"Annabel Lee" by E.A.Poe as performed by Sarah Jarosz

Yesterday's newspaper brought word of this 20 year old acoustic musician to my attention. Sarah Jarosz is making herself heard, and known, as a fine musician and performer. This evening will mark her first appearance in Charlotte at one of my favorite venues, Neighborhood Theatre. Having not heard of this remarkable young woman before I went to You Tube and found several very nice arrangements of some well-known songs and ballads. But of all the songs I listened to, this is the one that got me.

Annabel Lee, which seems to be spelled several different ways, depending on where you look, (I have used the spelling from the 1940 Washington Square Press edition of "Great Tales and Poems of Edgar Allan Poe") is one of my favorite poems by Poe, and is probably the first one of his works I ever heard. It has that "sing-song" type of cadence to it which makes it perfect for the second grade, which is where I first heard it. That was 50 years ago.(Thanks, Mrs. Sanders!) But Ms. Jarosz has given it a new and unique quality. Her arrangement actually adds to the drama and mystique of the poem. It was an unexpected treat.

Ms. Jarosz, who is not yet 21, has already performed with Bela Fleck, Shawn Colvin and Vince Gill. That’s quite impressive for someone of her age. Keep your eye on her as her career continues to rise. She covers everyone from Edgar Allan Poe to Tom Waits, as well as writing some of her own compositions. For more information about this Ms. Jarosz, including booking info, use this link;

http://sarahjarosz.com/

"Annabel Lee" by Edgar Allan Poe

It was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of Annabel Lee;
And this maiden she lived with no other thought
Than to love and be loved by me.

I was a child and she was a child,
In this kingdom by the sea;
But we loved with a love that was more than love-
I and my Annabel Lee;
With a love that the winged seraphs of heaven
Coveted her and me.

And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud, chilling
My beautiful Annabel Lee;
So that her highborn kinsman came
And bore her away from me,
To shut her up in a sepulchre
In this kingdom by the sea.

The angels, not half so happy in heaven,
Went envying her and me-
Yes!- that was the reason (as all men know,
In this kingdom by the sea)
That the wind came out of the cloud by night,
Chilling and killing my Annabel Lee.

But our love it was stronger by far than the love
Of those who were older than we-
Of many far wiser than we-
And neither the angels in heaven above,
Nor the demons down under the sea,
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee.

For the moon never beams without bringing me dreams
Of the beautiful Annabel Lee;
And the stars never rise but I feel the bright eyes
Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling- my darling- my life and my bride,
In the sepulchre there by the sea,
In her tomb by the sounding sea.

NoDa- Charlotte's Alternate Music Scene

This is The Neighborhood Theatre, located on 36th Street in the heart of Charlotte's "NoDa" district. That's North of Davidson Street for all you out of town folk. A former local movie house, it has become a center for alternative music and some older acts, such as Leon Russell, Johnny Winters, Doc Watson and The Allman Brothers Band, just to name a few.

This 600 seat venue is about the largest place that I go to hear and see music. Tickets range from $20 to $35 depending on the act, and compared to the $65 or more being paid for the "top 40" type acts at the larger venues, is quite a score.

The inside of this non descript theatre is also a versatile place, seats can be removed or set up as shown in this photo, which is from the Neighborhood Theatre website.

Across the street from Neighborhood Theatre is an even smaller venue, The Evening Muse. With about 12 rows of seats in front of the raised dais, which is something like 12" above the floor, this is the penultimate place to see and hear some very good acts. My favorites are Will Kimbrough, Michelle Malone, and Darden Smith.

When filled to standing room only, the Muse holds almost 100 people. This is artistic intimacy at it's finest. They also hold open mic nights and an annual "Tosca Music Party", which allows local artists to showcase their talents.

The sound is superb, and when there is no act booked it doubles as a recording studio. With the brick walls bouncing back the sound, it is a unique and intimate place for recording. The owner, Joe Kuhlmann, is a musician as well as a sound engineer. In addition to that, he loves music and thrives on the alternate music that one is exposed to within his club. New sounds are the norm for this venue and the music never ceases to surprise me.

This photo of Darden Smith gives you an idea of how up front and personal the performances are at The Muse. Mr. Smith, as well as others, frequently step off the dais and away from the Mike. This photo was taken by Sue from her seat 18 inches from Mr. Smith. The sound of the guitar and vocal without mikes is so natural and pleasant. It actually becomes a personal experience.

So, this is where we go to hear music and watch people. It's a real loss to the communities when areas like this are overtaken by developers. They come in, and buy it all up, then sell it back at 5 times the former rate. And when all is said and done, the ambiance and flavor of the area are gone. So far, here in Charlotte, we are lucky. We still have our NoDa.