Showing posts with label Charles Laughton. Show all posts
Showing posts with label Charles Laughton. Show all posts

Thursday, January 22, 2015

"Ruggles of Red Gap" with Charles Laughton and Charlie Ruggles (1935)

This movie is a rare and delightful treat. Egbert Floud (played by Charlie Ruggles) is on a trip to Europe with his would be cultured wife, Effie (played by Mary Boland.) They are from Red Gap, somewhere out West in the United States. The movie begins with Lord Bumstead (played by Roland Young) waking up hungover after losing his butler, William Ruggles (played by Charles Laughton) in a game of poker with Egbert Floud.

Egbert is very uneasy with the idea of having a servant but his wife is insistent and so he finds himself with a "man servant", or "butler." When they arrive in Red Gap, Ruggles sees that he is now free from being cast as a servant at birth, leaving him with limitless choices, and so he begins to rebel.

Falling in love with a local widow, Mrs. Judson (played by Zasu Pitts) awakens in him the desire to be more, and he finally works up the courage to stand up for himself. This is the result of a remarkable discussion in a saloon, about "...just what did Lincoln say at Gettysburg?" The answer comes in the form of the best recitation of the Gettysburg Address; delivered by Charles Laughton; that I have ever heard. (This is fitting, as originally only the English reporters of the time thought the speech to be of any note. In America it was looked upon as a short, though passionate, disappointment. It was only years after Lincoln's death that his speech was fully appreciated here.)

What follows is one man's discovery of what it means to be equal and rise above his own beginnings. Embracing opportunity is something that Ruggles has never had the chance to experience. And though initially aghast at the idea of being something other than a butler, when the chance is laid before him, he is ready to seize the day and further his destiny. In short, he decides to "enter into trade." Egbert, who didn't want a "butler" in the first place, is only too eager to assist him.

Opening a restaurant in Red Gap causes a great stir, particularly due to the fact that Egberts' wife has already introduced Ruggles to everyone as an English Lord, rather than as a butler. When his former boss, Lord Bumstead, comes to take him home, he is met by a new Ruggles; one who is intent upon reaching his potential in this new country. And this has unintended consequences for Lord Bumstead as well, as he finds himself questioning the rigid autocracy of which he, himself, is also a product.

This wonderful and optimistic film is worth watching if for no other reason than to hear English spoken so well by Laughton. Loaded with some of the best character actors Hollywood has ever produced, this film has long been a favorite of mine. I first saw this one on "The Million Dollar Movie" on Channel 9 - WOR TV in New York as a kid. I was so glad to see that it has been transferred to DVD. It would be a shame to lose this gem of a film.

Thursday, December 4, 2014

"Witness For The Prosecution" with Charles Laughton, Marlene Dietrich and Tyrone Power

This is an adaptation of the Agatha Christie play written for the screen and directed by Billy Wilder. The story is a murder trial in London at the close of the Second World War.

Charles Laughton stars as the beleaguered and aging Barrister Sir Wilfrid, who has just been released from the hospital. He is recovering from a severe heart attack and cannot take on any more important and exciting cases. A private nurse, played by Elsa Lanchester, follows him about to ensure that he takes his pills and does not smoke his favorite cigars. Much of the film has him outwitting her efforts.(Laughton and Manchester were real life husband and wife.)

Tyrone Power plays an innocent man accused of a capital crime. He meets and befriends an elderly widow who turns up dead one week after having named him heir to her estate. The only person who can provide him with an alibi is his wife, Marlene Dietrich, who plays her character with an icy coldness. She claims that her marriage to Leonard Vole (Power) was a sham and this allows her testimony to be used against her husband, much to his detriment.

Billy Wilder drew remarkable performances from both Tyrone Power and Marlene Dietrich. Charles Laughton and Elsa Lanchester are superb in their respective roles and the whole production is flawless.

Ultimately setting her husband free with false testimony and a surprise witness, the ending is explosive as the full realization of what has transpired is laid bare before your eyes. In a climactic scene worthy of Alfred Hitchcock, Billy Wilder pulls off an ending in which the schemers become their own victims.

With one of the best courtroom scenes ever filmed, this is a movie not to be missed.

Friday, May 17, 2013

"Take Me Home" with Amber and Sam Jaeger (2011)


Claire Barrow’s husband is cheating on her; and would be photographer Thom Colvin can’t sell his work. The illegal cab he owns is not making enough money to even keep a roof over his head when these two mismatched people find themselves together on a cross country trip to scatter Claire’s recently deceased father’s ashes to the wind.

Claire has everything, a successful life and husband, while Thom can’t get off the ground. His past relationships have failed and his parents have no idea what he really does for a living. When Claire finds her husband with a co-worker in a compromising state, she decides to chuck it all and grabs the first cab she sees; which belongs to Thom. Instructing him to drive in no particular direction, the two begin a series of misadventures which take them to Las Vegas and ultimately on to the West Coast, where Claire is re-united with her sisters and their father’s ashes are scattered.

But what happens when Claire’s husband arrives, whisking her back to New York, leaving Thom alone and a bit broken from the journey? Deciding that he must continue on his own, he remains in California. But Claire has trouble relinquishing the new freedoms she has found with Thom, and is faced with a very big decision. Will she remain in her present circumstances, or take a chance on Thom? This is a quirky, off beat film which will leave you smiling about what I label the “human condition.” 
  

Friday, September 3, 2010

"The Big Clock" with Charles laughton, Ray Milland and Maureen O'Sullivan


This is one of the later movies classified as "film noir." Released in 1948 it represents a wonderful vehicle for Charles Laughton as the micro-managing editor of a major newspaper. In the lobby of the news building is a system of clocks that tell the time all over the world. It is representative of the value of time, as perceived by the newspapers editor Mr. Janoth (played by Charles Laughton). His star reporter, George Stroud (played by Ray Milland) has, on account of Mr. Janoth's work ethic, not been on vacation for several years. He is always pursuing some story, or even the hint of one, at the suggestion of his boss, Mr. Janoth. This is beginning to wear thin at home with Mrs. Stroud, who has thrown down the gauntlet. The train leaves at 6:30 sharp. She is going to go on vacation, with him, or without.

When Mr. Janoth assigns Mr. Stroud a lead on a very important news story, one that could lead to his being promoted, Stroud is almost sucked back in, risking his happiness at home. At the last moment he decides to quit. On the way to the station, and his wife, he decides to have a drink to celebrate his "freedom." At the bar he meets a woman who happens to be the mistress (played by Rita Johnson) of his former boss and has a grudge against him. After a few drinks Stroud has forgotten all about the time and is uproariously drunk. After carousing about town and being seen everywhere, she takes Stroud, who is now too inebriated to navigate on his own, home with her to "sleep it off" on her sofa. There is no romantic involvement, just circumstances.

When Mr. Janoth's mistress finds that the editor is on his way up to her apartment, she rouses the hapless Stroud from his slumber just in time for him to leave. But he has left behind the one thing that can potentially identify him; a sundial with a green ribbon that the two took from a bar.

Mr. Janoth arrives and proceeds to have a fierce argument with his mistress. Words are said, and in a moment of rage Mr. Janoth uses the sundial to bludgeon his mistress to death. He then flees, leaving the murder weapon behind.

Aided by his most loyal minion, Steve Hagen,(played by George Macready) the race is on to find a fictious killer, and at the same time use the story as a vehicle to boost the paper's sales. In the meantime, our hapless reporter, Mr. Stroud, has re-united with his wife and child, and beginning his long overdue vacation. Then the phone rings.

Mr. Janoth, who is desperate to pin his crime on someone else, cajoles his star reporter into returning from vacation, to solve the mystery and boost the paper's sales. Although Stroud does not wish to leave his wife he realizes the necessity of micro-managing the investigation. The irony here is that he is now doing exactly what he despises about his boss, manipulating people for his own purposes.

With an outstanding appearance by Elsa Lanchester as a witness,(she also happened to be married to Mr. Laughton in real life and appeared in several films with him) she plays a struggling artist who has seen the alledged killer in an antique store on the night of the murder and in the company of Mr. Janoth's mistress.

As the clocks in the lobby tick the time away, the noose tightens, threatening to ensnare Stroud in a trap not of his own making. With a tightly written script and the wonderful Direction of John Farrow, this movie will keep the viewer riveted until the final conclusions are drawn.

A landmark film, set in the New York of the late 1940's, this film was remade as "No Way Out" in 1989 with Kevin Costner and Gene Hackman. They play a military officer (Costner) who is having an affair with a Senator's (Hackman) mistress. Both films are well made, but for my money I'll take Ray Milland and Charles Laughton in this exciting piece of film noir.

Wednesday, April 21, 2010

"Ruggles of Red Gap" with Charles Laughton, Roland Young, Charlie Ruggles and Zasu Pitts


This movie is a rare and delightful treat. Egbert Floud (played by Charlie Ruggles)is on a trip to Europe with his would be cultured wife, Effie (played by Mary Boland.) They are from Red Gap, somewhere out West in the United States. The movie begins with Lord Bumstead (played by Roland Young) waking up hungover after losing his butler, William Ruggles (played by Charles Laughton) in a game of poker with Egbert Floud.

Egbert is very uneasy with the idea of having a servant but his wife is insistent and so he finds himself with a "man servant", or "butler." When they arrive in Red Gap, Ruggles sees that he is now free from being cast as a servant at birth, leaving him with limitless choices, and so he begins to rebel.

Falling in love with a local widow, Mrs. Judson (played by Zasu Pitts) awakens in him the desire to be more, and he finally works up the courage to stand up for himself. This is the result of a remarkable discussion in a saloon, about "...just what did Lincoln say at Gettysburg?" The answer comes in the form of the best recitation of the Gettysburg Address, delivered by Charles Laughton, that I have ever heard. (This is fitting, as originally only the English reporters of the time thought the speech to be of any note. In America it was looked upon as a short, though passionate, disappointment. It was only years after Lincoln's death that his speech was fully appreciated here.)

What follows is one man's discovery of what it means to be equal and rise above his own beginnings. Embracing opportunity is something that Ruggles has never had the chance to experience. And though initially aghast at the idea of being something other than a butler, when the chance is laid before him, he is ready to seize the day and further his destiny. In short, he decides to "enter into trade." Egbert, who didn't want a "butler" in the first place, is only too eager to assist him.

Opening a restaurant in Red Gap causes a great stir, particularly due to the fact that Egberts' wife has already introduced Ruggles to everyone as an English Lord, rather than as a butler. When his former boss, Lord Bumstead, comes to take him home, he is met by a new Ruggles, one intent upon reaching his potential in this new country. And this has unintended consequences for Lord Bumstead as well, as he finds himself questioning the rigid autocracy of which he, himself, is also a product.

A wonderful and optimistic film, worth watching if for no other reason than to hear English spoken so well by Laughton. Loaded with some of the best character actors Hollywood has ever produced, this film has long been a favorite of mine. I first saw this one on "The Million Dollar Movie" on Channel 9 - WOR TV in New York as a kid. I was so glad to see that it has been transferred to DVD. It would be a shame to lose this gem of a film.