Showing posts with label English Rock. Show all posts
Showing posts with label English Rock. Show all posts

Sunday, July 22, 2012

"Telstar" with Kevin Spacey and Con O'Neill (2009)

Before the Beatles, or any of the bands comprising the “British Invasion”, there was a group of talented; although a bit strange; young guys working in London to create a new sound. Their dream was to put a “sound” to the idea of what was happening in space with satellites such as Telstar. They sought to give the public a unique new audio vision of the space race. These guys were way ahead of their time.

The sounds associated with David Bowie’s “Major Tom” record originated with these guys dropping marbles into toilets, and anything else it took to achieve their vision. Working against all accepted principles of recording, they actually succeeded in accomplishing their goal with the 1962 hit record named, aptly, “Telstar”. While the rest of the country was listening to Rory Storm and the Hurricanes (with Ringo Starr on drums), and bands such as Cliff Richards and the Shadows, or Gene Vincent; Joe Meek, played in this movie by Con O’Neill;  stayed true to his vision, leaving behind a string of hits which eventually culminated in his rapid decline.

An excellent performance by Kevin Spacey, who has never made a bad film; at least in my opinion; along with a tightly wound script, based on the whirlwind career of a largely forgotten genius; make this film an informative, as well as entertaining one to watch. And, you will be surprised, if you are over 55, that you may remember hearing some of this music as a kid. Also; note the unique guitar sound that has permeated all of the “Spaghetti Westerns”, as well as films such as  “Pulp Fiction”, and you will realize just how far ahead of the curve Joe Meek and his band were.

This is the original recording of “Telstar” from 1962, courtesy; as always; of You Tube;

Friday, June 24, 2011

Sqeeze - "Labelled With Love" - 1982 Live



I was going to write something about pop music and how the words are like the paints used by traditional artists. Then I ran across this country ballad by Squeeze, an English band from the late 1970's and early 80's. They still tour today, and Jools Holland, the founding member, is finally back on keyboards. As for the vocals, well Glenn Tilbrook still sounds exactly the same as in this 1982 live performance of "Labelled With Love." By the time this performance was filmed, Holland had already left the band. I saw them once in Spain, with Jools Holland, it was the first time I'd ever heard of them. This was about 1979 or so. They were fantastic.

What I really like about this song is the full range of imagery that Glenn Tilbrook and Chris Difford have displayed in their writing. The song is from the 1981 album "East Side Story." You can actually see and feel the cold chill of an English winter as this old woman struggles through each year, pawning her valuables to keep the electric on. I can smell the cat piss. And when she reminisces about having married the soldier and moving to America, I can feel the desert heat and see the trailer they probably lived in, though it is never mentioned.

Chris Difford had this to say about how he arrived at the lyrics, after seeing a photograph of an old woman sitting at a bar in Paris in the 1930's; "'Labeled With Love' was an adult lyric in a way that the older generation could latch on to and understand. My mother absolutely loved it. The story is about the end of a relationship after the war. I'd been reading about American soldiers in Britain during the war who married English girls and whisked them off their feet to the States."

As with all of their collaborations, Tilbrook and Difford are among the more visual of the "pop" writers to emerge from the 60's style of songwriting. Together they bridged the "punk" rock years, and Squeeze became one of the bands that kept "pop" alive through the 1980's. Anyway, I hope you enjoy the video as much as I do. Here's the lyrics;

"Labelled With Love" - Glenn Tilbrook and Chris Difford

She unscrews the top of her new whisky bottle,
And shuffles around in her candle-lit hovel.
Like some kind of witch with blue fingers in mittens,
She smells like the cat and the neighbours she sickens.
The black and white T.V. has long seen a picture,
The cross on the wall is a permanent fixture.
The postman delivers the final reminders,
She sells off the silver and poodles of china.

Drinks to remember I, me and myself
Winds up the clock, and knocks dust from the shelf.
Home is a love that I miss very much,
So the past has been bottled and labelled with love.

During the wartime an American pilot
Made every air-raid a time of excitement.
She moved to his prairie and married the Texan,
She learnt from a distance how love was a lesson.
He became drinker and she became mother,
She knew that one day she’d be one or the other.
He ate himself older, and drank himself dizzy,
Proud of her features she kept herself pretty..

Drinks to remember I, me and myself,
Winds up the clock, and knocks dust from the shelf.
Home is a love that I miss very much,
So the past has been bottled and labelled with love.

He like a cowboy died drunk in a slumber,
Out on the porch in the middle of summer.
She crossed the ocean back home to her family,
But they had retired to roads that were sandy.
She moved home alone without friends or relations,
Lived in a world full of aged reservations.
On moth-eaten armchairs, she’d say that she’d sod-all
The friends who had left her to drink from the bottle.

Drinks to remember I, me and myself,
Winds up the clock, and knocks dust from the shelf.
Home is a love that I miss very much,
So the past has been bottled and labelled with love.

Friday, April 2, 2010

"Rough Mix" by Ronnie Lane and Pete Townshend

This is a gem of an album. Released in 1977 it is a collection of songs, some by Ronnie Lane, some by Pete Townshend. That the 2 styles of music merge so well is truly amazing. Recorded in the winter and spring of 1976-77 this album is one of my all time favorites. It doesn't age with time, it is still as musically valid as the day it was released.

Opening with the solid bass driven sound and stinging guitar of Pete Townshend on "My Baby Gives It Away", the album moves on to the plaintive ballad by Ronnie Lane, "Nowhere to Run". Mr. Lane, who passed away in the 1990's, is in great form both vocally and lyrically on this one. It is a song of desperation and hope.

"Rough Mix", the title track of the album, is an instrumental featuring a dueling Eric Clapton and Pete Townshend. It has all the rough edginess of real rock and roll.

"Annie" is a soulful ballad written by Eric Clapton and Kit Lambert along with Ronnie Lane. The singing is soulful and Benny Gallagher lends a beautiful nuance to the song with his accordion.

Moving on to Townshend's "Keep Me Turning" tweaks things up a bit as he explores the feelings of life spiraling out of control and pleads with his Higher Power to "keep me turning". A very introspective song.

"Catmelody" is a raucous affair in which Ronnie Lane gets to wail away like a cat on a backyard fence. The skiffle like arrangment gives this one the real feel of out and out rock and roll. Clearly, Mr. Lane is enjoying himself on this number.

"Misunderstood" opens the second side of the original vinyl album. It is a tongue in cheek appeal by Pete Townshend to be "mysterious and bleak." He wants to be "misunderstood". A great song with a beautifully understated harmonica.

"April Fool" is probably the most lyrical and beautiful song on the album. A surprisingly easy song to play, it features Eric Clapton on Dobro. The lyrics and music by Ronnie Lane, along with his plaintive singing make this one outstanding. I'm a sucker for ballads.

"Street In The City" is undoubtedly the most ambitious song on the album. Mr. Townshend does a superb job of blending his acoustic guitar with a full orchestra resulting in a musical portrait of a "street in the city on a working day."

"Heart to Hang Onto" is an insistent song in which Mr. Townshend laments the lack of something, or someone, that he can count on, someone "true".

Closing out the album is a cover of Don Williams' country hit "Till The Rivers All Run Dry". It is at once a love song and a prayer. Beautifully done it reinforces my assertation that no one appreciates, or does more justice to, country music than our English cousins.

The album was re-released a few years ago with 3 added bonus tracks which I have not reviewed here. This album is very special to me and so I suppose I want to remember it as it was originally released. Perfection seldom needs an added incentive.

The cover photo says so much about the recording of this album. Much of it was recorded in the middle of the night with copious amounts of booze as a lubricant. The photo shows a very tired but content looking duo at about 7:30 in the morning after an all night session.

When the album was released the credits included this line, "Pete Townshend and Ronnie Lane - various acoustic and electric guitars, mandolins and bass guitars, ukuleles & very involved mind games." It's really not that complicated at all, just 2 great musicians and some of their freinds making great music.