This is one of my favorite Robert DeNiro films. It was his
first effort at directing a film, and is a poignant look at growing up in New
York City during the 1960’s. Each neighborhood had its own fiefdom, usually
composed of someone who was “connected” to the “mob” in some way. That person
functioned as a sort of “peacekeeper” in his neighborhood, settling disputes
and also collecting a fee from any illegal activities that might be going on in
the area. For the most part this system
worked to everyone’s advantage, but every now and again, paths were crossed,
and drama ensued. That is the story told in this remarkable film written
originally as a play by Chazz Palminteri, who also wrote the screenplay for
this movie, in which he plays the lead character of Sonny, the neighborhood “boss”.
Sonny runs things from the Chez Bippi, a bar located on the
corner of 187th Street in the Fordham Road section of the Bronx.
This bar is the local hangout for the mob, a place where they can gather and
feel comfortable. It is a separate world within a world, where working class
people live and hold real jobs. When Calogero
, the 9 year old son of a local bus driver named Lorenzo Anello, played by
Robert DeNiro, witnesses a gangland related shooting outside the bar; these two
worlds collide in a very unexpected way.
After the shooting, Lorenzo quickly hauls his kid off the
street to avoid being questioned by the police. When the child is forced to
look over the suspects, he does the “right thing” by not telling the truth; or,
as his father puts it, “You did a good thing for a bad man.” This confuses his
son, who has grown to idolize Sonny, which in turn forms a division between
father and son. When Sonny offers Lorenzo a job running numbers as a reward,
Lorenzo turns him down, eschewing the easy money for his honest job.
As Calogero grows older he begins to work at the bar,
without his father’s knowledge. Lorenzo is disapproving of the men who hang out
at the bar, and the world they represent. He asserts that the real hero is the
guy who gets up in the morning and goes to work to make an honest living. But
this lesson is lost on his son, who sees the big, easy money being earned by the
men at the bar. He soon becomes a part of their world, running errands, serving
drinks, even rolling the dice for Sonny in a crap game. When Lorenzo finds out that his son has been working
at the bar, he confronts Sonny, reminding him that the boy is his son, and that as such, Sonny is way
out of line with his interference in the raising of his family. This sets off
an emotional conflict between the two men which never fully resolves itself.
The film is a multi-layered story of the years between 1960
and 1969, when things were changing so quickly it wasn’t always easy to keep
pace with what was right, and what was wrong. It is also the story of a father
and son in the grips of those changes. And it is also the story of a city rent
by these changes.
As Calogero gets older he finds himself attracted to an
African-American girl who goes to his school. With racial tensions between the
Italians and Blacks at an all-time high, this is just another log on the fire
for “C”, the name which Sonny has bestowed upon him, much to the chagrin of his
father.
While Calogero
becomes more involved with his girlfriend, Jane, racial tensions arise in the
neighborhood, and C’s friends become involved in the violence. He is torn
between his loyalty to his friends, and the conflicting advice he receives from his father, and Sonny, on just
about everything.
When tensions explode on a fateful night, it is Sonny who
saves the boy from death. And when Sonny is later murdered in retaliation for
another killing, it is Lorenzo who comes to his son’s aid, helping him to
realize that all things are not as cut and dried and as they might seem at
first. Life is complicated. And though both men had conflicting outlooks on
life, they both wanted what each perceived to be the best for Calogero. It is
only after Sonny’s death that Loenzo realizes the good within the dead man, who
had tried to keep his son from following in his footsteps.
When Lorenzo shows up at Sonny’s funeral to pay his
respects; more to his son’s friendship than to Sonny himself; Calogero realizes
that Sonny was wrong when he said that “nobody cared.”
This is a flawlessly written, and directed, film by two of
the best actors of the last 40 years. As usual, Robert De Niro has peppered the
film with some of the greatest music of the 1960’s, ranging from Doo-Wop music
to the sounds of Dean Martin and Frank Sinatra, Rhythm and Blues, and even some
Eric Clapton thrown in. The whole movie is seamlessly drawn, and lingers on
with the viewer long after the last credits have rolled. If you have never seen
this film before, then you are missing one of the best.
wad ya expect , anyway .
ReplyDeletey gada make da money ta pay da bills.
benny `s bar on 187 st and third av .
long gone .
I bet this is from Glen Slater- king of dialogue. I'd know you anywhere....
Deletehoodlem elements.
ReplyDeletedem guidos took care of business .
but ultimatly the blacks and p-r dirt people over populated the area .
the power of the dirty womb pooping out dozens of paracites year after year over took the area and now its a rotten piece of junk.
patsy and the crew cant fight the overwelming numbers of zombies out on the streets.
Hoodlum Elements;
ReplyDeleteI leave your comment as a testament to the "brotherhood of man." With you around it has no future.
Robert at RT