Showing posts with label Jimmy Stewart. Show all posts
Showing posts with label Jimmy Stewart. Show all posts

Sunday, December 21, 2014

"Christmas Eve" with Joan Blondell and George Raft (1947)

This is one of the all-time greatest of Christmas movies, and also one of the most overlooked. It involves a wealthy widow who lives in Manhattan during the late 1940's, which is when the film was made. Aunt Matilda Reid's nephew is seeking to have her judged incompetent in order to become the sole trustee of her wealth. 

Her three wayward adopted sons have been gone for years, with not a word from any of them. One is a bankrupt playboy (George Brent), the other a rodeo rider (Randolph Scott), and the third son (George Raft), is a very mysterious man involved with hunting Nazi war criminals in South America.

Aunt Matilda has drawn just one concession from the lawyers and judge who are administering her case; if her sons show up before midnight on Christmas Eve, she wins. If not, she becomes the ward of her greedy nephew.

The film received tepid reviews in 1947 when it was released in late October. It was eventually re-released as "Sinner's Holiday", in an effort to attract a wider audience. I first ran across this gem in 1961, or so, while watching WOR-TV, Channel 9, in New York City. All the good old movies were on that channel.

As a matter of fact, "It's A Wonderful Life", with Jimmy Stewart and Donna Reed, got its second life from that station. That film was originally released in 1942, at a time when we were not winning the war. The film flopped. And then, around 1960, WOR-TV was looking for something to throw on the air Christmas Eve that wouldn't cost them anything. 

So they turned to "It's A Wonderful Life", a film whose copyright had just run out, enabling them to air the film for nothing. The switchboards lit up and another classic Christmas film was "discovered."

Friday, January 24, 2014

" A Dog Named Beau" - Jimmy Stewart (1981)


Johnny Carson used to let Jimmy Stewart read his poetry quite often when he appeared on his show. This one, filmed in July 1981 is particularly good on several levels, the most important being his delivery.

Notice that when he begins that the audience is merely indulging this aging thespian, expecting something “cute” from the old guy. They laugh; appropriately; at the right moments as Mr. Stewart recalls his beloved dog, Beau. 

What the audience didn't fully grasp at the outset was that the poem is really a eulogy, extolling his love for his companion, who is now gone. What’s more, they didn’t expect to feel anything, let alone witness someone else bear his own emotions so unashamedly, as Mr. Stewart does.

So, if you have never seen this clip, please take the time and listen to the reaction of the audience as this seasoned professional, in his own folksy way, takes the audience from laughter to tears with this paean of love for his now lost dog, Beau.

He never came to me when I would call
Unless I had a tennis ball,
Or he felt like it,
But mostly he didn't come at all.

When he was young
He never learned to heel
Or sit or stay,
He did things his way.

Discipline was not his bag.
But when you were with him things sure didn't drag.
He'd dig up a rosebush just to spite me,
And when I'd grab him, he'd turn and bite me.

He bit lots of folks from day to day,
The delivery boy was his favorite prey.
The gas man wouldn't read our meter,
He said we owned a real man-eater.

He set the house on fire
But the story's long to tell.
Suffice it to say that he survived
And the house survived as well.

On the evening walks, and Gloria took him,
He was always first out the door.
The Old One and I brought up the rear
Because our bones were sore.

He would charge up the street with Mom hanging on,
What a beautiful pair they were!
And if it was still light and the tourists were out,
They created a bit of a stir.

But every once in a while, he would stop in his tracks
And with a frown on his face look around.
It was just to make sure that the Old One was there
And would follow him where he was bound.

We are early-to-bedders at our house--
I guess I'm the first to retire.
And as I'd leave the room he'd look at me
And get up from his place by the fire.

He knew where the tennis balls were upstairs,
And I'd give him one for a while.
He would push it under the bed with his nose
And I'd fish it out with a smile.

And before very long
He'd tire of the ball
And be asleep in his corner
In no time at all.

And there were nights when I'd feel him
Climb upon our bed
And lie between us, And I'd pat his head.

And there were nights when I'd feel this stare
And I'd wake up and he'd be sitting there
And I reach out my hand and stroke his hair.
And sometimes I'd feel him sigh
and I think I know the reason why.

He would wake up at night
And he would have this fear
Of the dark, of life, of lots of things,
And he'd be glad to have me near.

And now he's dead.
And there are nights when I think I feel him
Climb upon our bed and lie between us,
And I pat his head.

And there are nights when I think
I feel that stare
And I reach out my hand to stroke his hair,
But he's not there.
Oh, how I wish that wasn't so,
I'll always love a dog named Beau.

Friday, December 13, 2013

"The Shop Around the Corner" with Jimmy Stewart and Margaret Sullavan (1940)

This is another reposting of a review from a couple of years ago; I never let the holiday pass by without watching this one;

This 1940 film by Ernst Lubitsch, starring Jimmy Stewart and Magaret Sullavan is one of the most beautifully crafted films ever made, and is based on the play by Miklós László. The story is simple, in the weeks leading up to Christmas in Budapest, the department store of Matuschek and Company, is gearing up for the holiday season. 

The owner, Hugo Matuschek is played brilliantly by Frank Morgan, known to millions worldwide as the Wizard of Oz. His right hand man, Alfred Kralik, is played by Jimmy Stewart. The two are very close, Mr. Matuschek values the opinions of his manager. Things are going very smoothly, with Kralik expecting a promotion by Christmas. Enter Margaret Sullavan as Klara Novak, an unemployed and high strung young woman. Through a bit of trickery she lands a job at Matuschek and Company, which in turn drives a wedge between Mr. Matuschek and Kralik.

While Kralik has been exchanging letters with an unknown "friend" through the classified ads, Ms. Novak has been doing the same. Without knowing, they have been exchanging letters with one another, stretching the truth a bit where necessary. So, neither one has any idea that their co-worker is the object of their affections. In fact, the opposite is true, as they grate on one another’s nerves, and the Christmas holiday approaches. And to top it all off, they are both thinking about marriage to their prospective "pen pals", although they have never met.

At the same time, a subplot is taking place as the shops "dandy", Ferencz Vadas, played exceptionally by Joseph Schildkraut, does all he can to make life unbearable for his fellow employees. He is also one of my favorite character actors, and even appears in a few of the old “Twilight Zones.”

With a cast of character actors such as Felix Bressart, who plays Kraliks friend and fellow employee Pirovitch, and William Tracy as Pepi, the stores delivery boy, this movie will easily call you back year after year for a look at Christmas in Hungary in the days before all the madness began.

The movie has at least 3 endings. By that I mean there are 3 separate times when the movie could end, leaving the audience happy, but Ernst Lubitsch, being Ernst Lubitsch, has so many tricks up his sleeve, that you will find yourself enjoying 3 endings, each one wrapping up a portion of the film that you may have forgotten about. This is the art of Ernst Lubitsch. Just when you think it's over - it's not.

One of the all-time great Christmas movies, this film was remade in the 1990's with Tom Hanks and Meg Ryan as "You've Got Mail." I have never been able to sit through that entire film. That’s simply because this 1940 version by Ernst Lubitsch captured my heart so many years ago.

Here is a scene from the beginning of the movie;
                            

Tuesday, November 15, 2011

"Marlene" by Charlotte Chandler

This is a book that may very well not have been written. Marlene Dietrich had been retired since the late 1960’s, and with the exception of a few guest “spots” here and there, she was living in an apartment in Paris, one of her beloved cities, when the author, Ms. Chandler, was able to obtain permission to interview her, for this book, in the late 1970's.

If you have never read one of Ms. Chandler’s biographies you are missing a real treat. Her books on Mae West, Groucho Marx, Bette Davis and Joan Crawford, to name a few, are more than just biographies. They are personal insights into the stars themselves, in their own words, prompted by Ms. Chandler’s unique way of getting them to open up. And in this book, Marlene Dietrich does just that.

I have always been fascinated by Marlene Dietrich. To me she represented the gritty days prior to the Second World War, when Berlin was a bubbling cauldron of politics, art, music and sex. Who can forget seeing her dressed in a man’s tuxedo while singing to a cabaret full of cigarette smoke and finely dressed patrons? Not me. And yet, in spite of that outward bravado, the Marlene Dietrich known by her colleagues and friends, is surprisingly simple, and at the same time very complex.

From her early film roles in German cinema, to her heady days in Hollywood, and her service at the very front lines of World War Two, she was a most unusual woman.

When Ms. Dietrich was filming “Destry Rides Again”, a western with James Stewart, she became pregnant by him. He asked her what “she was going to do about it?” This was a tremendous insight into Mr. Stewart, who has always been one of my favorite actors. He couldn’t offer to marry her, she was already wed, but still, according to Ms. Dietrich, he should have at least asked. Not that she would have accepted. She was in an open marriage, one in which both parties accepted one another, as well as their mutual affairs.

Part of this book is a narrative by Douglas Fairbanks, Jr., with whom the iconic Ms. Dietrich had a five year relationship. He describes his surprise at meeting Ms. Dietrich’s husband, along with his lover, in London. It was all very civilized, but a bit strange, nonetheless. Some of the most interesting stories begin with Mr. Fairbanks; like the time Marlene Dietrich wanted to return to Germany to kill Adolph Hitler with a poisoned hair pin. Hitler was a big fan, and had even ordered her to return to Germany. In any case, she would have been searched before being left alone with him, but the hairpin would probably have worked. She knew that she would probably never get out of Germany again, but considered the risk worth taking in order to regain her native country. At the time that this story took place, Ms. Dietrich was having an affair with Joseph P. Kennedy, father of the future President. It strikes me as no co-incidence that the CIA, under John Kennedy, contemplated using a poison pin to kill Castro in Cuba.

An interesting aside here is that Ms. Dietrich would often be a guest in the Kennedy home, even as she was having an affair with the elder Mr. Kennedy. Years later, when JFK was in the White House, and Jackie was out of the country, she was invited to the Executive Mansion, where the President wasted no time in making his desires known. In Ms. Dietrich’s words, “He was even faster than his father.”

Douglas Fairbanks, Jr. was madly in love with her, and he recounts some of the most enjoyable stories in the book. They were both in love; he with her, and she with love itself. He did several nude sculptures of her, all of which he broke the heads off of, so the sculptures would not be exploited after her death.

At one point, as England stood poised on the edge of war with Germany, and at the same time that King Edward was about to abdicate the throne for the American divorcee Wallis-Simpson, Ms. Dietrich planned to seduce him to thwart his impending marriage. She couldn't stand to see him throw his royalty away for "that flat chested American woman."

When World War Two broke out she volunteered to work with Bette Davis and all the other Hollywood actresses in the USO, dancing with, and even cooking for the soldiers who passed through. But she felt she wasn’t doing enough, so she sold all of her belongings to join the war effort, going way past where Bob Hope would even go. She saw the death camps, and even had relatives in there. When told she was only allowed 56 pounds of luggage for the trip, she tossed away her gowns and makeup kit, electing to stuff the pockets of her flight suit with dime store fake fingernails, which she felt she could not do without, as they made her feel more feminine.

But there was another side to her that will surprise many people. She loved to cook, and clean the houses of her various lovers. Several are quoted as saying that she never looked more beautiful than when wearing a hairnet, frying eggs for breakfast.

When she elected to appear in the film “Judgment at Nuremberg”, in 1961 with Spencer Tracy, she was able to add authenticity and even some dialogue to her part, as well as the film. This was her last major film, but not the end of her career.

In the 1960’s she did a show in Las Vegas which is still spoken of today by those old enough to remember it. She appeared on stage, singing. Her voice was that of the classic chanteuse. Her musical director was a young Burt Bacharach, who even accompanied her on her tour of the Soviet Union. To quote Ms. Dietrich, “When Burt said; ‘Terrific baby, terrific;’ I could have died of happiness.”

This was a delightful book to read, filled with the stuff that legends are made of. And Ms. Dietrich was that; a legend; even in her own time. If you have never read one of Ms. Chandler’s books, “Marlene” is a great place to start.

Thursday, December 23, 2010

"The Shop Around the Corner" with James Stewart and Margaret Sullavan


This 1940 film by Ernst Lubitsch, starring Jimmy Stwart and Magaret Sullavan is one of the most beautifully crafted films ever made, and is based on the play by Miklós László. The story is simple, in the weeks leading up to Christmas in Budapest, the department store of Matuschek and Company, is gearing up for the holiday season. The owner, Hugo Matuschek is played brilliantly by Frank Morgan, known to millions worldwide as the Wizard of Oz. His right hand man, Alfred Kralik, is played by Jimmy Stewart. The two are very close, Mr. Matuschek values the opinions of his manager. Things are going very smoothly, with Kralik expecting a promotion by Christmas. Enter Margaret Sullavan as Klara Novak, an unemployed, and high strung young woman. Through a bit of trickery she lands a job at Matuschek and Company, which in turn drives a wedge between Mr. Matuschek and Kralik.

While Kralik has been exchanging letters with an unknown "friend" through the classified ads, Ms. Novak has been doing the same. Without knowing, they have been exchanging letters with one another, stretching the truth a bit where necessary. So, neither one has any idea that their co-worker is the object of their affections. In fact, the opposite is true, as they grate on one anothers nerves, and the Christmas holiday approaches. And to top it all off, they are both thinking about marriage to their prospective "pen pals", although they have never met.

At the same time, a subplot is taking place as the shops "dandy", Ferencz Vadas, played exceptionally by Joseph Schildkraut, does all he can to make life unbearable for his fellow employees.

With a cast of character actors such as Felix Bressart, who plays Kraliks friend and fellow employee Pirovitch, and William Tracy as Pepi, the stores delivery boy, this movie will easily call you back year after year for a look at Christmas in Hungary in the days before all the madness began.

The movie has at least 3 endings. By that I mean there are 3 seperate times when the movie could end, leaving the audience happy, but Ernst Lubitsch, being Ernst Lubitsch, has so many tricks up his sleeve, that you will find yourself enjoying 3 endings, each one wrapping up a portion of the film that you may have forgotten about. This is the art of Ernst Lubitsch. Just when you think it's over - it's not.

One of the all time great Christmas movies, this film was remade in the 1990's with Tom Hanks and Meg Ryan as "You've Got Mail." I have never been able to sit through that entire film. Simply because this 1940 version by Ernst Lubitsch captured my heart so many years ago.

Here is a scene from the original movie;

Saturday, December 11, 2010

"Live from WVL Radio Theatre: It's A Wonderful Life" at The Booth Playhouse

The Booth Playhouse in Charlotte is hosting this wonderfully different version of the classic Christmas tale "It's A Wonderful Life." Actually, it's not that much different at all, with the exception that playwright W. Repoley has framed the original story about a man who has struggled all of his life, only to arrive at a point, on Christmas Eve, where he wishes he were never born, within an unusual story. Of course, Clarence the Angel still comes down to show him what life would be like without him. Sounds the same, right?

Station WVL is getting ready to air the play, "It's A Wonderful Life", on Christmas Eve, only to have over half of the actors unable to get to the station due to a blizzard. This leaves only the sound effects man and the station owner's daughter, along with just two of the cast, to put on the entire show, with each one playing multiple parts.

The characters of Evelyn Reed, Mays, Lee Wright and Kitty Dayle are all vibrantly played by Maria Buchanan, Michael MacCauley, William Repley and Rachelle Roberts, who seem to effortlessly leap from one character to another, even crossing genders as necessary. The play is carried off with the audience playing the part of the studio audience at the radio station, which gives the whole experience the feel of a "reading", rather than a play. I mean this as a compliment, as I love readings.

The whole point of this play is this, that the station manager's daughter, when faced with a seemingly insurmountable challenge, is saved by the sound engineer, and his love of what he does. And that love blossoms into a love all it's own.

A very original concept which manages to stay true to the original movie/play and yet adds something of it's own to it. That's not an easy thing to do.