"The Night of the Meek" with Art Carney (December 23, 1960)

Art Carney shines in this contemporary Christmas story from Rod Serling. It aired on this date in 1960 and I actually watched it on TV. I was 6 years old. Although it shows a department store Santa in the raw it did nothing to shake my belief in Santa. That wouldn’t happen until a few years later.

Mr. Carney plays Henry Corwin, an alcoholic Santa who is jaded in his belief when it comes to miracles. He doesn't particularly like being a department store Santa; he knows it’s all a fake; but he needs the money to buy his liquor.

When he arrives late for the holiday crowd he is fired by the store manager, a man named Dundee. He leaves the store declaring that if he had just one wish, it would be to see the Meek inherit the Earth. When he tries returning to his place at the bar he is refused service and ridiculed as a lush by the owner.

When he finds himself in the alley behind the bar he discovers a burlap sack; not unlike the one which Santa carries. The sack has a unique quality; it produces whatever is wished for. Corwin now roams the neighborhood, giving out gifts. When the department store manager sees this he concludes that Corwin has been stealing from the store and has him arrested. But when the officer and the manager reach into the bag they only get garbage for their efforts.

Exasperated, the officer and Dundee agree that they have to let him go free; but not before Corwin gives them each a gift from his magic sack. The two are flummoxed and as he leaves they are scratching their heads in disbelief. But it’s not over until it’s over; and I won’t spoil the ending of this in case you have never seen it. Suffice to say that Corwin gets his wish for the Meek to Inherit the Earth.

"Dyn- O- Mite" by Jimmie Walker (2012)

This book came as a total surprise to me. I had just seen some short sound bite thing about the author while passing through the living room the other night. Sue had on some show, ET, etc., and I caught him out of the corner of my eye. I have no idea what he was saying, as I didn’t take the time to listen. TV in the mid-seventies was a blank for me; I was simply too busy doing other stuff.

So, when I went to the Mooresville Public Library the other day; and saw this book staring me in the face; I took it as an omen that I should read it. I’m glad I did. The author, veteran stand-up comic Jimmie Walker, one time star of TV’s “Good Times”, has written a really good book. He discusses everything with candor, from his own upbringing; and his father’s desertion of the family; to his experiences in the projects of New York City, and his slow climb to fame. Along with the likes of Jay leno and david lettermen, the author came of age in a world of comedy where it was okay to be edgy, but there were still boundaries not to be crossed.

I was amazed at his relationship with legendary Norman Lear, the groundbreaking producer behind shows such as “All in the Family”, as well as well as his connections to other “white” comics of the era. The author’s flexibility allowed him to be influenced by, as well as becoming an influence to, many of his colleagues. He has remained in contact with many of those people to this day.

His stories of the last days of the old “Chitlin’ Circuit” are priceless, as those are times that will never be with us again. Although for good reason, one can’t help but wonder if the hardships these guys endured as a result of racial disparity actually added to the edge which they bought to comedy. After all, sometimes the only thing you can do is laugh.

The book is written in the imitable style of Jimmy Walker; fresh and irreverent. He gives his side of the ups and downs of TV sitcoms, versus standup comedy, holding nothing back. He quotes accurately from his former colleagues Jay Leno and David Letterman, and along the way has managed to introduce me to several more writers and comedians to enjoy.

The real complaint, if any, which Mr. Walker has, concerns the producers who said he was “too black” black in the 70’s, and then found him to be “not black enough” in the 90’s! This is something I have read about in other actor’s memoirs, and some good actors were passed over for this very reason, which seems silly now, but was of great significance back then.

This book has me watching some re-runs of “Good Times” on You Tube, and it’s actually a pretty good show, which captured 25% of its audience time slot for 6 years, in spite of constantly shifting nights in order to aid another show. Some of the plots were edgy for their timing, and relevance, to the black community; but to paraphrase Director Norman Lear, it was so much more. It was the first time in which white Americans got a look inside the projects, and realized just how similar all of our problems are. And Jimmy Walker played no small part in communicating that message to us all. This was a very surprising, and engaging book.

"Harry and Tonto" with Art Carney (1974)

In this 1974 film, Art Carney; universally known as Ed Norton on the TV sitcom “The Honeymooners” with Jackie Gleason; finally got to show off his dramatic skills, as well as win the 1974 Oscar for Best Actor. And with a script by Paul Mazursky and Josh Greenfield, this is one story that is timeless in its dealing with the subject of aging.

When Harry, a retired Professor who is widowed and lives alone, learns that he must vacate his Manhattan apartment; after decades of living there with his wife; he decides to stay. With only his cat Tonto for company, he remains in the building until forcibly evicted by the Police and his landlord. His apartment building is being torn down to make way for a parking garage.

With nowhere to go, he lives with his son Bert, played by Philip Burns, and his family for a bit, before deciding to head out for Chicago, by bus, where he has a daughter, Shirley, played by Ellen Burstyn, who is divorced and owns a bookstore.

Traveling by bus proves to be a non-starter, as Tonto will not use the rest room as a litter box, which forces Harry to buy a used car in order to continue their journey. Along the way he meets, and befriends Ginger, a 15 year old hitchhiker, played by Melanie Mayron. She has no plans, or destination, and becomes a companion for Harry and Tonto. Together, they arrive in Chicago to visit Shirley.

From Shirley’s they decide to take a side trip and see one of Harry’s old flames from 50 years ago, a woman named Jesse Stone, played with great tenderness by Geraldine Fitzgerald. When they arrive at her old home they discover that she is now in a nursing home, which they  decide to visit. As the journey progresses, they are joined by Harry’s grandson, Norman, played by Josh Mostel, and they continue on their quest to find Harry’s “place” in an ever changing world. 

Ultimately, he leaves Josh and Ginger to find their own lives, while he decides to visit his playboy son, Eddie, played by Larry Hagman, who lives in Los Angeles. Along the way Harry and Tonto  visit Las Vegas, where they encounter an old Indian Chief, played by Chief Dan George, as well as spend a night in jail.

A beautifully paced and nuanced film, with much to say about our changing roles in life as we age, gave Art Carney the chance to prove that he could hold his own against the other Oscar nominees that year, which included Al Pacino in “The Godfather”, Dustin Hoffman in “Lenny”, and even Jack Nicholson in “Chinatown.” If you have never seen this film before; or, have not seen it for some time; you really owe it to yourself to watch this very poignant tale which still holds true, almost 40 years after its release.  

"The Honeymooners" - Timeless Classics

I was watching "Raisin in the Sun" and decided to take a break and enjoy myself for a bit. So I reached for "The Honeymooners", the original 36 episodes, graciously provided to me by my friend J.W.

These shows were so ahead of their time that it always amazes me to watch them again. They continually explored the never changing world of male-female relationships. No kidding, these shows from 1955 and '56 are 55 years old and still relevant to the way men and women deal with one another. The competiveness and jealousies are still there. Some of the issues of womens equality still have not come to absolute fruition.

And that's what makes these shows so timeless. They show us a mirror of ourselves being foolish. Along with Trixie and Ed Norton, Ralph Cramden (much to the chagrin of his wife Alice), continues to pull them all along on his downward spiral of broken dreams. But all the while he manages to maintain their freindship and love.

I needed a break from reading and films, so this was a great pick for me tonite. If you see these at the library , or at the bookstore, they are well worth the price of owning. Since we don't change much in relation to the topic at hand, they are a handy mirror to keep around. Use them to take a look at yourself from time to time. You might be amazed at the bits of who you see!