Showing posts with label J'attendrai Swing 1938. Show all posts
Showing posts with label J'attendrai Swing 1938. Show all posts

Wednesday, July 31, 2024

Django Reinhardt- "J'attendrai Swing" (1939)


Django Reinhardt was born in Belgium around 1910, and later moved to France, where he lived in a Gypsy (Romani) Caravan outside of Paris. He already played banjo, guitar etc., and was about to join a band with his brother. This was around 1928.

However fate had something else in store for him. In November of 1928 he almost died. He knocked over a candle and the wagon in which he lived with his wife was engulfed in flames. There was a tremendous amount of celluloid, used by his wife to make artificial flowers, the result burning over half of his body, including his left arm and right leg. He refused the amputation of the leg, and walked with a cane for the rest of his life. He was hospitalized for 18 months.

But it was the injury to his left hand which was the worst part, while at the same time the very thing that made him the great guitarist he became. The fourth and fifth fingers of that hand were severely burned and he was told that he would never play guitar again.

Music was such an integral part of his life that he went on and taught himself to play with the index and middle fingers of his left hand, using the two injured fingers only for chords. Those injured fingers were what gave him his unique sound, resulting in those rapid runs up and down the fret board. He used a six-string steel strung acoustic guitar.

By 1929 he had and his wife had a son, but they soon split up. However, the son, Lousson Baumgartner, eventually became an accomplished player and even recorded with his father.

He was introduced to American jazz by an acquaintance, Emile Savitry. They were both influenced by Louis Armstrong, Duke Ellington, Joe Venuti, Eddie Lang, and Lonnie Johnson. But it was the swinging sound of Venuti's jazz violin and Eddie Lang's guitar-playing which gave birth to Reinhardt and  Stephane Grappelli's unique  sound. Together they would form the Hot Club and alter the course of music. Grappelli was even featured on Paul Simon's "Hobo Blues" in the early 1970's.

This song is the short version from a film about jazz, which can be found on You Tube and I highly recommend it. It takes you from the original classical recording of a classical recording to the following jazz-swing version of the song. For the sake of brevity I am posting only the portion of that video with Django and Grappelli with the Hot Club. I hope you enjoy it. 

Tuesday, September 17, 2013

Django Reinhardt and Stephane Grappelli


In just about every musical autobiography I have always come across the name of Django Reinhardt as being an influence for such diverse musicians, and genres, as Keith Richards, Chet Atkins, Paul Simon, and the list goes on and on, including some of the greatest names in jazz. Here is the video I was hoping to post but for some reason would not load; the one above is short and only shows the drummer;


The funny thing about it is that I had been listening to his violinist/accompanist Stephane Grappelli since I was about 19 years old, when Mr. Grappelli recorded “Hobo Blues” with Mr. Simon at the end of his first solo album, which ends with the song “Papa Hobo” as track 8 and morphs into a 1 minute and 22 second violin rag which I have always loved and carried around, either on tape, or now on CD.

So, when I first started listening to the music of Django Reinhardt and hearing Mr. Grappelli’s violin I assumed that Mr. Simon was just imitating his style. Here I am, over 40 years after the song’s release and I find out that the violin I have been hearing on that track is actually Mr. Grappelli himself, playing with Mr. Simon.

Yesterday’s review of the Ricky Skaggs autobiography is just another example of the far reach which music has over time and place. Even Mr. Skaggs credits Mr. Grappelli with having opened his ears to a new way of interpreting the old sounds, which form the basis of his own music. As I listen to “Jatteendrai Swing” I can hear where the basic sound of Spade Cooley, and even Hank Williams, comes from. And the influence doesn’t stop there. It will only keep growing, shaping the music of future generations through the music of our own.

Here’s the Paul Simon You Tube link so that you can hear Stephane Grappelli doing his stuff 30 odd years down the road from the video above.