Showing posts with label Don Cheadle. Show all posts
Showing posts with label Don Cheadle. Show all posts

Friday, December 7, 2012

"The Guard" with Brendan Gleeson and Don Cheadle (2011)

When Irish police Sergeant Gerry Boyle, played by Brendan Gleeson, is teamed with FBI agent Wendell Everett in an investigation of a drug smuggling ring, neither man is sure of what he has gotten into. With Sgt. Boyle displaying every stereotypical trait of a bigoted Irishman; and Agent Everett being overly sensitive to racism; the investigation quickly morphs into high gear as it alternates between a very good plot line and some politically incorrect humor.

Sergeant Boyle is the type who loves confrontation, lives with his dying mother and has a penchant for prostitutes. He could care less about the International drug smugglers. Paired with the very professional and uptight FBI Agent produces some very funny moments as the two learn to accept the fact that they have been thrown together. For better, or worse, the two begin to know each other a bit better as they tray their best to identify and ensnare all the players in this rapid fire comedy.

This film was the Official Selection at both the Sundance and Los Angeles Film Festivals for 2011. Director Michael McDonagh keeps the film on pace, delivering one of the most unusual comedies since “Saving Grace.”

 Pearl Harbor - Too Much Negotiation


This is the USS West Virginia on the morning of December 7, 1941. Negotiations for peace with Japan were underway in New York with the Japanese at the time of the attack. Remember this as you read today’s newspaper; sometimes there can be too much negotiating. The attack on Pearl Harbor is proof of the old adage that “the only thing new is the history we don’t know.”

 

Sunday, November 21, 2010

"Rosewood" with Don Cheadle, Ving Rhames, Jon Voight and Esther Rolle


This is a savage and raw movie that will leave you disgraced at the things, that we, as human beings, are capable of doing to one another. This is a true story, albeit slightly fictionalized, which takes place on New Years Day 1923 and turns into a 5 day orgy of violence that becomes the systematic destruction of an entire town of African-Americans, many of whom were Veterans of the First World War.

Rosewood, Florida in 1922 was an idyllic place for the African-Americans who lived there. Settled in 1845 by both blacks and whites, the town took it's name from the rosewood coloring of the cedar trees in the area. Over the ensuing decades, and after the Civil War, Rosewood became a mostly "colored" town, located outside of Gainesville. Florida had Jim Crow laws in force, to be sure, but the town of Rosewood consisted almost entirely of African-Americans, who owned stores, had homes, sent their children to church and school, in short they were people very much like their white neighbors in the next town.

The whole story unfolds as a married white woman, Fannie Taylor, is beaten by her lover, John Bradley, within earshot of her "colored" maid. To cover up her infidelity, Mrs. Taylor ran from her home, screaming that she had been attacked by a "negro." The word spread quickly, and the white citizens of the County began to organize into vigilante groups, all intent on revenge.

At this point Sheriff Walker of Levy County is informed that a black "chain gang" prisoner named Jesse Hunter had escaped the day before. He quickly organized a posse to look for him. He also urged all of the local "coloreds" to stay at home, or at work in the turpentine mills for their own safety.

Sam Carter, the local blacksmith was seized after it was said that he had helped the escapee find shelter in the woods outside of town. When he was asked to reveal the location to the mob he was unable to do so. They shot him in the face before hanging his mutilated body to a tree, presumably as a warning to others not to impede the vigilantes.

At the same time that all of this was happening, a white man named John Bradley fled to the home of Aaron Carrier, a black man who was a Veteran and a fellow Mason. Carrier and Carter, who was also a Mason, covered Bradley in the back of a wagon, intent on taking him to the river for safety. After Carter left Bradley at the river, he attempted to return home, only to be met by a band of vigilantes, who lynched him.

On the way back from the river the mob ran into Sylvester Carrier, the son of Aaron and a Veteran of the Great War. He was told to leave town, but refused. He was considered arrogant and "uppity", yet allowed to pass. He then returned to the Carrier home where he gathered as many men as possible to defend the town's women and children, most of whom were, by now, hiding in the woods.

Sylvester was known about town as "Man", and was a crack shot with a rifle. As the mob gathered for the inevitable showdown, numerous incidents of courage and heroism took place. The white sheriff had his hands full as he tried, unsucessfully, to keep some sense of order in the search for justice. By this time, most, if not all of the people involved, knew that Mrs. Taylor's had been beaten by her lover, and moreover, that no rape had taken place. But the truth is no impediment to the orgy of violence that takes place, and the mob continued to grow and their deeds became even more obscene.

Sylvester Carrier was able to get two local white train engineers to bring their train to a point outside of Rosewood, where the women and children were rescued. They were then pursued by the vigilantes as they made their way to Gainesville, and hopefully, justice. But it would be almost 70 years before this story would surface again, resulting in a Commission being formed to ascertain the truth and award damages to the remaining survivors.

Outstanding performances by Don Cheadle and Ving Rhames will keep you riveted to the screen as you watch the insanity unfold. And Esther Rolle, of TV's "Good Times", delivers one of the best performances of her career as Aunt Sarah. Jon Voight has never been in better form than in this movie, where he plays the conflicted John Wright, owner of the local General Store. Throw in perfect direction by John Singleton and this is a movie, and an historical event, which you will never, ever forget.

For more on the history of The Rosewood Massacre, see the link below;


http://www.displaysforschools.com/history.html

Friday, April 16, 2010

"Traitor" with Don Cheadle and Guy Pearce


This film is a real insight into the world of terrorism and counter intelligence in todays “War on Terrorism.” When is killing justified? And by whom? For God? For Country? For Honor? These are the central questions at the heart of this pulse pounding film.

The film, wide in its scope, covers the terrorist cells that operate with seeming impunity while also offering a realistic look behind the scenes of law enforcement as they try, under great restraint, to contain a growing threat to us all.

Samir (played with intensity by Don Cheadle) is an African-American of Yemen birth. When we first encounter him he is selling explosives to Radical Islamics. When he is captured and imprisoned in Yemen he meets Ahmed, who is a terrorist. When the two become friends they are broken out of jail by fellow Jihadists and embark upon a series of terrorist attacks.

Hard on their trail is a team of FBI agents(lead by Guy Pearce) who, without jurisdiction in the respective countries they visit, manage to successfully identify Samir and even come close to catching him just before another successful bombing. The film also explores the nature of counter espionage within the various agencies, who are all pursuing the same goal, but are all reluctant to share their information with one another.

With a minimum of special effects, this film manages to capture the real essence of the War on Terrorism. It also explores the chasm between Radical Islam and Islam as a Religion. At times it serves as an education about all of the different ideologies and beliefs that battle for control of the worlds politics. In addition, it explores the question of why someone looks to Radical Islam in the first place. And ultimately it asks the viewer how many killings are justified in any cause?

This film is a thriller from beginning to end. It draws no conclusions, it only reinforces the questions we all have concerning the role of religion and terrorism in todays world.