Showing posts with label Cole Porter. Show all posts
Showing posts with label Cole Porter. Show all posts

Thursday, November 8, 2012

Cole Porter - "Begin the Beguine" - 2 Versions


Artie Shaw performed this iconic rendition of  Cole Porter's classic masterpiece “Begin the Beguine” in 1938 for a short film. His swing version has become the most familiar; it topped the charts at #3; and many people even think he wrote it. When Cole Porter met Artie Shaw he is said to have quipped, "I'm glad to finally meet my collaborator." Shaw asked him, in return, "Does this mean I get half of the royalties?"

The song was actually written in 1935 by Cole Porter while on a Pacific cruise aboard the Cunard liner Franconia. In October of that same year the song made its Broadway debut with June Knight singing it in the musical “Jubilee” at New York’s Imperial Theater. It didn’t cause any stir at all. Even the following year when Josephine Baker came over from France and performed the song with the Ziegfeld Follies as a dance, it garnered little notoriety. It would be two more years before the song found its place.
Artie Shaw, the great bandleader and clarinet player, heard the song and was drawn by its unusual composition of 108 bars; as compared to the standard “pop” song which has 32 bars; or measures. Artie Shaw, along with the help of his arranger Jerry Gray, scored the song as a swing number, which Mr. Shaw and his orchestra can be seen performing in the video above.

A bit of background on the song itself; the term Beguine derives from the 13th century, when it denoted a Christian woman living in a religious community without taking the ordinary vows.  The term was somehow corrupted to mean a “white woman” in the Creole communities of the Caribbean on Martinique and Guadeloupe. After that it became the term for a slow style of “couples” dancing, which was a staple of Latin and French ballroom dancing. When Cole Porter used the term in song, and Artie Shaw made the song popular, the term became a part of ordinary language.

Due to its unusual composition, Cole Porter claimed he could never remember it without having the music in front of him. Over the years just about everybody has recorded their own version of this classic. It’s no easy feat to perform. All of the big bands released their own versions, and all of the great vocalists; from Frank Sinatra to Ella Fitzgerald and even Elvis Presley have taken a turn at it. Even the great painter Max Beckmann used the title for one of his paintings.
To give you an example of how versatile this song is; without losing its original beauty in any genre; here is a link to the most unlikely vocal interpretation by Pete Townsend, who originally recorded it in 1970 and then re-released it sometime in the late 1970’s. Though the version by Artie Shaw is my favorite instrumental rendition of the song , Pete Townsend’s is my favorite vocal arrangement. The flash player says it’s too big to upload here; so I have provided the link instead;
And here are the beautiful lyrics from Mr. Cole Porter;

When They begin the Beguine by Cole Porter
When they begin the beguine
It brings back the sound of music so tender
It brings back a night of tropical splendor
It brings back a memory ever green.

I'm with you once more under the stars
And down by the shore an orchestra's playing
And even the palms seem to be swaying
When they begin the beguine.

To live it again is past all endeavor
Except when that tune clutches my heart
And there we are, swearing to love forever
And promising never, never to part.

What moments divine, what rapture serene
The clouds came along to disperse the joys we had tasted
And now when I hear people curse the chance that was wasted
I know but too well what they mean.

So don't let them begin the beguine
Let the love that was once a fire remain an ember
Let it sleep like the dead desire I only remember
When they begin the beguine

O yes, let them begin the beguine, make them play
Till the stars that were there before return above you
Till you whisper to me once more, "Darling, I love you"
And we suddenly know what heaven we're in
When they begin the beguine.

When they begin the beguine.

Sunday, August 12, 2012

Cactus and Cotton


Cole Porter once composed a song called “Summertime”, in which he wrote; “the living is easy, the fish are jumping and the cotton is high….” Well, he was right on three out of the four; I don’t have any fish; but my cotton is getting higher. It’s a pity he didn’t mention the cactus though, because mine just keeps on blooming, rain or shine. As a matter of fact, the last two blooms have emerged in the middle of sultry, rainy nights, upending my previous belief that they only bloomed in the hot desert sun. The cactus was a gift from my daughter, and this is the 4th time it has bloomed in the last several months.


Now; let me get back to the cotton. I have only had one previous experience in growing cotton. That was about 10 years ago on the back porch of the house we were living in at the time. I had quite a crop. There were about 6 plants in all, which is like a plantation to someone from Brooklyn. The seeds come up fast, in only a few days, then after a few more weeks the little pink flowers; which soon turn white; appear. These are the harbingers of the cotton bolls which will take their place, eventually becoming hard and wood like husks protecting the precious cotton growing within.

My crop is small. Mostly, I just take a certain joy out of the plant and its little white balls of fluff. It amazes me; as do most things; that there is a code embedded within these tiny seeds which never changes.  It’s eternal.
There is nothing quite like a field of cotton in bloom, it looks like snow has fallen. There are several cotton fields near my house, which is where I got the seeds last fall. I have given some of the cotton balls which I picked then; and contain the seeds; to some of the kids down the street. I hope that they will have success with them.

There is little that can be compared to watching a seed grow into something as majestic as fully grown cotton.  It’s like looking at the history of ancient Egypt; and also like peeking into our own American past, when cotton was king, and human beings were enslaved for the harvest. And, in spite of the beautiful view, if you look at the fields hard enough, you can almost imagine hearing the crack of the whip.