But I still don’t know how the hell Michael got that ticket!

Friday, January 27, 2012

"You Can't Always Get What You Want" by Sam Cutler

In a real close-up look at the darker side of Rock and Roll, Sam Cutler, former tour manager for the Rolling Stones 1969 tour; which ended in complete disaster at Altamont Speedway in California; asks the hard questions, and provides some of the harder answers to the "how's and why's" behind the disastrous killing of a gun wielding young black man at the hands of the Hell's Angels in December 1969. The resulting furor over the killing, coupled with the trial of Sonny Barger, heralded the end of the Woodstock Nation, which had been born only 4 months earlier in upstate New York.

Mr. Cutler examines the differences, and egos, which formed the disaster, and then simply vanished, leaving him to face the legal issues. With a keen eye for detail, and just enough sex and drugs thrown in to make it interesting, he has covered all the bases, from the security concerns to ticket scalping. The madness of touring with the Stones is apparent in the whirlwind pace of the author's writing.

Also, there is an added bonus for those who did not know, or like me, were unaware of Mr. Cutler's connection to the Grateful Dead. He became, on the strength of their connection through the Altamont Speedway concert, at which the Dead never played, tour manager for the Grateful Dead for decades to come. His accounts of Jerry Garcia, and what the man was really like, are very revealing, and will definitely be of interest to his fans. Although not a huge Dead fan myself, the business end of the Grateful Dead empire was really a fascinating thing to watch grow. It simply happened, which is, of course what that band is all about. Happening.

A great quick read for fans of either band, and illustrated just enough to make it interesting, this is one memoir which will not disappoint the reader.

Monday, August 1, 2011

The Concert for Bangla Desh



Today is the 40th anniversary of the Concert for Bangla Desh. In comparison to today, the concert is almost dated, but it is arguably the first of the "benefit" concerts, as defined by today's standards. This clip is a great example of the mixing and matching of different musicians, irrespective of record company contracts, which was almost normal for the times. Musicians were starting to really assert themselves in taking control, and direction, of their own careers. This is one of the best "pick up" bands ever assembled for a song or two. Leon Russell is on bass, Bob Dylan and George Harrison are trading ryhthm; note that Harrison is transposing by sight, while Dylan is using s capo; and Ringo is just thrilled to be there, letting everyone know, just by his presence, that everything would be alright, "with a little help" from his friends.

Monday, February 15, 2010

Eric Clapton and Steve Windwood- Live at Madison Square Garden

In May 2009 PBS aired the Eric Clapton- Steve Windwood concert "Live from Madison Square Garden." Where the hell was I? How did I miss this?

Clapton and Windwood go way back. Windwood recounts that “I was 15 or 16 and he was 18 or 19, and he definitely looked after me. We played records and talked about music. From very early on, he took on a brotherly role."

Clapton moved on to Cream, making musical history. Windwood moved on to form his own band, "Traffic." They would become huge and leave a definite mark on the music scene with "Dear Mr. Fantasy" and other groundbreaking hits, such as "Low Spark of High Heeled Boys." The freindship between these two musical giants would continue to flourish.

In 1969, after the breakup of Cream, Clapton formed the legendary "supergroup" Blind Faith. The album was a smash and the music was fresh and exciting, uniting the ethereal sounds of Traffic with the searing guitar work of Clapton. Rounding out the band were Ginger Baker on drums and Rick Gretch on bass. "Sea of Joy" was a monumental step forward in music, combining blues, pop and even a bit of jazz for a new and unique sound.

The Blind Faith album was still on the charts when Clapton decided to move on. This strained relations between the two but over the years they have remained friends.

In late 2007 Clapton was thinking of doing something to revive the old sounds and he turned to Steve Windwood for assistance. As they explain on the DVD they each chose songs from one anothers catalogues for the performance. The resulting concert at Madison Square Garden on February 25th, 2008 is mind boggling.

Windwood alternates between an organ and guitar, delivering magnificent versions of "Had to Cry Today", "Well All Right" and of course, his signature hit "Dear Mr. Fantasy." This was one of the highlights of the performance for me. Clapton takes the initial lead, but Windwood takes it home with his searing licks that cut right to the bone.

Equally breathtaking is the Blind Faith tune "Can't Find My Way Home." Clapton and Windwood mix it up together like a couple of prize fighters. The audience wins.

They both shine when they tackle "Voo Doo Chile" by Jimi Hendrix. Wisely avoiding any attempt at imitating Hendrix, they serve up a wonderful mix of guitar and vocal.The result of this collaboration is astounding. Clapton had covered "Little Wing" by Hendrix when he was with Derek and the Dominoes. Windwood had played on the Electric Ladyland album with Hendrix.

The concert is about 2 hours long but leaves you wanting more. The whole performance is flawless and not to be missed. I don't know how this one slipped past me.