Showing posts with label David Lean. Show all posts
Showing posts with label David Lean. Show all posts

Friday, February 1, 2013

Alec Guinness on the Parkinson's Show - 1977


This is a portion of the interview from the Parkinson’s Show of 1977. Mr. Parkinson had a TV show in Britain at the time, and aside from David Frost, was one of the most skilled and affable interviewers around. I suppose that is why the slightly reclusive Mr. Guinness agreed to the interview at all. He was not very keen on doing them. This was the 2nd time he had appeared on Mr. Parkinson’s show, which; in itself; is high praise from one of the foremost actors of the 20th century. And make no mistake; there is a difference between an actor and a movie star. Mr. Guinness was, first and foremost, an actor.

In this first clip from the interview Mr. Guinness talks about how he has used animals as inspirations for some of his parts. The elephant story is the better of the two which he relates here; using his remarkable talents of both presence and humility to let us have a peek at his insights and inspirations.
The interview is not short on humor either, as he relates some very funny stories about both himself, as well the people he has encountered   during his career. This one is about a party given by John Wayne. I believe that the fellow he is talking about was “Swifty” Lazar.

Don’t look for this interview in the usual places. Aside from the pieces posted here and there on You Tube, the only place I know to see and hear the entire show is on the bonus disc to “Kind Hearts and Coronets”, the 1949 film in which Mr. Guinness played 8 parts, including that of Lady Agatha. His talents knew no boundaries. Movie stars come and go with the whim of the public; but true actors are eternal, creating roles which will never die. Alec Guinness was of the latter group.

Monday, January 25, 2010

Jean Simmons- I'm Getting Older

I know I’m getting older. All of the actresses that I had crushes on when I was a kid are passing away. Last year it was Olivia DeHavilland – (“Robin Hood" with Errol Flynn) and then Betty Hutton – (“Miracle at Morgan's Creek” and “Annie Get Your Gun”). Now, with 2010 barely begun, Jean Simmons, forever Sister Sarah in “Guys and Dolls” to me, has passed away. She died last Friday in Santa Monica, California at the age of 80. The cause of death was lung cancer.

Standing on the edge of a fountain at midnight in Havana with Marlon Brando in “Guys and Dolls”, belting out “If I Were a Bell” is how I will always see her. But her story is so much more.

Originally studying dance she was taken out of school and contracted to David Lean and J Arthur Rank in Britain during the 1930’s. There she appeared in many films, including the classic David Lean production of Charles Dickens “Great Expectations.” She played Estella, the young girl used as revenge against the world by her bitter Grandmother.

Other hits followed, “Black Narcissus” and “Hamlet” with Laurence Olivier are just a few of the timeless classics she was turning out prior to the 1950’s.

Howard Hughes bought her contract and she came to Hollywood in 1951. It was not love at first sight. Hughes had amorous intentions, knowing she was a married woman. Her husband, Stewart Granger, no shrinking violet, confronted Hughes on the phone one evening and demanded he leave her alone. As a result Hughes torpedoed her next few films in an effort to destroy her career.

But good talent always rises back up and with the 1952 production of “Guys and Dolls” starring Frank Sinatra and Marlon Brando, her career was once again on top. Other hits and awards followed- notably the 1960 classic “Elmer Gantry.” In this one she plays the opposite of innocent Sister Sarah from “Guys and Dolls.” Rather she portrays a cunning and ruthless woman evangelical preacher who falls for another scam artist played by Burt Lancaster.

Her career was on top again where it would remain until she retired in the late 1990’s. Her retirement came after a successful run in the remake of “Dark Shadows”, where she reprised Joan Bennetts original role as matriarch of the Collins family.

Always very much the lady, she was regarded with much respect in film circles the world over. Her quiet struggles with alcohol and depression led her to disclose her problems in 1983. She said at the time that she did this “so other women would know it is okay to seek treatment.” She was a class act and we shall not see the likes of her again anytime soon.

And as her passing means I’m getting older, I miss her already.