Showing posts with label Kay Starr. Show all posts
Showing posts with label Kay Starr. Show all posts

Wednesday, September 10, 2014

"The Little Cloud that Cried" - Johnny Ray (1958)


This artist is new to me. Ran across his name in a book I was reading, and as is my wont, I went to You Tube to check out his act. I wondered what the earpiece was all about because this video precedes the days of headsets and the other devices attendant to a modern performance. Now I was hooked.

Turns out that Johnny Ray wore a hearing aid! It was now time to hit Wikipedia; always a good place to start before going on to books and interviews. 

John Alvin Ray was one of the more complex American singers and songwriters of the 1950’s. He achieved early success here in America but by the 1960’s his star had faded. He did, however enjoy a long and successful career in Europe; especially in England; and performed overseas until the year before his death in 1990.

Born in 1927 he lived on a farm with his parents. At age 13 he was hurt in a blanket toss during a Boy Scout outing. That injury cost him the hearing in his left ear. By 1958 he was just about completely deaf, but kept performing. He appeared with Ethel Merman in the movie “There's No Business Like Show Business” in 1954 with Dan Dailey, Donald O'Connor, and Marilyn Monroe.

By the time he made that film he was drinking heavily and also had been arrested twice for soliciting sex with other men. The first arrest was in Detroit at a burlesque house; he paid a fine quietly and the story was largely unreported at the time. After a second arrest; also in Detroit; he went to trial and was found not guilty. Surprisingly these arrests did little to hurt his career; although it must be noted that Liberace was a huge hit at the time and the public was not really on a witch hunt against homosexuals.

In many ways Johnny Ray was considered an early harbinger of the rock and roll sound, singing songs with pop lyrics. Tony Bennett has referred to him as the true father of rock and roll. Not sure I would agree with that, but he was a major component of the changes taking place in music at the time. He was kind of like Bobby Darin in some ways. His influences seem to have been Kay Starr, LaVern Baker and Ivory Joe Hunter. His hit single “Cry” was an influence to an up and coming Elvis Presley and he had the girls screaming several years before Elvis did. The King even took some of his lesser known moves from Mr. Ray.

By 1952 he was a major star in America; within the next year he was playing to sold out crowds in England and Australia. Sometimes when he sang he cried; which only served to endear him even more to the audiences. But by 1960 his American label dropped him and his star faded at home. But his recordings; both new and old; never stopped selling outside of the United States.

For more about this artist; including his marriage to Marilyn Morrison; the daughter of the Mocambo nightclub owner; check out this Wikipedia article. And for even more about his unusual career the following link to a blog called The Hound Dog will be very informative.

http://thehoundblog.blogspot.com/2009/08/johnny-ray-little-white-queer-that.html
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NO MATTER WHAT










See the portraits of these two men? Now see the difference in the way some people view them while claiming that race is not an issue in their assessment. If that were true then the only other explanation would be a lack of honesty on the part of the people making that claim; or else just a willingness to spout what they have heard from their favorite talking heads on the television and radio.

President Obama stated several weeks ago that he had no strategy for the problems in the Mideast with the group known alternately as ISIS/ISIL; pick your poison, they’re both the same to me. At any rate, a firestorm of protest was unleashed by the Right; "how can he say that?" " We need a man like Bush. He would have done something!"

Well, as demonstrated by the current mess we find ourselves in, he would have done something too quickly and ultimately it would have been the wrong thing. So, the Right is critical of a President who thinks before committing American lives and money to a decision. That’s a terrible thing…

Now; and this is in advance of the speech that the President will be making this evening about his strategy on the issue of ISIS/ISIL, pick your poison they’re both the same to me; they are already all over talk radio with the following reactions to what has not happened yet. Appropriately I have chosen to respond in advance to their pre-responses. It’s what I do. Here goes;

If the president takes a strong view against ISIS/ISIL; pick you poison they’re both the same to me; he will be viewed as having been indecisive for not having had an initial strategy.

This will make him suspect in the eyes of the American people.

It will provide comfort to the enemy who realize that he does not react quickly enough to situations, as did President Bush.

Now, remember, this is what they will say if they agree with him! I won’t even bother with what will be said if he is soft on the issue and they dis-agree!

So, in answer to the pre-analysis of what hasn't happened yet, since this is obviously the “party line” which Conservatives will be running with anyway, we say the following;

President Obama took the time- just a few weeks- to figure out a strategy for doing something which may affect us for decades to come. President Bush, on the other hand, did not. He was reckless and We, the People, are still paying the price for it.

It will make me less suspect of the President. Just knowing that he is not striving to get a quick knee-jerk reaction from me; in the way that the War in Iraq was sold to the American people; will be comforting. The knowledge that someone is not being reckless at the top of our government; where they never pay the price for wrong decisions; will be refreshing to most. It smacks of deliberate and considered leadership.

It will discomfort the enemy to know that we will be thinking before we act. This will have the opposite effect of empowering the enemy; sometimes with money and weapons; as was the case under Ronald Reagan with the Taliban who gave us Osama Bin Laden courtesy of our own tax dollars.

Well, that’s my “pre-editorial wrap up” for the speech tonight. The speech won’t contain any surprises. It will probably be an outline of what we are going to do as a coalition with other nations. Not sure if I care for coalitions anymore. We seem to do most of the paying and heavy lifting, but it’s probably better than thumbing your nose at the whole world. We shall see. But those are my predictions for the Conservative “take” on the speech, based upon what I am hearing on talk radio this afternoon about what hasn't happened yet.  

Saturday, August 28, 2010

George David Weiss - American Songwriter

One of my favorite songwriters passed away this past Monday. It finally made the local papers today. George David Weiss, the man who chronicled several decades with hit songs such as "Can't Help Falling In Love", "Wheel of Fortune", "The Lion Sleeps Tonight", and "What A Wonderful World" was 89 years young. I say young because a person with that much music in his heart is never really old. Our bones may creak a bit, and it might hurt to move around some, but if you can still appreciate, or maybe even just hum, one of your favorite songs, you're never truly old. Music is what keeps us immortal. It's the rhythm of our lives.

Mr. Weiss co- wrote many of the hit songs that comprise the soundtrack of the late 1940's "big band" era, most notably with Frank Sinatra's version of "Oh! What It Seemed to Be", and on through the 1950's, when he helped to write such classics as Ella Fitzgerald's "Lullaby of Birdland", Patti Page's "Confess", and my all time favorite "Wheel of Fortune" performed by Kay Starr. That these songs continue to appear in movies, such as "L.A. Confidential", underscores the impact that they had on the era in which they were written. Here's a short version of Kay Starr, live, doing "Wheel of Fotune" on The Wayne Newton Show;

http://www.youtube.com/watch?v=X3Es-UJepFQ

He remained productive as a songwriter through the 1960's with such classics as "Can't Help Falling In Love" in 1961 for the Elvis Presley film "Blue Hawaii." He shared credit on this song with partners Hugo Peretti and Luigi Creatore, both of whom he had met while scoring films, and on Broadway shows, including "Mr. Wonderful", which ran for 383 performances from 1956 to 1957. Co-written with Jerry Bock and Larry Holofcener, it was a musical comedy written for Sammy Davis Jr and which co-starred Chita Rivera. He also co-wrote "First Impressions" in 1959, based on Jane Austen's "Pride and Prejudice", and "Maggie Flynn" in 1968, once again co-written with Luigi Creatore and Hugo Peretti.

When Mr. Weiss and his colleagues penned "Can't Help Falling In Love", the producers of "Blue Hawaii" were looking for another "Hound Dog" type of song, but they got a wonderful ballad instead. And Elvis considered it one of his all time favorite songs. He sung it at all of his concerts, right up until he passed away in 1977. Listen to it here;

http://www.youtube.com/watch?v=LFSfdL5lPoY

And no writing about Mr. Weiss would be complete without recounting the story behind "The Lion Sleeps Tonight." This song was based on the 1939 South African-Zulu song/chant "Mbube", which was written by Solomon Linda, and is the Zulu word for "the lion." In 1952 it was re-recorded by The Weavers and entitled "Wimoweh", with it's signature falsetto backup vocals. By adding the original chant to the harmonies suggested by the Weaver's recording, Mr. Weiss created the song we know today. In the late 1990's there was a legal dispute over who really owned the rights to the song, which was finally settled to the satisfaction of all parties, including Solomon Linda's. Listen to the Tokens version here;

http://www.youtube.com/watch?v=LCM2nJfLD-0

With the hit by Louis Armstrong in 1967 of "What A Wonderful World", co-written with the late Bob Thiele, he had crossed all lines of creativity, encompassing the sounds of jazz, pop, soul and rhythm and blues in this remarkable crossover hit. And along the way he wrote, and produced some remarkable plays. Not too bad for a Jewish kid from New York. His music, and spirit will be missed.

Wednesday, July 21, 2010

Kay Starr - Wheel of Fortune

I can never recall a time in my life when there was no music. When I was a child my parents always had music playing on the radio at home, and even in the car. The first four records I can recall hearing are Patti Page doing "Tennessee Waltz", Bette Hutton doing "Doctor, Lawyer, Indian Chief", Frankie Laine doing "Cool, Clear Water" and Kay Starr doing "Wheel of Fortune." I still listen to these recordings on a regular basis. They are part of who I am.

Today is Kay Starr's birthday. She's 88 years young. And she always will be young, thanks to the recordings and films she has given us over the years. Here she is, singing "Wheel of Fortune" on The Wayne Newton Show in the 1960's. This is a short, 1 minute 30 second version of the recording, which runs about 3 minutes.

http://www.youtube.com/watch?v=X3Es-UJepFQ

Born in Oklahoma in 1922, her father was full blooded Iroquois, and her mother was Irish. When the family moved to Dallas during the Depression, her mother began raising chickens in the back yard to supplement the family's income. Each day after school, Ms. Starr would go out back and feed the chickens while singing to them. Her Aunt Nora convinced Kay's mother to enter her into a singing contest on the radio in Dallas. She was well received and became known as "The Kid." Whenever a request for a ballad came in the band leader would say, "Let the kid do it."

Her first big break came in 1937 when Joe Venuti came to Memphis. The bandleader had a contract that required him to have a girl singer, which he did not. His manager heard Kay on the radio and they approached her family about her making an appearance with the band. For the next two years she would tour with the band each summer.

In 1939 she was hired by the Bob Crosby Orchestra for a short time. Her next move was to the Glenn Miller Orchestra. It was while singing with them that she made her first recordings.

Finishing high school in Memphis in 1942, she moved to L.A. and joined Charlie Barnet's Band to replace Lena Horne. Those were some big shoes to fill for a 20 year old! But fill them she did. In 1945 she became ill with pneumonia and lost her voice. Facing a serious operation which could have resulted in the loss of her singing abilities, she chose to treat the vocal chords and refrain from singing for 6 months. When she returned, her voice was fuller and more husky.

This began her nightclub years in L.A. while recording for Capitol Records, where she performed alongside of such legendary artists as Peggy Lee, Jo Stafford and Margaret Whiting. But her biggest break was yet to come.

Late at night on January 17th, 1952 she was awakened by a phone call summoning her to the studio to record a rush release of "Wheel of Fortune." This was her first Gold record and went on to become the #2 song on the charts in 1952. In 1955 she switched labels to RCA where she finally got the chance to show off her wide range of styles, singing everything from "pop" to jazz.

Returning to Capitol in 1959 she went on to record jazz, pop and even a country album through the 1970's. At that time she cut back on appearances in order to spend time with her family.

By the time the late 1980's rolled around, Ms. Starr had teamed up with Helen O'Connell and Margaret Whiting to tour in the musical revue "3 Girls." In 1993 she toured with Pat Boone, and in 1997 released her first "live" recording, the well received album "Live at Freddy's."

When her recording of "Wheel of Fortune" found it's way into the film "L.A. Confidential" in 1997, a police drama set in 1950's Los Angeles based on true events, her career hit another level. Millions more have now become acquainted with this multi talented singer. I am always amazed at the people who approach me in parking lots when they hear "Wheel of Fortune" coming from my speakers. They range in age from fans in their 80's, down to people in their 20's, who are familiar with her only through the movie soundtrack.

But for me, when I listen to this recording, I am back in Brooklyn, watching the turntable spin as I sing along to this wonderful recording. Happy Birthday to you, Ms. Starr.