Showing posts with label Alexander Korda. Show all posts
Showing posts with label Alexander Korda. Show all posts
Sunday, July 20, 2025
"Squalls" (1929) with Zaza Pitts, Myrna Loy and Loretta Young
This film won't be for everyone. The story is not what makes it. It's more the interesting as a window into film making and a bit of history. The costumes and sets are beautifully done. The kitchen is authentic and the scene where the animals all are herded back home at the end of a day in the field is wonderfully depicted. Also the steam driven machinery in the field is such a great look back in time. I really enjoyed this film, so carefully restored/preserved. 96 years ago! Truly a window into the past!
The over the top acting is due to the transition from silent to sound films. In silent films "over emoting" was was almost essential. So there was about a 3 year period after the Jazz Singer came out during which time the actors had to relearn the way in which they performed.
Zaza Pitts, Myrna Loy and Loretta Young are all wonderful. You can see how their styles progressed over the years. And any Alexander Korda film is worth watching.
Thursday, November 13, 2014
"The Four Feathers" with John Clements and C. Aubrey Smith (1939)
Have you ever wondered how an old favorite film would hold
up after several years? Can it still measure up to the thrill of your memory?
This one does all that and then surpasses itself. The sheer scope and message
of this film rings even louder than it did in 1939 when it was first released.
They did a remake of it in 2002 with Heath Ledger. I got through about 15
minutes of it before hitting the eject/reject button.
This is the story of a young man who has been through
military school and is the youngest member of a family of soldiers going back
centuries. It has always been his presumed destiny to follow in their steps. He
and his 4 friends are chomping at the bit waiting for a war to break out so they
can go off on their big adventure.
But when war does break out in Khartoum one of them begins to
question the whole sanity of fighting. He has fallen in love and spoken of this
feeling with his fiancée many times; and she agrees with him. At least until
the flag waving and parades begin as the soldiers head off to Africa for the
fight. Then she becomes ashamed of him.
As if losing the love of the woman he loves is not enough he
also loses the friendship of his 3 best friends who are doing their duty and
going off to fight as planned. His former comrades; as well as his fiancée;
each send him a white feather, a symbol of cowardice. He can only redeem
himself by returning the feathers after doing a courageous deed. It seems as if
all is lost.
Now heroes come in all shapes and sizes; and heroics do not
always follow a set form. What this young man does o redeem his honor and
respect will astound you. Going off to war as a group; under the color of a
flag; is fairly easy. The artificial camaraderie of group action can have a
calming effect, and things you formerly thought impossible become almost second nature.
But when you have to face your own demons; rather than a
common enemy, all alone; a different form of courage becomes necessary. The
question then becomes not when, but how you will acquit yourself and recover the
honor which others perceived to be lost. The answer may be that your honor was
never lost to begin with; it just took a different form.
This is a truly classic film produced and directed by the
Korda Brothers; Zoltan and Alexander. Remarkable character roles filled by the
likes of C. Aubrey Smith; and a screenplay by R. D. Sherriff combine to prove
that they just don’t make films like this anymore.
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