Showing posts with label Agatha Christie. Show all posts
Showing posts with label Agatha Christie. Show all posts

Tuesday, October 16, 2012

"Agatha" with Vanessa Redgrave and Dustin Hoffman (1978)

The only excuse I can possibly have for having not seen this film before is that I was at sea from 1976 until 1984; consequently, I missed quite a few movies, and this is one of those. The story is set in 1926, the year in which Ms. Christie actually did disappear for a period of 11 days; and her whereabouts never explained. She was married at the time to a Colonel Christie, who was having an affair with his secretary, one Ms. Neele. Two years after the fictitious events in this film, the two divorced, and he married Ms. Neele.

Based solely upon that bit of gossip from the 1920’s, Kathleen Tynan penned this story almost 50 years later, creating a real life Agatha Christie mystery in the process. Assisted in the screenplay by Arthur Hopcraft, the film is tightly woven. The inter play between Ms. Redgrave, as Ms. Christie, and Dustin Hoffman as the sleuthing American journalist Wally Stanton, who uncovers the truth behind her disappearance, is almost palpable in the affection between the two. Although they never get together, the viewer is left wishing they had.

The most important thing to remember when watching this film is that it is fiction, based, though it is, upon a true event. The disappearance of Ms. Christie has never fully been resolved, and the story presented here could actually have been the truth. One never knows. Director Michael Apted does a great job in keeping this film on track, as well as capturing the mixture of fear; and affection; between the two main characters, as Mr. Stanton first attempts to solve the mystery for personal gain, only to abandon those efforts to shield a woman he has come to deeply admire. This film was a very pleasant surprise.

Monday, February 6, 2012

"And Then There Were None" with Barry Fitzgerald, Roland Young, and Walter Huston (1945)

Sit down in your favorite armchair and enjoy this classic British whodunit by Agatha Christie, with a screenplay by Dudley Nichols. The basic plot is just as it sounds, ten unrelated people are invited to an island for the weekend, by someone whom they do not know. Once there, they are made privy to the details of one another's indiscretions and short comings. And then, one by one, they are killed in retribution. But by whom?

It may sound trite and simple, but this is a fun movie to watch. The cast of characters includes the wonderfully wry Barry Fitzgerald, the majestic C. Aubrey Smith, a remarkable Walter Huston, the ever bumbling Roland Young, a cold and aloof Judith Anderson and the perfectly inept Mischa Auer, to name just 6 of the 10. Directed skillfully by René Clair, this is one of those rainy day movies that made growing up fun.

Monday, December 12, 2011

"Murder In the First Class Carriage" by Kate Colquhoun

If you have ever read a British "whodunit" by Agatha Christie, or if you enjoy movies such as "The Lady Vanishes", then this is the book for you. Painstakingly researched, and written in the manner of a good murder-mystery, this book grabs your attention on page one, and keeps you reading, looking for the one clue that will solve the mystery of just who murdered Thomas Briggs, an elderly banker travelling alone on the North London Railway in 1864. Mr. Briggs was a punctual man, bankers generally are, and when he did not return home at the expected time, his family knew that something was wrong. How right they were.

There had never been a murder on a British train before July 9th, 1864, and the crime galvanized the nation. Scotland Yard sent their best detectives to solve the case, as well as assuage the public's concern. This was a new type of crime, one that would affect even the wealthiest of citizens. Travelling in First Class was not as safe as one would suppose. British trains back then did not have a common interior passageway, you boarded from the outside and the conductor locked the door from the outside. You were, in effect, in solitary confinement for the distance between stations. That is where Mr. Briggs was killed, between stations.

With no real forensics to go by; fingerprinting and blood typing were still a bit in the future; the case is baffling to the police, while the public clamors for the murderer to be brought to justice. At this point, Inspector Tanner of the Metropolitan Police Force is placed in charge of the case and quickly has a suspect. The alleged killer turns out to be a German man named Franz Muller. Employed as a tailor, Mr. Muller made his living by travelling from country to country, plying his trade. This was not unusual at the time. The sewing machine had just been invented a little over a decade earlier, and tailors were in great demand.

What really makes this book is the fact that it marks the first time a killer is pursued across the ocean, by ship, to America. Making it even better is the technology that came into play in order to make the arrest. Muller left for America within a few days of the murder. During that time he pawned a watch chain which had belonged to the victim. He used the proceeds to purchase a different chain and a ring, which he proceeded to show off. He then sailed for America aboard a sailing vessel. Detective Tanner, after developing his case, set sail on a steam powered vessel, intending to beat him to New York, where he would be awaiting Müller’s' arrival with Extradition papers in hand. Against the backdrop of the American Civil War, he was able to obtain the necessary documents to bring Muller back to England for trial.

Back in England, with the suspect on trial for murder, the Prosecution relied on mostly circumstantial evidence to convict, and then execute, Franz Muller for the murder of Thomas Briggs. The verdict was mainly reached due to an indentation on the victim’s hat, by a thumb, which kind of matched that of the accused.

Was Mr. Muller really guilty? I'm not sure; you will have to decide for yourself. Full of high drama and suspense, this book will have you wondering about progress, and its effect upon justice, both then, and now.