"Voyage of Life" by Thomas Cole (1842)

Thomas Cole was an American landscape painter of the 1800's. His best works were done in the 1840's. Born in 1801 he lived a short life. He was only 47 when he died in 1848.

His most famous work; a series of 4 paintings; is called "Voyage of Life." They are so good that he was commissioned to do a second set- identical to the first. One set remains in the National Gallery in Washington, D.C. and the other is housed in NY but is constantly on tour somewhere.

Examine the drawings in order and a story emerges of the struggle we all endure to get through this crazy thing called life.

In the first painting, “Childhood", you see the man as a baby, swaddled in the boat with his Guardian Angel at the tiller, guiding him from the mouth of the cave, as if just being delivered from his mother’s womb. The landscape is verdant and ripe with the promise of the future and growth. The hourglass at the bow is full with sand and time is of no concern. His whole life is before him.

The second painting, "Youth", shows the boy at the tiller and the Guardian Angel is stepping off and bidding him Godspeed as he sets out on his own course. Notice the beautiful and illusionary castle in the background. The boy is heading for that dreamlike goal. (Aren't we all?)The waters are calm and the sands are still abundant in the hourglass. The boy is filled with confidence in his future.

In the third painting, "Manhood", we see the boy as a middle aged man, filled with tribulations and at the mercy of the elements. He thinks his God has forsaken him as the angry clouds blow foul weather upon his dreams. The tiller is broken and the Sands of Time in the hourglass at the bow are drawing low. He is supplicating himself to a Higher Power, seeking to change what he now perceives to be his fate. In the background you see the glow of his Guardian Angel, who still watches over him, though the man cannot see this.

In the fourth and final painting, "Old Age", he is resigned to his fate. He is no longer struggling to reach an illusionary goal. The tiller has broken off; he is no longer the Master of his own fate. The Sands of Time have run completely out. The seas have calmed and the winds abated. The Guardian Angel has returned to lead him to the Light and his Eternal Reward.

With his use of light and symbolism Thomas Cole’s works come to life. The story told in these 4 paintings is universal. They reflect what we all endure, in different ways, on our own "Voyage of Life."

Thomas Cole - "The Course of Empire"

Thomas Cole is one of my favorite American landscape artists. He was born in England in 1801, arriving in America at age 18. He is most famous as one of the Hudson Valley landscape artists of the early 19th Century. His epic 4 painting work, "Journey of Life", done in duplicate, still stands as one of the best series of paintings on the subject of man's mortality.

Earlier in his remarkable, though short lived career; he passed away in 1848 at the age of 47; he was commissioned to create a series of 5 oil paintings that would depict the course of an Empire. The man who commissioned the work was Luman Reed, a successful merchant and a patron of some of America's earliest artists.

When you look at these paintings it is important to remember the time in which they were done. The early part of the 19th century was witness to the rise of democracy and self rule on a scale that had never been achieved. It was a time of intense optimism. To my eye, Mr. Cole was giving us a warning as to where our path would inevitably lead us; back to the beginning. A quick look at the news of the day suggests that he may have been on to something...

In this first painting of the series, "The Savage State", Cole depicts a wilderness environment. A buckskin clad hunter and Native Americans in canoes are depicted as living off the land. There is a dark quality to the painting, almost as if we are at the beginning of something greater.


In this second painting, titled "The Pastoral State", things are more ordered in appearance and you can sense the coming of something better. An old man drawing in the dirt with a stick, perhaps planning a building, and children playing and dancing all indicate an ordered way of life. Peace abounds.


The third painting, "The Consummation of Empire", is filled with the light of the noonday sun. Man is at his acme, seen as Rome, with all of it's splendor. Abundance, along with decadence, have replaced the "Pastoral State." The whole depiction is one of man as "King" over all that he sees.


In this fourth painting, "Destruction", the city is under siege and in flames. The bridge is almost at it's breaking point and the statue with no head seems to be urging the throngs forward. The only questions here are, where he is leading them, and why do they obey?


In the final painting, "Desolation", the sun has set, and the city-state is in ruins. All of the structures are being reclaimed by nature, and there are no people to be seen. All the "kings" are gone, along with all of their perceived accomplishments. The moon is rising, indicating that night, or darkness, has begun to settle on the land. This is the culmination of all of man's efforts to rule supreme.