Showing posts with label Django Reinhardt. Show all posts
Showing posts with label Django Reinhardt. Show all posts

Wednesday, July 31, 2024

Django Reinhardt- "J'attendrai Swing" (1939)


Django Reinhardt was born in Belgium around 1910, and later moved to France, where he lived in a Gypsy (Romani) Caravan outside of Paris. He already played banjo, guitar etc., and was about to join a band with his brother. This was around 1928.

However fate had something else in store for him. In November of 1928 he almost died. He knocked over a candle and the wagon in which he lived with his wife was engulfed in flames. There was a tremendous amount of celluloid, used by his wife to make artificial flowers, the result burning over half of his body, including his left arm and right leg. He refused the amputation of the leg, and walked with a cane for the rest of his life. He was hospitalized for 18 months.

But it was the injury to his left hand which was the worst part, while at the same time the very thing that made him the great guitarist he became. The fourth and fifth fingers of that hand were severely burned and he was told that he would never play guitar again.

Music was such an integral part of his life that he went on and taught himself to play with the index and middle fingers of his left hand, using the two injured fingers only for chords. Those injured fingers were what gave him his unique sound, resulting in those rapid runs up and down the fret board. He used a six-string steel strung acoustic guitar.

By 1929 he had and his wife had a son, but they soon split up. However, the son, Lousson Baumgartner, eventually became an accomplished player and even recorded with his father.

He was introduced to American jazz by an acquaintance, Emile Savitry. They were both influenced by Louis Armstrong, Duke Ellington, Joe Venuti, Eddie Lang, and Lonnie Johnson. But it was the swinging sound of Venuti's jazz violin and Eddie Lang's guitar-playing which gave birth to Reinhardt and  Stephane Grappelli's unique  sound. Together they would form the Hot Club and alter the course of music. Grappelli was even featured on Paul Simon's "Hobo Blues" in the early 1970's.

This song is the short version from a film about jazz, which can be found on You Tube and I highly recommend it. It takes you from the original classical recording of a classical recording to the following jazz-swing version of the song. For the sake of brevity I am posting only the portion of that video with Django and Grappelli with the Hot Club. I hope you enjoy it. 

Sunday, August 10, 2014

"Sheik of Araby" / "Right or Wrong" (1921)


Music is often said to be a mathematical experience, in that there are 7 major chords and 8 notes which comprise all of the western music ever written. It’s different in India, where they have a seemingly infinite number of notes; or sounds; 64, I think. Imagine the possibilities!

I love music, and listen to a lot of older music. Sometimes I think I hear the nascent sounds of a later song in an older one. It’s usually just a phrase or so, a stumbling upon the same territory and sound, as another composer elsewhere. But every now and then I come across one as blatant as “My Sweet Lord” was to “She’s So Fine.” But this time it’s different.

These 2 songs were written by 2 teams of songwriters working at different ends of the country at a time when radio wasn’t available beyond the crystal head set phase. So that makes it very unlikely that either one of these songwriters even had the opportunity to plagiarize anything from one another. This is a true mathematical/musical coincidence. The odds are astounding that this could occur, even by chance.

“The Sheik of Araby” is a bit faster and in a higher key, but the melody is the same as the slower “Right or Wrong.” If you don’t believe me just sing the lyrics to “Right or Wrong” while listening to the “Sheik of Araby.” I have used instrumental versions of both songs to make it easier.

"The Sheik of Araby", like “Right or Wrong”, was written in 1921. The lyrics were by Harry B. Smith and Francis Wheeler, and the music was composed by Ted Snyder. It was written at the height of Rudolph Valentino’s popularity in the film “The Sheik.” It is considered to be one of the thousands of hits to come from Tin Pan Alley in New York City.

Now, moving on to “Right or Wrong”; remember that the coincidence here is two-fold. Not only did the music have to be of the same melody, the lyrics had to be of the same meter; as in rhyme scheme. This really is an amazing thing, even though the songs are in different keys.
“Right or Wrong" is considered to be a jazz ballad. The music was composed by Art Sizemore and Paul Biese, and the words were penned by Haven Gillespie. It was meant to be played as a foxtrot. Bob Wills immortalized this song with his two step version in 1936, which has become the standard.

So check it out and let me know what you think. Here’s the main chorus for “Right or Wrong”;

Right or wrong, I'll always love you.
Tho' you're gone, I can't forget.
Right or wrong, I'll keep on dreaming,
Tho' I wake with that same old regret.
All along I knew I'd lose you,
Still I pray'd that you'd be true.
In your heart, please just remember,
Right or wrong, I'm still in love with you.

And here are the lyrics to “The Sheik of Araby”;

Well I'm the sheik of Araby
Your love belongs to me
Well at night where you're asleep
Into your tent I'll creep
Aha

The stars that shine above
Will light our way to love
Ah you rule this world with me
I'm the sheik of Araby

Well I'm the sheik of Araby
Your love belongs to me
Wow oh at night where you're asleep
Into your tent I'll creep
Aha

The sun that shines above
Will light our way to love
You rule this world with me
I'm the sheik of Araby
Well I'm the sheik of Araby
Well I'm the sheik of Araby, yeah.