This book is yet another stone in the path of musical history in the
United States. New Orleans may have been the point of entry for much
of the music which came from Africa and the Caribbean, but Memphis is one of the
towns in which it was reshaped into its own unique form. The Memphis Blues is different
than let’s say Chicago Blues, or Delta Blues. They may all have begun at the
same place, but the journey up the Mississippi left its own mark on the music
with each town it passed through.
Just as in his earlier book “The Chitlin’ Circuit and the
Road to Rock and Roll”; which I reviewed here in 2011, Mr. Lauterbach brings to
life the tumult of post-Civil War Memphis and the interracial society which
sprang up there in the days before Jim Crow. Memphis was a virtual Mecca of the way things
should be regarding race relations. There were African-American lawyers,
barbers, accountants, newspapers, hotels and everything else you would expect
in any community in the 1870’s.
Politically the town was also seemingly color blind, and with
the guidance of Robert Church, a mulatto steam boat Captain, the town continued
to thrive. As a matter of fact, in many ways it was the exact opposite of other
Southern towns. In many ways the African-Americans were prospering, and even
leading, in the areas of finance and entertainment. Interracial marriage was a
common thing and African-Americans enjoyed most of the privileges of their
white neighbors.
With a deft hand and a keen style of writing, Mr. Lauterbach
charts the course of change in Memphis from the riots after the Civil War to
the time when it was the gem of the South around the turn of the Century. At that
time it was said that any white man who spent even one night on Beale Street
would never want to be white again.”
But, with the advent of the First World War came the first
harbingers of change. Just as in New Orleans, the authorities clamped down on
the music and the prostitution, and strengthened miscegenation laws to keep the
races apart.
The story of Memphis, Robert Church and W.C. Handy; along
with scores of other musicians; is widely known, but Mr. Lauterbach has taken
the politics of the time and melded it with the cultural and criminal elements
which made Memphis the place it was then, as well as today, and turned it into
an all-encompassing history of Beale Street and the blues in Memphis .
For a review of Mr. Lauterbach’s “The Chitlin’ Circuit” hit
this link;