"The Pygmy Hunt" with The Captain and the Kids - (1938)

Okay- get ready to label me politically incorrect with this posting of the next cartoon in The Captain and the Kids series from MGM studios. I said I was going to post all 15 and I really am going to do that. The Christmas one is special- it's in color. But this one is in black and white; in more ways than one.

The title alone should kind of warn you. I mean "Pygmy Hunt"? Well, the Captain has a safari business and boasts that “He brings ‘em back alive.” He has every species of animal in his menagerie except for a Pygmy. Now there’s a thought; a Pygmy is considered an animal in this cartoon. But let’s see what happens here.

The Captain follows his hound into the jungle trying to pick up the “scent”; on the way the dog is slightly confused and it takes him a while to figure out just what the Captain is looking for. Then, when he finally does encounter a real Pygmy he is completely outwitted mentally and a poor match physically. The Captain is of no real help as he has been relying on his hired help for so long that he is clueless.

Even when their luck changes and the Pygmy is trying make a quiet getaway by “passing” as one of them; they manage to screw that up and wind up with a full scale rebellion on their hands. The cartoon closes out with the Captain and his friends being driven from the land by thousands of angry Pygmies.

Looking at it closely it is easy to see who comes up short here. The white colonialist is portrayed as ignorant and the natives are the ones who win in the end. Kind of like what was happening in real life; or about to; when this cartoon was made. By the time the Second World War was over, colonialism was dead, never to return as it once was. 

You have to wonder about the people who wrote this cartoon; and then wonder again at the people who have only viewed it as politically incorrect for all these years. As with most things, the meaning is subjective not only to the context of both the time and place when the cartoon was made, but also to the interpretation of the historical winds associated with them. It’s just a thought.

"The World According to Me" - Jackie Mason (1988)

If you have never listened to; or seen; Jackie Mason then you should take the time to do so. And, if you find that his comedy is infused with the wit and wisdom of thousands of years of Jewish Talmudic teachings, there is a reason; he used to be a Rabbi. But, as he notes; “I began to slip in a joke here and there…” And so his career was born.

Coming from a family of Rabbis dating back several generations, he was expected to remain true to the family tradition. But, as he read the Talmudic teachings, and observed the human behavior around him, he began to see the funny side of just about everything.

His most well-known faux paus occurred on the Ed Sullivan Show in the 1960’s. The producers were signaling him to cut his act short so they could switch to the news; which was going live to the White House for a speech by the President. Responding to their hand signals he gave one of his own; which looked like the middle finger. Ed Sullivan had him blacklisted and for about 10 years he was relegated to playing stand-up comedy clubs in Los Angeles, where he caught the eye of Rodney Dangerfield and several other comics. He was then featured in the film “Car Wash” and then “Caddy Shack”; playing a curmudgeonly cheap Jew. With these films; featuring a trademark rapid fire cadence and quick witted humor; his career was re-ignited.

By the 1980’s he was headlining again and by 1988 he had the first of two one man comedy shows on Broadway; in which he poked fun at everyone and everything. The best bit in this one is the side splitting part about his psychiatrist and the search for the real Jackie Mason.

Whether or not you have seen this before, it’s still worth the time to watch, and listen as he spins joke after joke; all based on reality. Be prepared to laugh at yourself or don’t bother to listen at all. This is the one comedy album which I listen to on a regular basis.

"I Yam What I Yam" - Popeye the Sailor (1933)

This cartoon is in very good shape! If Seymour Kneitel and William Henning were still with us today they would be amazed. They worked under the direction of Dave Fleischer on this one for Paramount. It’s filled with all of the stuff you’d expect in a Popeye cartoon; sight gags abound; and Olive gets to cry for help as she beats the crap out of some Indians.

Wimpy is on board for this adventure, looking for a hamburger, and as usual, causing some problems for Popeye, who always seems to be looking out for him. There is no real plot to this cartoon other than Popeye and Olive Oyl, along with Wimpy, are both in a lifeboat rowing; that is Olive and Wimpy are rowing; Popeye is busy singing about himself.

If you are a fan of the theme song; which was composed by composed by Sammy Lerner in 1933; then the opening lyrics will be of interest to you. It is slightly different than the usual version. And when the credits stop rolling it’s Popeye who does some of the singing. I still haven’t figured out why they used Bluto’s voice for the opening; he’s not even in this cartoon! One of the best versions of the song was recorded by Hoagy Carmichael. For years I thought he wrote it. As a matter of fact I think I even credited him with writing it incorrectly in a post a couple of years ago! Sorry, Sammy!

Politically correct types are herewith forewarned. This cartoon may be offensive to you, as it invokes the stereotypical American Indian of the 1930’s. But then again, everybody in this cartoon is a caricature of something. For instance, Olive Oyl is the man hungry woman representative of the “weaker sex.” Keep that in mind when you watch her beat the carp out of those Indians while calling for help.

For one of the best histories on the Popeye cartoons; and the original comic strip from which they derived; go to Wikipedia at the following link;

http://en.wikipedia.org/wiki/Popeye

"Boogie Woogie Bugle Boy of Company B" - A Walter Lantz Cartoon (1941)

In this classic cartoon from just shortly after the draft began in 1941, the Ray Price and Hughie Prince composition of the iconic song, which is mostly associated with the Andrews Sisters or Bette Midler, gets a full blown workout as a Chicago bluesman is caught up in the first round of the draft.

This cartoon was made just after the January 1941 release of the Andrews Sisters recording, which was featured in the Abbott and Costello film “Buck Privates.” That film also had an earlier composition in it called “Beat me Daddy Eight to the Bar” which is almost identical to “Boogie Woogie Bugle Boy”, but is about a piano player instead. But “Bugler Boy” must have hit a stronger, more major chord with the public, as it was even nominated for an Academy Award. (Pardon the puns.)

This is a very fun cartoon to watch, and in spite of claims about racial stereotyping. Walter Lantz did receive many complaints about the cartoon, some even from the NAACP, and eventually stopped doing the stereotypical characters altogether. He even went so far as to see that none of those cartoons which he had produced ever made their way to television; which is kind of a shame; as there are valuable lessons to be learned by viewing the mistakes of the past.

At any rate, enjoy the cartoon for the music and the fluidity of the animation, which are both great examples of the era in which they were produced. And, in spite of the “politically correct” crowd, are still enjoyable to watch today. 

And here are the Andrews Sisters performing the song in the movie "Buck Privates."

"The Dixie Fryer" - Foghorn Leghorn (1960)

When I was a kid Foghorn Leghorn was my favorite Merrie Melodies character. Well, actually, they all had their good points, but perhaps it was because Foghorn seemed emblematic of what was happening in America at the time in regards to Civil Rights. It was also the 100th anniversary of the beginning of the Civil War. So, to me, Foghorn Leghorn “was” the Southern Dixiecrat; and although in reality his ilk would repulse me; as a cartoon there was an attraction borne of having seen this guy on the evening news.

In this 6 minute cartoon I’m not really sure who gets lampooned the most; the Southerners or the “Hillbillies” who are represented by chicken hawks, but are probably supposed to be African-Americans. But, at the same time, they bear all of the trappings of the stereotypical “Hillbilly.” 

So, if you are offended by this type of humor, remember that this cartoon came out just 2 years BEFORE “The Beverly Hillbillies” appeared on CBS, and which would run for 7 more years after. The Andy Griffith Show had already begun its classic run, and “Green Acres” wasn't even on the drawing board yet. At the same time, most television shows were white, and shows like “Julia” were still almost a decade in the future. And, it would be a full 10 years before Archie Bunker made a fool of himself each week in your living room.

The voices in this cartoon are, of course, Mel Blanc. Foghorn is hitchhiking south; presumably from D.C.; to spend the winter, being pulled by a flock of birds. When he catches scent of the magnolias, he knows he is back down South. Unfortunately for him, just as he is finished setting up camp for the winter, “Elvis” and “Pappy”; the aforementioned chicken hawks; catch his scent, and the race is on to see just who will be having who for dinner.

Forget the political correctness, and enjoy this cartoon for what it really represents. What is that? I’m not sure, but it looks an awful lot like most of us to me.

"The Barber of Seville" with Woody Woodpecker (1944)

Released during the Second World War, this cartoon has Woody Woodpecker reporting to the barbershop for a “Victory” haircut in support of the war effort. 

When he finds that the barber is out, he decides to cut his own hair, as well as do a little “business” on the side.  Naturally, he manages to offend every ethnic group in existence with disastrous, but comic outcomes. Remember, this cartoon is from before political correctness was invented.

Released in April of 1944, this was a Walter Lantz Production distributed by Universal studios. This was the 10^th Woody Woodpecker cartoon released.