Showing posts with label Cicely Tyson. Show all posts
Showing posts with label Cicely Tyson. Show all posts

Thursday, January 15, 2015

"The Trip to Bountiful" with Cicely Tyson and Vanessa Williams (2013)

In this Horton Foote play; directed by Michael Wilson; Cicely Tyson plays the elderly Mrs. Watts who lives with her son Ludie and daughter in law Jessie Mae; played by Blair Underwood  and Vanessa Williams, respectively. Ludie only wants what is best for his aging hymn singing mother; but the old woman is a thorn in the side to his wife. It’s worth noting that Ms. Williams’ portrayal of Jessie Mae is so spot on that you will despise her character within only a few moments of meeting her.

Mrs. Watts lives off her “government pension check”, which never seems to arrive early enough to suit Jessie Mae. She has even instructed the local grocer to never cash the check for the older woman; making sure that she is using the check to pay for her room and board. The elderly Mrs. Watts wants only one thing in life before she dies; she wants to return home for a visit to her hometown of Bountiful in Louisiana. Her memories of it are so vivid that she can feel the sea air wrapping around her face as she once did while sitting on her front “gallery”.

As things in her son’s house get more and more difficult for the old woman to bear she hatches a plan. Hiding the monthly check from her daughter in law she packs her things when no one is home and goes to the bus station, intent on making the trip to Bountiful on her own. It is while at the bus station that she finds out Bountiful is nothing more than a ghost town between 2 other stops on the bus line. With her uncashed check and nothing but the $4.50 bus fare in change, she gets a ticket to the town 12 miles short of her destination.

Waiting for the bus she spots her son and daughter in law looking for her. She eludes them with the help of a young woman named Thelma; played sweetly by Keke Palmer; whose husband has just left for “overseas”. She is returning home to stay with her parents during his absence.  The two women sit together on the bus and find kinship with one another and the vagaries of life. They even sing hymns together; in sharp contrast to the older woman’s life at home, where her daughter in law forbids her to sing and her son is not man enough to stand up for her.

Arriving in the town of Harrison at midnight; 12 miles short of Bountiful;  Mrs. Watts discovers that she has left her purse, with the uncashed check in it; aboard the bus, which has now left and will not return until 5 AM. This turn of events coincides with the departure of Thelma on a connecting bus to her destination, leaving the older woman alone to spend the night on a bench in the bus station waiting room.

But she is not really alone. Aside from her hymns she has the bus station’s elderly ticket agent to keep her company. She chats with him for a while before they both drift off to sleep; her on the bench and he behind the window of the ticket counter. When her purse arrives at 5 AM he elects to let her sleep until her son; who has phoned the local Sheriff; is scheduled to arrive to pick his mother up and bring her back to his home.

Before that can happen though, the local sheriff; played by Clancy Brown, arrives and asks the agent to keep her there and phone him if she becomes unstable. Her daughter in law has portrayed her as crazy to the Sheriff in an effort to thwart Mrs. Watts’s efforts to elude her son. But the Sheriff is taken by the older woman’s pluck and agrees to drive her on out to Bountiful for a look at what is left of her old home.

On the way the two are able to establish a rapport which transcends the racism and bigotry of the time and place in which this story takes place. As a matter of fact, the only times race relations come up in this movie are when you see the Colored Waiting Room signs and notice the attitude of the ticket agent in the first bus terminal towards African-American passengers. This laissez-faire attitude towards the “elephant in the room” does much to enhance the film. Without “beating the dead horse” the story is more focused on the human aspect of Mrs. Watts wanting to go home. And that’s something we can all identify with at one point of our life or another.

In the end, Mrs. Watts gets to go home; via the courtesy of the Sheriff. And her son does arrive to pick her up; but not at the bus station, as planned. He too, must make that extra journey of only 12 miles; if only in order to understand his mother more fully. And, I think it’s fair to say that we all need to make that extra journey in order to understand one another. This was a delightful; and poignant; film. 

Tuesday, December 2, 2014

"Always Outnumbered, Always Outgunned" with Laurence Fisburne (2010)

Walter Mosley’s short stories come to life with the flawless acting of Laurence Fishburne in the title role of Socrates Fortlow, an ex-con living in the Watts section of Los Angeles. The screenplay is also by the author, so nothing is lost in the way of character development and the film is a seamless companion to the book.

When Socrates moves into the neighborhood he forms an unlikely bond with an 11 year old boy who is living with a secret; much as Socrates is. There is a violent incident in the boy’s past which haunts him. Realizing that holding this secret in will only lead the boy down wrong path he sets out to encourage the boy to face up to the fear and put it behind him; before it follows him, forever shadowing his life.

While looking for an honest job at a supermarket, he collects aluminum cans which he redeems at the grocery store. Pushing a shopping cart with the rest of the homeless and disenfranchised affects Socrates in a predictable way; he is angry at the seeming injustice of the whole system.

His best friend is sick and cannot afford the medicine he needs to allay the pain of dying; much less the medical bills to be treated. But Socrates knows someone who can provide the relief his friend needs, and he is happy to provide the money necessary. His friends wife is a woman who does not trust men; particularly African-American men; underscoring the gauntlet which many African-American men must navigate within their own communities. Disenfranchised from without and scorned from within.

As Socrates struggles to accept his past, he also needs to fight for his future. But that future depends on the job at the grocery store, and his lack of a car prevents his being hired there. Meantime his friend; who is too proud to take a job in a lesser position than the one he lost; struggles to keep his marriage together. Socrates wants to help him, but can’t understand why he needs to be encouraged; after all he has a wife and child to take care of. Isn’t that motivation enough?

This movie; and the book by Walter Mosley; both serve to underscore how little we have moved forward socially; as far as economic progress is concerned; since these stories were written almost 20 years ago. If you have never read the stories then this book will serve as an excellent introduction to a the character of Socrates Fortlow, a man who is emblematic of not only the African-American struggle socially; but also of the every man in America today who all fight to keep our heads above water and provide a future for our families, as well as our communities.

The stellar cast of this film includes the following accomplished actors; most of whom appear out of their usual characters;

Laurence Fishburne - Socrates Fortlow
Bill Cobbs - Right Burke
Natalie Cole - Iula Brown
Daniel Williams - Darryl
Cicely Tyson - Luvia
Bill Nunn - Howard M'Shalla
Bridgid Coulter - Corina M'Shalla
Isaiah Washington - Wilfred
Bill Duke - Blackbird Willis